{"id":4022,"date":"2023-11-22T01:00:00","date_gmt":"2023-11-22T01:00:00","guid":{"rendered":"<p><strong>MOVIE REVIEW<br \/>\r\nLorna the Exorcist (Kino Cult #1) (Les poss&eacute;d&eacute;es du diable)<\/strong><br \/>\r\n<strong>X -&nbsp;<img src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-al"},"modified":"2023-11-22T13:22:18","modified_gmt":"2023-11-22T13:22:18","slug":"eroticism-meets-horror-in-unique-blend","status":"publish","type":"post","link":"https:\/\/mailnewsgroup.com\/ohmr\/eroticism-meets-horror-in-unique-blend\/","title":{"rendered":"Eroticism Meets Horror in Unique Blend"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>3 Minute, 17 Second                <\/div>\n\n            <\/div><p><strong>MOVIE REVIEW<br \/>\nLorna the Exorcist (Kino Cult #1) (Les poss&eacute;d&eacute;es du diable)<\/strong><br \/>\n<strong>X &#8211;&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<\/strong><img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/><strong>&nbsp;<\/strong><img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/><strong>&nbsp;<\/strong><img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/><\/p>\n<p><strong>Genre:<\/strong> Horror<br \/>\n<strong>Year Released:<\/strong> 1974, 2023 Kino Lorber &amp; Kino Cult Blu-ray<br \/>\n<strong>Runtime:<\/strong> 1h 39m<br \/>\n<strong>Director(s):<\/strong> Jess Franco<br \/>\n<strong>Writer(s):<\/strong> Jess Franco, Nicole Guettard, Robert de Nesle<br \/>\n<strong>Cast:<\/strong> Pamela Stanford, Guy Delorme, Lina Romay, Jacqueline Laurent, Howard Vernon, Richard Bigotini, Jess Franco, Catherine Lafferi&egrave;re<br \/>\n<strong>Language:<\/strong> English, French<br \/>\n<strong>Where To Watch:<\/strong> available now here <a href=\"https:\/\/kinolorber.com\/product\/lorna-the-exorcist\">www.kinolorber.com<\/a>, or <a href=\"https:\/\/amzn.to\/47mYkXV\">www.amazon.com<\/a><\/p>\n<hr \/>\n<p><strong><strong>RAVING REVIEW:&nbsp;<\/strong><\/strong>Imagine stepping into a world where reality and the supernatural are indistinguishably intertwined. We experience this in LORNA THE EXORCIST, a 1974 French film directed by Jess Franco. With its audacious blend of eroticism and horror set amidst ethereal landscapes and futuristic yet grounded vibes, this film offers a mesmerizing cinematic experience. The storyline centers around Guy Delorme (Patrick Mariel,) a well-to-do businessman whose life spirals into a vortex of supernatural occurrences following a past encounter with the mysterious Lorna (Pamela Stanford,) disrupting his family&#39;s life during his daughter Linda&#39;s (Lina Romay) 18th birthday.<\/p>\n<hr \/>\n<p>While Kino Lorber has dove into cult cinema for some time, their new line, Kino Cult, is a true exploration into the world of cult cinema with no holding back. I don&rsquo;t think they could have chosen a better film to start this series with; this has so many aspects that shine in the subgenre and make this film a perfect example of future releases.<\/p>\n<p>Franco&#39;s signature storytelling shines as he masterfully weaves the routine elements of a family vacation with the unexpected invasion of supernatural forces. This narrative transition from the ordinary to the surreal is a testament to his skillful direction, pulling viewers more profoundly into a world beyond the ordinary.<\/p>\n<p>The film&#39;s casting is spot-on, with Stanford&#39;s portrayal of Lorna striking a perfect balance between allure and menace. Romay, as Linda, injects a crucial dose of innocence and vulnerability, enriching the film&#39;s exploration of complex family dynamics and moral dilemmas.<\/p>\n<p>True to Franco&#39;s style, LORNA THE EXORCIST looks deep into controversial themes such as incest and demonic possession. The director&#39;s audacity in addressing these dark aspects of human desire is evident, notably in an exceptionally provocative scene between Lorna and Linda, pushing cinematic boundaries to new heights. There&rsquo;s no question about how this film got its X rating, and it continues to shock almost 50 years later!<\/p>\n<p>Andr&eacute; Benichou&#39;s haunting score underscores the film&#39;s otherworldly aura. The repetitive, enchanting melodies reinforce the eerie, hypnotic atmosphere, echoing the influence of Lorna throughout the film.<\/p>\n<p>LORNA THE EXORCIST stands as a product of its time, reflecting the liberal attitudes of the 1970s. However, its profound thematic exploration and stylistic innovation elevate it beyond its era. Its recognition by many in the industry highlights its lasting impact and importance in film history.<\/p>\n<p>LORNA THE EXORCIST emerges as a bold testament to Franco&#39;s innovative spirit in filmmaking. It invites audiences to confront unsettling themes and reevaluate conventional storytelling norms. Its artistic integrity and brave exploration of human psychology and supernatural elements secure its place as a significant and impactful work in erotic horror cinema. This film is a powerful reminder of cinema&#39;s ability to challenge, provoke, and captivate the imagination. For those concerned about the film&#39;s content, sometimes, you must dive into what makes you the most uncomfortable to experience the world.<\/p>\n<p>For more reviews, please visit https:\/\/linktr.ee\/overlyhonestmr.&nbsp;<\/p>\n<p>Follow me on Letterboxd, Instagram, Twitter, and YouTube. Find my social media accounts on most platforms simply by searching Overly Honest Movie Reviews.<\/p>\n<p>I&rsquo;m always happy to hear from my readers; please say hi or send me any questions about movies.<\/p>\n<p><em>[photo courtesy of KINO LORBER, KINO CULT]<\/em><\/p>\n        <div class=\"booster-block booster-reactions-block\">\n            <div class=\"twp-reactions-icons\">\n                \n                <div class=\"twp-reacts-wrap\">\n                    <a react-data=\"be-react-1\" post-id=\"4022\" class=\"be-face-icons un-reacted\" href=\"javascript:void(0)\">\n                        <img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/ohmr\/wp-content\/plugins\/booster-extension\/\/assets\/icon\/happy.svg\" alt=\"Happy\">\n                    <\/a>\n                    <div class=\"twp-reaction-title\">\n                        Happy                    <\/div>\n                    <div class=\"twp-count-percent\">\n                                               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Nicole Guettard, Robert de Nesle Cast: Pamela Stanford, Guy Delorme, Lina Romay, Jacqueline Laurent, Howard Vernon, Richard Bigotini, Jess Franco, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4023,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-4022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/4022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/comments?post=4022"}],"version-history":[{"count":0,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/4022\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media\/4023"}],"wp:attachment":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media?parent=4022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/categories?post=4022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/tags?post=4022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}