{"id":12281,"date":"2026-10-21T09:00:00","date_gmt":"2026-10-21T14:00:00","guid":{"rendered":"https:\/\/mailnewsgroup.com\/ohmr\/?p=12281"},"modified":"2026-10-21T13:47:59","modified_gmt":"2026-10-21T18:47:59","slug":"growing-up-between-bunks","status":"publish","type":"post","link":"https:\/\/mailnewsgroup.com\/ohmr\/growing-up-between-bunks\/","title":{"rendered":"Growing up Between Bunks"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>6 Minute, 45 Second                <\/div>\n\n            <\/div><p><strong>MOVIE REVIEW<br \/>\nThe Floaters<\/strong><br \/>\n<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/NOTRATED.svg\" \/><strong> &#8211;\u00a0<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" \/>\u00a0<\/strong><img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" \/><strong>\u00a0<\/strong><img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" \/><strong>\u00a0<\/strong><img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/halfstar.svg\" \/><strong>\u00a0<\/strong><img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" \/><\/p>\n<p><strong>Genre: <\/strong>Comedy<br \/>\n<strong>Year Released: <\/strong>2025, 2026<br \/>\n<strong>Runtime: <\/strong>1h 41m<br \/>\n<strong>Director(s):<\/strong> Rachel Israel<br \/>\n<strong>Writer(s): <\/strong>Amelia Brain, Andra Gordon, Brent Hoff<br \/>\n<strong>Cast: <\/strong>Jackie Tohn, Sarah Podemski, Aya Cash, Judah Lewis, Nina Bloomgarden, Jake Ryan, Seth Green, Jonathan Silverman, Steve Guttenberg, Dan Ahdoot, Thani Brant, Jim Kaplan, Jacob Moskovitz, Bekah Zornosa, Jillian Jordyn<br \/>\n<strong>Where to Watch: <\/strong>arrives on Apple TV, Amazon Prime Video, Fandango at Home, YouTube, and cable and satellite VOD on November 10, 2026. Pre-sale is already live on Apple TV. Shown in theaters July 10, 2026, opens at Quad Cinema in New York with cast &amp; crew Q&amp;As, expands to LA, Chicago, and beyond beginning July 17<\/p>\n<hr \/>\n<p><strong><strong><strong>RAVING REVIEW:\u00a0<\/strong><\/strong><\/strong>Summer camp movies usually understand something adults seem to forget the second they leave the cabins behind. A few weeks away from home can feel like an entire lifetime. THE FLOATERS uses that as both its playground and the emotion that drives the story, building a warm, fast-moving comedy around the people who don\u2019t quite fit into the expectations, the clique, or the version of themselves everyone else keeps expecting them to be.<\/p>\n<hr \/>\n<p>Rachel Israel\u2019s film follows Nomi, played by Jackie Tohn, a musician who loses her place in her band right before a major shift in her life was supposed to begin. With her confidence rattled and her future less certain, she accepts a job from her childhood best friend, Mara, played by Sarah Podemski, at the Jewish summer camp they once attended together. Mara is now the camp director, overwhelmed by a failing septic system, financial pressures, and the kind of responsibility that makes nostalgia feel less magical. Nomi, meanwhile, is tasked with supervising the Floaters, a group of campers who haven\u2019t signed up for activities and don\u2019t seem especially interested in being folded into the camp\u2019s official idea of fun.<\/p>\n<p>The film\u2019s personality comes from the specificity of its world. Camp Daveed isn\u2019t treated as a generic summer camp with a few cultural details sprinkled over the top. The Jewish setting shapes the humor, conflicts, rituals, questions of identity, and sense of belonging that run throughout the story. Israel isn\u2019t making the culture a punchline or a lecture. She\u2019s making it feel alive. Some references may land harder for viewers with Jewish camp experience, but the emotion is easy to understand. Everybody knows what it feels like to be the person on the edge of the group, pretending not to care whether anyone notices.<\/p>\n<p>Tohn gives Nomi the right mix of defiance and damage. She\u2019s funny because she doesn\u2019t try too hard to be lovable, and the film is better for that. Nomi can be careless, impulsive, and too eager to chase a win if it lets her avoid sitting with her own disappointment. Tohn plays with the flaws without dulling the character\u2019s appeal. Her Nomi is the kind of adult who can connect with teenagers because she\u2019s not completely done being one herself, at least not in the ways that matter the most. That makes her a credible mentor for the Floaters and a complicated friend for Mara.<\/p>\n<p>Podemski\u2019s Mara is just as important to the film\u2019s balance. She could\u2019ve been reduced to the caricature of the friend who needs to loosen up, but Podemski brings more to the role than that. Mara cares about the camp because she understands what it means beyond the cabins and competitions. She\u2019s trying to preserve a community while everyone around her wants something from her. From solutions, money, patience, flexibility, and emotional availability. Her bond with Nomi gives the film stakes that run parallel to the campers\u2019 stories. These two women have history, affection, resentment, and a shared past they can\u2019t quite return to.