MOVIE REVIEW
Last Party
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Genre: Drama, Mystery
Year Released: 2024
Runtime: 1h 20m
Director(s): Nicolas Dozol
Writer(s): Nicolas Dozol, Leah Ladoux, Paul Tomasini, Chloé Vittenet
Cast: Lucie Cecchi Remi Gerard Uma Condolo Teddy Hardy Victorien Bonnet Anouchka Henchoz Loïse Dô Blandine Chappelier Chloé Mauron Ruben Lemonnier
Where To Watch: world premiere at the 2024 Chelsea Film Festival

RAVING REVIEW: At the heart of Nicolas Dozol's LAST PARTY is an evening that turns a simple high school celebration into a profound journey. The film takes us deep into the lives of four teenagers—Angela (Lucie Cecchi,) Alexander (Remi Gerard,) Lily (Uma Condolo,) and Ethan (Teddy Hardy)—who find themselves unexpectedly locked in at their graduation party. This twist of fate transforms what could have been a typical night into a profound exploration of their fears and dreams, marking their transition from youth to the uncertainties of adulthood.

LAST PARTY and its ambitious cinematography, executed by Aurel Ganz alongside Dozol. Together, they choreographed 28 long takes that seamlessly connect, crafting a visual experience that feels like a single continuous shot. This technique draws the audience directly into the film's emotional heart, aligning them closely with the characters during intense psychological turmoil, such as Angela’s vivid hallucinations or Alexander’s sudden mishap. This immersive approach narrows the gap between viewer and character and amplifies the emotional impact of the film's most critical scenes.

The film’s cast delivers performances that add authenticity to their complex, multifaceted roles. Despite occasionally veering into typical high school stereotypes, the actors navigate their characters' emotional landscapes with a sincerity that transcends these clichés. Their genuine portrayals prevent the characters from becoming mere archetypes, bringing to life the script’s deeper intentions with moments of genuine personal connection.

Dozol’s use of the confined party space does more than just serve as a backdrop; it catalyzes the characters to confront their deepest insecurities and unresolved issues. The setting, combined with the clever interplay between reality and perception, intertwines a compelling story of identity and the quest for self amidst the chaos of adolescence. However, the film's ambitious attempt to tackle a wide array of coming-of-age issues in just one evening occasionally leads to some narratives feeling slightly underdeveloped.

The film's continuous flow, driven by its unique shot composition, creates an urgent pacing that mirrors the quickening changes in the characters’ lives. This constant motion keeps the audience engaged but also mimics the teenagers' overwhelming rush of emotions, leaving little time for the viewer to pause and reflect.

LAST PARTY's open-ended conclusion may not please some viewers. Still, its ambiguity invites more profound reflection on personal growth and identity themes but may leave those desiring a neat resolution a bit wanting. LAST PARTY continues the director's exploration of complex narratives that challenge conventional storytelling. 

Despite minor shortcomings, LAST PARTY stands out in the coming-of-age genre for its stylistic innovation and emotional depth. It successfully combines drama, romance, and psychological thriller elements, presenting a story that entertains and provokes thought and reflection. LAST PARTY is particularly compelling for viewers who appreciate films that challenge as much as they captivate, offering a rich, multilayered narrative that leaves a lasting impression.

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[photo courtesy of LIGHTS RUSH]

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