{"id":3508,"date":"2023-09-22T01:00:00","date_gmt":"2023-09-22T06:00:00","guid":{"rendered":"<p><strong>MOVIE REVIEW<br \/>\r\nAIMEE: The Visitor<\/strong><br \/>\r\n<img src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/NOTRATED.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;-&nbsp;<img src=\"https:\/\/mailnewsgroup.com\/as"},"modified":"2023-09-21T15:36:57","modified_gmt":"2023-09-21T20:36:57","slug":"ais-stronghold-a-magnifying-glass","status":"publish","type":"post","link":"https:\/\/mailnewsgroup.com\/ohmr\/ais-stronghold-a-magnifying-glass\/","title":{"rendered":"AI\u2019s Stronghold: a Magnifying Glass!"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>4 Minute, 18 Second                <\/div>\n\n            <\/div><p><strong>MOVIE REVIEW<br \/>\nAIMEE: The Visitor<\/strong><br \/>\n<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/NOTRATED.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;&#8211;&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/><\/p>\n<p><strong>Genre:<\/strong> Horror, Sci-Fi, Thriller<br \/>\n<strong>Year Released:<\/strong> 2023<br \/>\n<strong>Runtime:<\/strong> 1h 8m<br \/>\n<strong>Director(s):<\/strong> Charles Band<br \/>\n<strong>Writer(s):<\/strong> Roger Barron, aka Neal Marshall Stevens<br \/>\n<strong>Cast:<\/strong> Dallas Schaefer, Faith West, Felix Merback<br \/>\n<strong>Where To Watch:<\/strong> releasing September 29, 2023, from Full Moon Features; sign up here now <a href=\"https:\/\/www.fullmoonfeatures.com\/\">www.fullmoonfeatures.com<\/a><\/p>\n<hr \/>\n<p><strong>RAVING REVIEW:&nbsp;<\/strong>Dive into the not-too-distant digital era where artificial beings aren&#39;t just a figment of our imagination but a reality we&rsquo;re going to be forced to deal with. Full Moon Entertainment brings a playful twist to the AI realm with AIMEE: THE VISITOR. This isn&#39;t your typical flashy CGI, as the film&#39;s opening claims &ldquo;The motion picture you are about to watch features a character using modern AI technology. AImee herself is not portrayed by an actor, nor was she designed using digital special effects. She is, in fact, the very first AI-created femme fatale in film history.&rdquo; this is AI taking center stage. I won&rsquo;t lie; this film posed many questions for me, even in terms of covering it. My deciding factor is that AI didn&rsquo;t write the movie and that Full Moon Features is an independent studio. Still being a weird grey area that I don&rsquo;t know 100% how I feel about, I decided to watch it and say it was an intriguing experience.<\/p>\n<hr \/>\n<p>Scott Keyes (Dallas Schaefer) is a digital whiz in the interconnected world of ones and zeros. But every code has its glitch. Enter AImee, an AI computer program. She&#39;s more than just a group of pixels; this program is AI&#39;s pinnacle in the film&rsquo;s universe. Her unparalleled adaptability and uncanny influence over the digital domain, especially over Scott, echo the warnings of technology&#39;s unchecked advances. See my concern? The film that used AI to create part of it also covers the dangers of this technology.&nbsp;<\/p>\n<p>Sure, 2023 saw many films addressing our tech-soaked realities. However, AIMEE: THE VISITOR boasts its uniqueness, as AImee isn&#39;t a mere character; she&rsquo;s the digital alarm bell of an unchecked technological revolution. What&#39;s laudable is the film&#39;s prowess to use its budgetary constraints to its advantage, crafting an atmosphere thick with suspense. If you like Full Moon&rsquo;s unique charm, this will be right up your alley.<\/p>\n<p>Schaefer deserves applause for his portrayal of Scott, delivering a solid and believable performance as the tech geek who gets overwhelmed. Felix Merback and Faith West, playing the hacker duo, add layers to the narrative. However, it is West&rsquo;s performance that shines the brightest. The film uses her character to show real-world parallels that I hadn&rsquo;t thought of. As a fun little addition, I had been reading someone&rsquo;s comments on the film, and they mentioned that AImee felt too &ldquo;fake&rdquo; errrr&hellip; well, yeah, that&rsquo;s what AI is (I just had to share, no shame!)<\/p>\n<p>The film doesn&#39;t shy away from touching on sensuality, intensifying its core theme. This was vitally important, as the reality is that most new technology becomes successful in this world because of a specific industry. VHS beat Betamax, and the internet&rsquo;s roots hold firm because of it; if AI has a future, it&rsquo;ll likely be partly because of this industry.<\/p>\n<p>From the instant AImee pops up on Scott&#39;s screen, viewers are whisked into a cyclone of intrigue and challenges; we, as the audience, know more than the cast, and although generally predictable, I had fun from start to finish. While it might not be a flawless creation, AIMEE: THE VISITOR highlights the struggles between humanity and our burgeoning tech realities.<\/p>\n<p>As AI&#39;s silhouette looms more prominent on the cinematic horizon, AIMEE: THE VISITOR aptly mirrors our collective anticipation and apprehension. It serves as a ticket to the unfolding narrative of the movie world&rsquo;s potential future. Which route do we choose?<\/p>\n<p>For more reviews, please visit &#8211; https:\/\/linktr.ee\/Overlyhonestmoviereviews for more info.<\/p>\n<p>Follow me on Letterboxd, Instagram, Twitter, and YouTube. Find my social media accounts on most platforms simply by searching Overly Honest Movie Reviews.<\/p>\n<p>I&rsquo;m always happy to hear from my readers; please say hi or send me any questions about movies.<\/p>\n<p><em>[photo courtesy of FULL MOON FEATURES]<\/em><\/p>\n<p>MY SAG-AFTRA\/WGA STRIKE STATEMENT:<br \/>\nAs an advocate for creators, actors, and writers, I firmly stand with SAG-AFTRA and the WGA in their current strike. The entertainment industry is built on these individuals&#39; extraordinary talents, and their contributions must be appropriately recognized and rewarded. They deserve fair compensation, sensible work hours, and respect for their creative rights. I believe in the power of unity and collective action, and I&#39;m steadfast in my support for their fight for better working conditions and fair remuneration. Together, we can shape a more equitable future in the entertainment world.<\/p>\n<p>#SAGAFTRA #WGA #SAGAFTRAStrong #WGAStrong<\/p>\n        <div class=\"booster-block booster-reactions-block\">\n            <div class=\"twp-reactions-icons\">\n                \n                <div class=\"twp-reacts-wrap\">\n                    <a react-data=\"be-react-1\" post-id=\"3508\" class=\"be-face-icons un-reacted\" href=\"javascript:void(0)\">\n                        <img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/ohmr\/wp-content\/plugins\/booster-extension\/\/assets\/icon\/happy.svg\" alt=\"Happy\">\n                    <\/a>\n                    <div class=\"twp-reaction-title\">\n                        Happy                    <\/div>\n                    <div class=\"twp-count-percent\">\n                                                    <span style=\"display: none;\" class=\"twp-react-count\">0<\/span>\n                        \n                                            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REVIEW:&nbsp;Dive into the not-too-distant digital [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3509,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-3508","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digital"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/3508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/comments?post=3508"}],"version-history":[{"count":1,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/3508\/revisions"}],"predecessor-version":[{"id":3510,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/3508\/revisions\/3510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media\/3509"}],"wp:attachment":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media?parent=3508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/categories?post=3508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/tags?post=3508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}