{"id":3195,"date":"2023-08-26T01:00:00","date_gmt":"2023-08-26T01:00:00","guid":{"rendered":"

MOVIE REVIEW
\r\nStrangers in the House (Les Inconnus dans la Maison)<\/strong>
\r\n - \n

\n \t<\/i> Read Time:<\/span>3 Minute, 43 Second <\/div>\n\n <\/div>

MOVIE REVIEW
\nStrangers in the House (Les Inconnus dans la Maison)<\/strong>
\n –     <\/p>\n

Genre:<\/strong> Crime, Drama
\nYear Released:<\/strong> 1942
\nRuntime:<\/strong> 1h 35m
\nDirector(s):<\/strong> Henri Decoin
\nWriter(s):<\/strong> Henri-Georges Clouzot, Georges Simenon (based on the novel by: "Les Inconnus dans la Maison") 
\nCast:<\/strong> Raimu, Juliette Faber, Jean Tissier, Jacques Baumer, Noël Roquevert, Héléna Manson, André Reybaz, Jacques Grétillat, Lucien Coëdel
\nLanguage:<\/strong> French with English subtitles
\nWhere To Watch:<\/strong> available now from www.kinolorber.com<\/a>, or www.amazon.com<\/a><\/p>\n

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RAVING REVIEW: <\/strong>If you’re curious about unraveling family dynamics under the scrutinizing lens of society, STRANGERS IN THE HOUSE is here to satiate that thirst. Meticulously crafted by the brilliant minds of Henri-Georges Clouzot and Henri Decoin, this cinematic experience deftly combines stirring emotions with drama while offering a magnifying glass to subtle societal judgments. Each frame evokes a sense of nostalgia, echoing the glamour and brilliance of Hollywood's golden age.<\/p>\n

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Step inside the echoing halls of an old mansion, a place resonating with memories. Here, Maître Hector Loursat, brought to life with an impeccable performance by Raimu, grapples with his demons. Alongside, Juliette Faber who delivers a captivating performance as Nicole Loursat, representing the younger generation's voice, intricately entangled in a world of emotions and complexities. But let’s be clear: it’s not just a drama between a father and daughter. It's a reflection – exploring the societal lenses that color our judgments.<\/p>\n

A sudden crime throws a wrench in Loursat’s reclusive life, pushing him from the cozy observation corner into the limelight of societal challenges. It's captivating to see Decoin's directorial expertise shine through as he effortlessly captures Loursat's journey from introspection to action. Yet, while the film doesn’t miss a beat in its direction, one can't help but wish for more suspense to spice things up.<\/p>\n

Digging deeper into the storyline, the film masterfully uses the central crime to pivot and unmask society’s hidden facets. As Loursat inches closer to the truth, the viewer gets a guided tour through this world's multi-layered fabric- its allure and its scars. His audacious stand in the courtroom is a beacon, highlighting the strength and resilience innate in us when pushed against the wall.<\/p>\n

However, its ability to bridge the past with the present truly sets STRANGERS IN THE HOUSE apart. While rooted in its era, its themes resonate universally, encouraging viewers to reflect and comprehend their roles in this grand play called Life.<\/p>\n

And while we’re dissecting the film's charms, it is a subtle nod to the pantheon of legendary directors. This fusion of classical storytelling with a fresh narrative approach ensures that the film isn’t just for the dedicated cinephiles but is a treat for everyone.<\/p>\n

STRANGERS IN THE HOUSE isn't just another title to tick off your watchlist. It’s an experience, an odyssey into the intricate landscapes of human emotions, societal norms, and the undying pursuit of truth. The combined might of Clouzot's storytelling and Decoin's vision promises a lasting impact.<\/p>\n

PRODUCT EXTRAS:<\/strong>
\n– 2K Restoration by Gaumont
\n– NEW Audio Commentary by Film Historians Howard S. Berger and Nathaniel Thompson
\n– In French with Optional Subtitles in English<\/p>\n

For more reviews, please visit – https:\/\/linktr.ee\/Overlyhonestmoviereviews for more info.<\/p>\n

Follow me on Letterboxd, Instagram, Twitter, and YouTube. Find my social media accounts on most platforms simply by searching Overly Honest Movie Reviews.<\/p>\n

I’m always happy to hear from my readers; please say hi or send me any questions about movies.<\/p>\n

[photo courtesy of KINO LORBER]<\/em><\/p>\n

MY SAG-AFTRA\/WGA STRIKE STATEMENT:
\nAs an advocate for creators, actors, and writers, I firmly stand with SAG-AFTRA and the WGA in their current strike. The entertainment industry is built on these individuals' extraordinary talents, and their contributions must be appropriately recognized and rewarded. They deserve fair compensation, sensible work hours, and respect for their creative rights. I believe in the power of unity and collective action, and I'm steadfast in my support for their fight for better working conditions and fair remuneration. Together, we can shape a more equitable future in the entertainment world.<\/p>\n

#SAGAFTRA #WGA #SAGAFTRAStrong #WGAStrong<\/p>\n

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MOVIE REVIEW Strangers in the House (Les Inconnus dans la Maison)  –      Genre: Crime, Drama Year Released: 1942 Runtime: 1h 35m Director(s): Henri Decoin Writer(s): Henri-Georges Clouzot, Georges Simenon (based on the novel by: "Les Inconnus dans la Maison")  Cast: Raimu, Juliette Faber, Jean Tissier, Jacques Baumer, Noël Roquevert, Héléna Manson, André Reybaz, Jacques Grétillat, […]<\/p>\n","protected":false},"author":1,"featured_media":3196,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-3195","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/3195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/comments?post=3195"}],"version-history":[{"count":0,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/3195\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media\/3196"}],"wp:attachment":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media?parent=3195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/categories?post=3195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/tags?post=3195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}