{"id":4147,"date":"2023-12-07T01:00:00","date_gmt":"2023-12-07T01:00:00","guid":{"rendered":"

MOVIE REVIEW
\r\nThe Long Arm Of The Law I & II<\/strong>
\r\n - \n

\n \t<\/i> Read Time:<\/span>3 Minute, 51 Second <\/div>\n\n <\/div>

MOVIE REVIEW
\nThe Long Arm Of The Law I & II<\/strong>
\n –   <\/strong> <\/strong> <\/strong> \/   <\/strong> <\/strong> <\/strong><\/p>\n

Genre:<\/strong> Action, Crime, Drama, Thriller
\nYear Released:<\/strong> 1984\/1987, 2023 88 Films
\nRuntime:<\/strong> 1h 45m \/ 1h 28m
\nDirector(s):<\/strong> Johnny Mak \/ Michael Mak
\nWriter(s):<\/strong> Philip Chan
\nCast:<\/strong> David Lam Wai, Wong Kin, Kong Lung, Chan Ging, Bill Shum Wai, Ng Hoi-Tin, Tommy Wong Kwong-Leung \/ Alex Man, Pauline Wong Siu-Fung, Elvis Tsui Kam-Kong, Ben Lam, Simon Yuen Yat-Choh, Stephen Chan Tak-Gwong
\nLanguage:<\/strong> Cantonese with English subtitles
\nWhere To Watch:<\/strong> available now in the UK and December 12, 2023, in the US; pre-order here www.mvdshop.com<\/a> or www.amazon.com<\/a><\/p>\n

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RAVING REVIEW: <\/strong><\/strong>The LONG ARM OF THE LAW's intensity-packed world and its sequel feel like we are embarking on a cinematic journey through the heart of Hong Kong's action genre. An influential addition to the 88 Films collection, these films vividly portray the genre's metamorphosis and narrative ingenuity.<\/p>\n

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LONG ARM OF THE LAW, crafted by director Johnny Mak, breaks away from the expected norms of action cinema. Here, the focus shifts from relentless high-speed chases to a more profound exploration of its protagonists. These are not typical heroes; they are “soldiers,” led by the enigmatic Tung (Lam Wai), whose journey from the battlefield to the criminal underworld is a subplot and the tale's essence. This shift to a character-centric narrative, peppered with strategic action sequences, marks a refreshing departure from some of its genre counterparts.<\/p>\n

The city's gritty alleyways don't merely serve as a backdrop; they are an integral part of the story, painting a vivid picture of loyalty, survival, and the unforgiving nature of a life in crime. The film's raw, almost unpolished style was groundbreaking at its time. Yet, it resonated less in some places due to its deviation from the more polished heroic bloodshed genre. Despite this, the film's atmospheric narrative and intricate characterizations remain crucial in chronicling the development of Hong Kong's cinematic landscape. It also has aged surprisingly well, being more impactful now than ever.<\/p>\n

Then comes LONG ARM OF THE LAW II; the film diverges in mood and storytelling, and this sequel immerses us in a darker, more intense plot. It centers on three immigrants thrust by the Royal Police Force into a dangerous mission to infiltrate a formidable gang. This storyline deviates from the heist-centered narrative of its predecessor, showcasing refined filmmaking and a faithful adherence to the heroic bloodshed genre's ethos.<\/p>\n

The sequel contrasts with the original, featuring a more streamlined plot and robust character development. Though spaced out, the action sequences are crafted with a finesse reminiscent of esteemed past directors. This fusion of an engaging storyline with meticulously orchestrated action sequences cements LONG ARM OF THE LAW II as a significant entry in the action genre. I still think the original wins out slightly due to its originality and foraging its path.<\/p>\n

Viewed collectively, these films offer an exhaustive look at the evolution of action cinema in Hong Kong during the 1980s. The original film provides a raw, unvarnished glimpse into its characters' lives, while the sequel offers a stylistic interpretation of the genre. Together, they embody the era's authenticity, intense action, and complex character portrayals. Fingers crossed that we get parts III and IV soon!<\/p>\n

LONG ARM OF THE LAW is a series that stands as a tribute to the richness and adaptability of Hong Kong's cinema. The original film's unique storytelling and the sequel's sophisticated narrative showcase the vast spectrum and capacity for innovation and transformation. These films represent a deep and engaging exploration into the core of Hong Kong's film heritage, each uniquely personifying the spirit of the heroic bloodshed genre.<\/p>\n

Bonus Materials<\/strong>
\n– Reversible sleeves featuring original artwork
\n– Brand new artwork by Sean Longmore
\n– Stunning new 2K restorations of both films in 1:85:1 aspect ratio
\n– Audio Commentaries by Hong Kong Film Expert Frank Djeng
\n– Brand New Interviews with Actor Philip Chan
\n– Brand New Interviews with Director Michael Mak<\/p>\n

For more reviews, please visit linktr.ee\/overlyhonestmr<\/a>. <\/p>\n

Follow me on Letterboxd, Instagram, Twitter, and YouTube. Find my social media accounts on most platforms simply by searching Overly Honest Movie Reviews.<\/p>\n

I’m always happy to hear from my readers; please say hi or send me any questions about movies.<\/p>\n

[photo courtesy of 88 FILMS, MVD ENTERTAINMENT]<\/em><\/p>\n

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MOVIE REVIEW The Long Arm Of The Law I & II  –      \/      Genre: Action, Crime, Drama, Thriller Year Released: 1984\/1987, 2023 88 Films Runtime: 1h 45m \/ 1h 28m Director(s): Johnny Mak \/ Michael Mak Writer(s): Philip Chan Cast: David Lam Wai, Wong Kin, Kong Lung, Chan Ging, Bill Shum Wai, Ng Hoi-Tin, Tommy Wong […]<\/p>\n","protected":false},"author":1,"featured_media":4148,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-4147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/4147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/comments?post=4147"}],"version-history":[{"count":0,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/4147\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media\/4148"}],"wp:attachment":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media?parent=4147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/categories?post=4147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/tags?post=4147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}