{"id":3758,"date":"2023-10-19T01:00:00","date_gmt":"2023-10-19T06:00:00","guid":{"rendered":"<strong>MOVIE REVIEW\nVile<\/strong>\n<img style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/rated_r.svg\" \/>\u00a0-\u00a0<img style=\"width: auto; height: 18px; border: none; vertical-align: text-t"},"modified":"2023-10-19T12:13:57","modified_gmt":"2023-10-19T17:13:57","slug":"survival-instincts-take-dark-turn","status":"publish","type":"post","link":"https:\/\/mailnewsgroup.com\/ohmr\/survival-instincts-take-dark-turn\/","title":{"rendered":"Survival Instincts Take Dark Turn"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>3 Minute, 39 Second                <\/div>\n\n            <\/div><p><strong>MOVIE REVIEW<br \/>\nVile<\/strong><br \/>\n<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/rated_r.svg\" \/>\u00a0&#8211;\u00a0<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" \/>\u00a0<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" \/>\u00a0<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" \/>\u00a0<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" \/>\u00a0<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" \/><\/p>\n<p><strong>Genre:<\/strong> Horror, Mystery<br \/>\n<strong>Year Released:<\/strong> 2011, 2023 MVD Blu-ray<br \/>\n<strong>Runtime:<\/strong> 1h 28m<br \/>\n<strong>Director(s):<\/strong> Taylor Sheridan<br \/>\n<strong>Writer(s):<\/strong> Eric Jay Beck, Rob Kowsaluk<br \/>\n<strong>Cast:<\/strong> April Matson, Akeem Smith, Greg Cipes, Eric Beck, Elisha Skorman, Heidi Mueller, Maya Hazen, Rob Kirkland<br \/>\n<strong>Where To Watch:<\/strong> available October 24, 2023; pre-order here <a href=\"https:\/\/mvdshop.com\/products\/vile-blu-ray?_pos=2&amp;_sid=ccd9bc283&amp;_ss=r\">www.mvdshop.com<\/a>, or <a href=\"https:\/\/amzn.to\/3M4BxaC\">www.amazon.com<\/a><\/p>\n<hr \/>\n<p><strong>RAVING REVIEW:\u00a0<\/strong>Taylor Sheridan&#8217;s VILE catapults audiences into an abyss of moral dilemmas, redefining discomfort in a narrative that exposes the stark rawness of human survival instincts. It&#8217;s a ride that begins as unsettling and only tightens its grip as the plot unravels. Imagine a tranquil getaway that morphs into a grotesque fight for freedom where pain, in its most primitive form, becomes a monstrous form of currency.<\/p>\n<hr \/>\n<p>This is the nightmarish reality for a group of young adults in VILE. They find their fates shackled to a horrifying directive: endure agonizing pain to fill vials with a chemical their bodies produce as a response, their only ticket to liberation. This gruesome scenario unfolds in a mysterious, claustrophobic setting that would send shivers down even the most seasoned horror lover&#8217;s spine, like the live-action MONSTERS, INC. of your nightmares!<\/p>\n<p>Released in 2011, VILE carved a niche that gets overlooked in the psychological horror landscape. It dared to unravel what lies at the fringes of human endurance, reversing the concept of suffering. Agony isn&#8217;t an adversary; it&#8217;s an ally\u2014a gruesome, unwanted ally in a twisted game of survival.<\/p>\n<p>Nick and his partner and friends are central to this tale of terror. Their serene adventure derails drastically following a deceptive roadside encounter. Suddenly, they&#8217;re unwilling participants in a ghastly game where torment is both the lock and the key, a narrative element as innovative as disturbing.<\/p>\n<p>VILE is a bold narrative with its heartbeat. In his directorial debut, Taylor Sheridan crafts a world where brutality isn&#8217;t just a plot device; it&#8217;s the core. This unflinching portrayal might not sit well with everyone, but this audacity sets VILE apart. I will say that Sheridan set the bar so high in his follow-up WIND RIVER and contributed his writing to the rest of the American Frontier trilogy (SICARIO and HELL OR HIGH WATER) that I had to compare this, even though I didn\u2019t mean to intentionally.