{"id":2307,"date":"2023-05-07T00:00:00","date_gmt":"2023-05-07T00:00:00","guid":{"rendered":"<p><strong>MOVIE REVIEW<br \/>\r\nThe Sunday Woman (La donna della domenica)<\/strong><br \/>\r\n<img src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/rated_r.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/> -&nbsp;<img src=\"https:\/\/ma"},"modified":"2023-05-07T15:59:29","modified_gmt":"2023-05-07T15:59:29","slug":"high-society-unmasked-a-tale-of-intrigue-suspense-and-social-commentary","status":"publish","type":"post","link":"https:\/\/mailnewsgroup.com\/ohmr\/high-society-unmasked-a-tale-of-intrigue-suspense-and-social-commentary\/","title":{"rendered":"High Society Unmasked: a Tale of Intrigue, Suspense, and Social Commentary"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>3 Minute, 34 Second                <\/div>\n\n            <\/div><p><strong>MOVIE REVIEW<br \/>\nThe Sunday Woman (La donna della domenica)<\/strong><br \/>\n<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/rated_r.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/> &#8211;&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/halfstar.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/><\/p>\n<p dir=\"ltr\"><strong>Genre:<\/strong> Crime, Mystery, Comedy<br \/>\n<strong>Year Released:<\/strong> 1975, 2023 Radiance Films Blu-ray<br \/>\n<strong>Runtime:<\/strong> 1h 49m<br \/>\n<strong>Director(s):<\/strong> Luigi Comencini<br \/>\n<strong>Writer(s):<\/strong> Carlo Fruttero (novel,) Franco Lucentini (novel,) Agenore Incrocci (screenplay,) Furio Scarpelli (screenplay)<br \/>\n<strong>Cast:<\/strong> Marcello Mastroianni, Jacqueline Bisset, Jean-Louis Trintignant<br \/>\n<strong>Language:<\/strong> Italian with English subtitles<br \/>\n<strong>Where To Watch:<\/strong> available to purchase now<br \/>\n<strong>UK &#8211;<\/strong> <a href=\"https:\/\/www.radiancefilms.co.uk\/products\/the-sunday-woman-le?_pos=1&amp;_sid=d567e863e&amp;_ss=r\">www.radiancefilms.co.uk<\/a><br \/>\n<strong>US &#8211;<\/strong> <a href=\"https:\/\/mvdshop.com\/products\/the-sunday-woman-blu-ray?_pos=1&amp;_sid=ddfb8b461&amp;_ss=r\u00c2\u00a0\">www.mvdshop.com<\/a><\/p>\n<hr \/>\n<p><strong>RAVING REVIEW:&nbsp;<\/strong>Get ready for a whirlwind of mystery, full of intrigue, and biting social commentary in THE SUNDAY WOMAN. Set amidst the high society in Turin, Italy, this gripping film follows the investigation of a gruesome murder that uncovers the city&#39;s aristocracy&#39;s dark secrets. The movie features a stellar cast led by Jacqueline Bisset, Jean-Louis Trintignant, and Marcello Mastroianni.<\/p>\n<hr \/>\n<p>Luigi Comencini&#39;s direction brings a unique blend of suspense and humor (at times dry) to THE SUNDAY WOMAN, highlighting the remarkable talent of its lead actors. This film created the roots for such modern-day classics as KNIVES OUT, BAD TIMES AT THE EL ROYALE, and the remake of MURDER ON THE ORIENT EXPRESS.<\/p>\n<p>THE SUNDAY WOMAN has its challenges. The pacing of the police investigation seems inconsistent, culminating in an unexpectedly abrupt resolution after a slow burn to the start. Furthermore, certain story aspects still need to be explored, sometimes leaving more questions than answers. This is okay, but it&#39;s hard to ignore when they seem vital to the story.<\/p>\n<p>However, the film&#39;s charm lies in its critique of social issues. It tackles themes such as adultery, prostitution, and homosexuality at a time when these topics were nearly taboo. These privileged individuals, who pretend to be intellectually superior, have their closets emptied. Some of the issues in the film were handled with a lens of the day, so you have to remember this was made nearly 50 years ago.<\/p>\n<p>The on-screen chemistry between Bisset and Mastroianni is one of the film&#39;s high points; it feels so natural that you&rsquo;d be mistaken if you thought they had been lifelong acquaintances. While some call this Giallo film, THE SUNDAY WOMAN offers a unique blend of elements that further it as more than that. The movie looks at the ethical disparities within the justice system, providing a fascinating insight into the complexities of Italy&#39;s social structure.