{"id":3043,"date":"2023-08-09T01:00:00","date_gmt":"2023-08-09T01:00:00","guid":{"rendered":"<p><strong>MOVIE REVIEW<br \/>\r\nTo Live and Die in L.A.<\/strong><br \/>\r\n<img src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/rated_r.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;-&nbsp;<img src=\"https:\/\/mailnewsgroup.co"},"modified":"2023-08-09T14:42:41","modified_gmt":"2023-08-09T14:42:41","slug":"not-just-80s-nostalgia-an-enduring-crime-noir","status":"publish","type":"post","link":"https:\/\/mailnewsgroup.com\/ohmr\/not-just-80s-nostalgia-an-enduring-crime-noir\/","title":{"rendered":"Not Just &#8217;80s Nostalgia: an Enduring Crime Noir"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>4 Minute, 10 Second                <\/div>\n\n            <\/div><p><strong>MOVIE REVIEW<br \/>\nTo Live and Die in L.A.<\/strong><br \/>\n<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/rated_r.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;&#8211;&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/><\/p>\n<p dir=\"ltr\"><strong>Genre:<\/strong> Action, Crime, Drama<br \/>\n<strong>Year Released:<\/strong> 1985, 2023 Kino Lorber 4K\/Blu-ray<br \/>\n<strong>Runtime:<\/strong> 1h 56m<br \/>\n<strong>Director(s):<\/strong> William Friedkin<br \/>\n<strong>Writer(s):<\/strong> Gerald Petievich (based on the novel by,) William Friedkin (screenplay by,) Gerald Petievich (screenplay by)<br \/>\n<strong>Cast:<\/strong> William Petersen, Willem Dafoe, John Turturro, Darlanne Fluegel, John Pankow, Dean Stockwell, Steve James, Michael Greene, Robert Downey Sr., Debra Feuer, Jane Leeves, Christopher Allport, Valentin de Vargas, Dar Robinson<br \/>\n<strong>Where To Watch:<\/strong> available now here <a href=\"https:\/\/kinolorber.com\/product\/to-live-and-die-in-l-a-4kuhd\">www.kinolorber.com<\/a>, or <a href=\"https:\/\/amzn.to\/3qo79R4\">www.amazon.com<\/a><\/p>\n<hr \/>\n<p><strong>RAVING REVIEW:&nbsp;<\/strong>Prepare for a ride through the streets of Los Angeles in a way you&#39;ve never experienced before. Buckle up, and dive into TO LIVE AND DIE IN LA, a film that makes the city of angels its central protagonist, painting a dark portrait far from the glitz and glamour. Los Angeles is more than a mere backdrop here. It&#39;s a character that breathes and molds the people within its realms, from driven individuals to those lost in its underbelly. The movie takes us on a tour of the city&#39;s streets through a gripping chase of passion and desperation.<\/p>\n<hr \/>\n<p>Here&#39;s the lowdown: Special Agent Richard Chance (William L. Petersen) is on a relentless hunt for the notorious forger, Eric Masters, brought to life by Willem Dafoe (before he looked like himself, weird, I know, but that&rsquo;s the first thing I noticed.) What fuels this chase? It&#39;s personal now, and the line between professional duty and personal vendetta blurs. This isn&#39;t just a cat-and-mouse game; it&#39;s an emotional struggle that grabs hold of you and doesn&#39;t let go.<\/p>\n<p>The dynamic duo of Chance and his new partner (John Pankow) isn&#39;t your typical buddy-cop routine. They&#39;re the anti-heroes of cop duos, with raw tension that adds dimension and color to the plot. Forget the cookie-cutter black and white; this film thrives in the shades of grey.<\/p>\n<p>Directed by the late William Friedkin (1935-8\/7\/23,) TO LIVE AND DIE IN LA unfolds with unexpected twists and turns, embracing the audience in a puzzle filled with existential quandaries and moral ambiguity. It doesn&#39;t shy away from showing the city&#39;s underbelly, focusing on urban decay and moral erosion, casting a harsh, unfiltered light on the cityscape.