<\/p>\n<p>Judah Lewis, Nina Bloomgarden, Jake Ryan, Thani Brant, Jim Kaplan, Jacob Moskovitz, Bekah Zornosa, and Jillian Jordyn help create a group that, by design, feels scattered at first. These kids are awkward, defensive, dramatic, performative, and occasionally unbearable in exactly the way campers should be. The film gets a lot from letting them clash before they bond. The Floaters don\u2019t become a found family because the screenplay tells them to; they get there through irritation, embarrassment, and the slow realization that nobody else at camp knows what to do with them.<\/p>\n<p>Aya Cash brings a sharp comic presence as Rabbi Rachel, a character who could\u2019ve easily become a quirky side note. Instead, Cash makes her feel like someone who understands both the ridiculousness and the seriousness of camp life. She carries herself with enough calm to make the chaos around her funnier, and she gives the film a few of its more thoughtful moments. Seth Green has fun as Daniel, from the rival camp whose presence gives Mara and Nomi\u2019s old wounds something to push against.<\/p>\n<p>Once the Floaters begin to function as a group, the movie finds its real lane. The comedy becomes less about setup and more about personality. The camp competition gives the story an easy focus, but the film works because the stakes become emotional rather than purely logistical. Saving the camp matters, yes, but the bigger question is whether these people can stop treating themselves as temporary. Nomi has to decide whether failure has made her useless or simply available for a different kind of purpose. The kids have to decide whether being outsiders means staying detached forever. Mara has to decide whether keeping the camp alive requires controlling every piece of it.<\/p>\n<p>THE FLOATERS is strongest when it celebrates Jewish joy without sanitizing it. The film allows disagreement, awkwardness, insecurity, ritual, humor, and frustration to sit together. This isn\u2019t a movie about unity. It\u2019s about the messier version of community, the kind where people argue, annoy each other, misunderstand each other, and somehow still end up singing, performing, competing, or eating together. That sense of cultural warmth feels especially meaningful because the film isn\u2019t built around trauma or explanation. It\u2019s built around life.<\/p>\n<p>THE FLOATERS is a heartfelt, funny, culturally specific camp comedy with more personality than polish. It doesn\u2019t reinvent the summer camp movie, and it occasionally tries to carry too many people through the same trail. The parts that work, though, work with real warmth: Tohn and Podemski\u2019s friendship, Cash\u2019s offbeat wisdom, the young cast\u2019s growing chemistry, and Israel\u2019s clear affection for the camp world she\u2019s bringing to the screen.<\/p>\n<p>By the end, THE FLOATERS feels like a movie about returning to the place where you once hoped someone would understand you and discovering that you might now be the person who helps someone else feel understood. The film is messy in spots, but so is camp, and so are people. Sometimes the misfits don\u2019t need to become less strange. They just need the right bunk, the right stage, and enough time to realize they weren\u2019t floating alone.<\/p>\n<p>Please visit https:\/\/linktr.ee\/overlyhonestr for more reviews.<\/p>\n<p>You can follow me on Letterboxd, Instagram, Twitter, and YouTube. My social media accounts can also be found on most platforms by searching for &#8216;Overly Honest Reviews&#8217;.<\/p>\n<p>I\u2019m always happy to hear from my readers; please don&#8217;t hesitate to say hello or send me any questions about movies.<\/p>\n<p><em>[photo courtesy of BRAINSTORM MEDIA]<\/em><\/p>\n<p><strong>DISCLAIMER:<\/strong><br \/>\nAt Overly Honest Movie Reviews, we value honesty and transparency. Occasionally, we receive complimentary items for review, including DVDs, Blu-rays, CDs, Vinyl Records, Books, and more. We assure you that these arrangements do not influence our reviews, as we are committed to providing unbiased and sincere evaluations. We aim to help you make informed entertainment choices regardless of our relationship with distributors or producers.<\/p>\n<p><strong>Amazon Affiliate Links:<\/strong><br \/>\nAdditionally, this site contains Amazon affiliate links. If you purchase through these links, we may receive a commission. This affiliate arrangement does not affect our commitment to honest reviews and helps support our site. 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[&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12282,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/mailnewsgroup.com\/img\/0367\/0367329.png","fifu_image_alt":"","iawp_total_views":24,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-12281","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-theaters-digital"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - aioseo.com -->\n\t<meta name=\"description\" content=\"MOVIE REVIEW The Floaters - Genre: Comedy Year Released: 2025, 2026 Runtime: 1h 41m Director(s): Rachel Israel Writer(s): Amelia Brain, Andra Gordon, Brent Hoff Cast: Jackie Tohn, Sarah Podemski, Aya Cash, Judah Lewis, Nina Bloomgarden, Jake Ryan, Seth Green, Jonathan Silverman, Steve Guttenberg, Dan Ahdoot, Thani Brant, Jim Kaplan, Jacob Moskovitz, Bekah Zornosa, Jillian Jordyn\" \/>\n\t<meta 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