<\/p>\n<p>The technical aspects of the film impressed in its simplicity; the setting is hazed with a foreboding dread, the narrative keeps viewers tethered to the screen, and unexpected jolts of horror are mostly well-timed. Yet, VILE needs to improve in character creation that resonate. While pivotal to the storyline, they lack the depth to form a genuine emotional bridge with the audience, rendering their suffering somewhat distant.<\/p>\n<p>Despite these stumbles, VILE doesn&#8217;t lose its grip on the audience. The intense play on survival and morality enveloped in an atmosphere of dread, keeps viewers riveted even when they&#8217;re not fully invested in the characters&#8217; fates. And while the graphic content may polarize, this audacity marks Sheridan&#8217;s entry into horror as something to notice. Though not exceptional, the performances are entirely overshadowed by the intensity of the plot&#8217;s unfolding. I would love to see what happens if Sheridan revisits horror.<\/p>\n<p><strong>Bonus Materials<\/strong><br \/>\n&#8211; High Definition (1080p) presentation of the main feature in 1:78.1 aspect ratio<br \/>\n&#8211; Audio: 5.1 Surround, LPCM 2.0 Stereo Audio<br \/>\n&#8211; Optional English Subtitles<br \/>\n&#8211; Deleted Scenes<br \/>\n&#8211; Theatrical Trailer (HD)<br \/>\n&#8211; Reversible Artwork<br \/>\n&#8211; Limited Edition Slipcover (first pressing only)<\/p>\n<p>For more reviews, please visit &#8211; https:\/\/linktr.ee\/Overlyhonestmoviereviews for more info.<\/p>\n<p>Follow me on Letterboxd, Instagram, Twitter, and YouTube. Find my social media accounts on most platforms simply by searching Overly Honest Movie Reviews.<\/p>\n<p>I\u2019m always happy to hear from my readers; please say hi or send me any questions about movies.<\/p>\n<p><em>[photo courtesy of MVD MARQUEE COLLECTION]<\/em><\/p>\n<p>MY SAG-AFTRA STRIKE STATEMENT:<br \/>\nAs an advocate for creators, actors, and writers, I firmly stand with SAG-AFTRA in their current strike. The entertainment industry is built on these individuals&#8217; extraordinary talents, and their contributions must be appropriately recognized and rewarded. They deserve fair compensation, sensible work hours, and respect for their creative rights. I believe in the power of unity and collective action, and I&#8217;m steadfast in my support for their fight for better working conditions and fair remuneration. Together, we can shape a more equitable future in the entertainment world.<\/p>\n<p>#SAGAFTRA #SAGAFTRAStrong<\/p>\n        <div class=\"booster-block booster-reactions-block\">\n            <div class=\"twp-reactions-icons\">\n                \n                <div class=\"twp-reacts-wrap\">\n                    <a react-data=\"be-react-1\" post-id=\"3758\" class=\"be-face-icons un-reacted\" href=\"javascript:void(0)\">\n                        <img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/ohmr\/wp-content\/plugins\/booster-extension\/\/assets\/icon\/happy.svg\" alt=\"Happy\">\n                    <\/a>\n                    <div class=\"twp-reaction-title\">\n                        Happy                    <\/div>\n                    <div class=\"twp-count-percent\">\n                                                    <span style=\"display: none;\" class=\"twp-react-count\">0<\/span>\n                        \n                                                <span 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[&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3759,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-3758","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dvd-blu-ray"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/3758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/comments?post=3758"}],"version-history":[{"count":1,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/3758\/revisions"}],"predecessor-version":[{"id":3760,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/3758\/revisions\/3760"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media\/3759"}],"wp:attachment":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media?parent=3758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/categories?post=3758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/tags?post=3758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}