<\/p>\n<p>The film&#39;s aesthetic, an unmistakable product of the &#39;80s, offers an intriguing glimpse into the past, a fascinating and novel era for modern viewers. The score might tie it to a specific time but only adds to the retro charm that sets the movie apart. That car chase through Los Angeles, if you&#39;re looking for pure cinematic adrenaline, this sequence alone is worth the watch. It&#39;s not just a car chase; it&#39;s a breathless, heart-pounding ballet on wheels. But it&#39;s not all about thrills and chills. The film&#39;s unorthodox ending, a brave choice by Friedkin, adds layers to the movie&#39;s thematic richness. This unsettling and unexpected ending separates TO LIVE AND DIE IN LA from the herd.<\/p>\n<p>TO LIVE AND DIE IN LA is a treasure hiding in plain sight. It&#39;s not just a cinematic achievement; it&#39;s a thoughtful and compelling reflection of human complexity and urban existence. Beyond a nostalgia trip, this film is a lens into life and death within a world where the lines constantly shift.<\/p>\n<p>Whether you&#39;re a crime noir enthusiast or just someone looking for a different take on Los Angeles, TO LIVE AND DIE IN LA invites you to reconsider what it means to navigate through life&#39;s shadows and lights. This film remains a poignant and enduring reflection of human nature in a world where the rules are as fleeting as a city&#39;s fa&ccedil;ade.<\/p>\n<p>For more reviews, please visit &#8211; https:\/\/linktr.ee\/Overlyhonestmoviereviews for more info.<\/p>\n<p>Follow me on Letterboxd, Instagram, Twitter, and YouTube. Find my social media accounts on most platforms simply by searching Overly Honest Movie Reviews.<\/p>\n<p>I&rsquo;m always happy to hear from my readers; please say hi or send me any questions about movies.<\/p>\n<p><em>[photo courtesy of KINO LORBER]<\/em><\/p>\n<p>MY SAG-AFTRA\/WGA STRIKE STATEMENT:<br \/>\nAs an advocate for creators, actors, and writers, I firmly stand with SAG-AFTRA and the WGA in their current strike. The entertainment industry is built on these individuals&#39; extraordinary talents, and their contributions must be appropriately recognized and rewarded. They deserve fair compensation, sensible work hours, and respect for their creative rights. I believe in the power of unity and collective action, and I&#39;m steadfast in my support for their fight for better working conditions and fair remuneration. Together, we can shape a more equitable future in the entertainment world.<\/p>\n<p>#SAGAFTRA #WGA #SAGAFTRAStrong #WGAStrong<\/p>\n        <div class=\"booster-block booster-reactions-block\">\n            <div class=\"twp-reactions-icons\">\n                \n                <div class=\"twp-reacts-wrap\">\n                    <a react-data=\"be-react-1\" post-id=\"3043\" class=\"be-face-icons un-reacted\" href=\"javascript:void(0)\">\n                        <img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/ohmr\/wp-content\/plugins\/booster-extension\/\/assets\/icon\/happy.svg\" alt=\"Happy\">\n                    <\/a>\n                    <div class=\"twp-reaction-title\">\n                        Happy                    <\/div>\n                    <div class=\"twp-count-percent\">\n                                                    <span style=\"display: none;\" class=\"twp-react-count\">0<\/span>\n                        \n                                            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Pankow, Dean Stockwell, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3044,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-3043","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"description\" content=\"MOVIE REVIEW To Live and Die in L.A. - Genre: Action, Crime, Drama Year Released: 1985, 2023 Kino Lorber 4K\/Blu-ray Runtime: 1h 56m Director(s): William Friedkin Writer(s): Gerald Petievich (based on the novel by,) William Friedkin (screenplay by,) Gerald Petievich (screenplay by) Cast: William Petersen, Willem Dafoe, John Turturro, Darlanne Fluegel, John Pankow, Dean Stockwell,\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Chris 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