<\/p>\n<p>While it may have imperfections, the movie&#39;s absorbing plot, skilled direction, and extraordinary performances make it a worthy watch for a diverse audience &ndash; not just cinephiles. If you&#39;re craving a riveting and thought-provoking dive into the heart of Italian society, look no further than THE SUNDAY WOMAN. This film will entertain you with its captivating mystery and provoke reflection on our world&#39;s darker aspects.<\/p>\n<p><strong>SPECIAL FEATURES:<\/strong><br \/>\n&#8211; 2K restoration of the film from the original negative, presented in the original 1.33:1 and an alternate 1.85:1 widescreen presentation<br \/>\n&#8211; Original uncompressed mono PCM audio<br \/>\n&#8211; Newly filmed interview with academic and Italian cinema expert Richard Dyer, who looks at The Sunday Woman (2022, 18 mins)<br \/>\n&#8211; Archival interview with cinematographer Luciano Tovoli who discusses his work on the film (2008, 22 mins)<br \/>\n&#8211; Newly filmed interview with academic and screenwriter Giacomo Scarpelli, who discusses the life and work of his father, Furio Scarpelli, and his writing partner Agenore Incrocci (2022, 36 mins)<br \/>\n&#8211; Archival French TV interview with Jean-Louis Trintignant in which the actor discusses The Sunday Woman (1976, 4 mins)<br \/>\n&#8211; Trailer<br \/>\n&#8211; Reversible sleeve featuring designs based on original posters<br \/>\n&#8211; Limited edition 24-page booklet featuring new writing on the film by Mariangela Sansone and a reprint of an archival piece on the film<br \/>\n&#8211; Limited edition of 2000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings&nbsp;<\/p>\n<p>For more reviews, please visit &#8211; https:\/\/linktr.ee\/Overlyhonestmoviereviews for more info.<\/p>\n<p>Follow me on Letterboxd, Instagram, Twitter, and YouTube. Find my social media accounts on most platforms simply by searching Overly Honest Movie Reviews.<\/p>\n<p>I&rsquo;m always happy to hear from my readers; please say hi or send me any questions about movies.<\/p>\n<p><em>[photo courtesy of RADIANCE FILMS\/MVD ENTERTAINMENT]<\/em><\/p>\n        <div class=\"booster-block booster-reactions-block\">\n            <div class=\"twp-reactions-icons\">\n                \n                <div class=\"twp-reacts-wrap\">\n                    <a react-data=\"be-react-1\" post-id=\"2307\" class=\"be-face-icons un-reacted\" href=\"javascript:void(0)\">\n                        <img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/ohmr\/wp-content\/plugins\/booster-extension\/\/assets\/icon\/happy.svg\" alt=\"Happy\">\n                    <\/a>\n                    <div class=\"twp-reaction-title\">\n                        Happy                    <\/div>\n                    <div class=\"twp-count-percent\">\n                                    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(novel,) Agenore Incrocci (screenplay,) Furio Scarpelli (screenplay) Cast: Marcello Mastroianni, Jacqueline Bisset, Jean-Louis Trintignant Language: Italian with English subtitles Where To Watch: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2308,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-2307","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/2307","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/comments?post=2307"}],"version-history":[{"count":0,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/2307\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media\/2308"}],"wp:attachment":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media?parent=2307"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/categories?post=2307"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/tags?post=2307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}