{"id":4156,"date":"2023-12-08T01:00:00","date_gmt":"2023-12-08T07:00:00","guid":{"rendered":"<p><strong>MOVIE REVIEW<br \/>\r\nHorrors Of The Black Museum<\/strong><br \/>\r\nUnrated&nbsp;<strong>-&nbsp;<\/strong><strong><img src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&"},"modified":"2023-12-08T09:12:20","modified_gmt":"2023-12-08T15:12:20","slug":"mystery-and-menace-in-foggy-london","status":"publish","type":"post","link":"https:\/\/mailnewsgroup.com\/ohmr\/mystery-and-menace-in-foggy-london\/","title":{"rendered":"Mystery and Menace in Foggy London"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>3 Minute, 35 Second                <\/div>\n\n            <\/div><p><strong>MOVIE REVIEW<br \/>\nHorrors Of The Black Museum<\/strong><br \/>\nUnrated&nbsp;<strong>&#8211;&nbsp;<\/strong><strong><img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<\/strong><img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/><strong>&nbsp;<\/strong><img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/halfstar.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/><strong>&nbsp;<\/strong><img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/><\/p>\n<p><strong>Genre:<\/strong> Horror<br \/>\n<strong>Year Released:<\/strong> 1959, 2023 VCI Entertainment Blu-ray<br \/>\n<strong>Runtime:<\/strong> 1h 33m<br \/>\n<strong>Director(s):<\/strong> Arthur Crabtree<br \/>\n<strong>Writer(s):<\/strong> Herman Cohen, Aben Kandel<br \/>\n<strong>Cast:<\/strong> Michael Gough, June Cunningham, Graham Curnow, Shirley Ann Field, Geoffery Keen, Gerald Anderson, John Warwick<br \/>\n<strong>Where To Watch:<\/strong> available December 12, 2023; pre-order here <a href=\"https:\/\/www.vcientertainment.com\/product\/horrors-of-the-black-museum-special-2023-edition\/\">www.vcientertainment.com<\/a>, <a href=\"https:\/\/mvdshop.com\/products\/horrors-of-the-black-museum-restored-uncut-special-edition-blu-ray?_pos=1&amp;_sid=b4e68a368&amp;_ss=r\">www.mvdshop.com<\/a>, or <a href=\"https:\/\/amzn.to\/4831Rud\">www.amazon.com<\/a><\/p>\n<hr \/>\n<p><strong><strong>RAVING REVIEW:&nbsp;<\/strong><\/strong>Join me as we walk into the fog-enshrouded alleys of 1959 London with HORRORS OF THE BLACK MUSEUM, where a gripping narrative of murder and enigma unfolds with the grace of classic British cinema. Michael Gough brilliantly steps into the shoes of Edmond Bancroft, transforming from a distinguished journalist into a diabolical criminal genius in a character study that is as thrilling as it is intricate.<\/p>\n<hr \/>\n<p>HORRORS OF THE BLACK MUSEUM takes its audience on a journey to England in the late 1950s. Under the direction of Arthur Crabtree in his final directorial venture, this film is a gem in the crown of traditional British horror. Crabtree&#39;s expertise in storytelling is complemented by the stunning use of Cinemascope and a soundtrack that adds layers of suspense and foreboding to each scene. Also, PLEASE watch the Hypno-Vista opening option; it&rsquo;s a blast! (I dare you not to yawn!)<\/p>\n<p>The film&#39;s centerpiece is Michael Gough&#39;s portrayal of Edmond Bancroft. Gough, later known for his role as Alfred in the Batman TV series, sheds his familiar persona for a much more shadowy character. His performance is a delicate balancing act between a respected journalist and a scheming criminal mastermind, drawing viewers deep into the labyrinth of his double life. Bancroft&#39;s arc, rife with internal conflict and moral ambiguity, showcases Gough&#39;s range and depth as an actor.<\/p>\n<p>However, HORRORS OF THE BLACK MUSEUM isn&#39;t without its flaws. Secondary characters, such as Bancroft&#39;s assistant Rick and his love interest Joan Berkley, could have been more developed, often coming across as mere pieces to move the narrative along rather than fully realized individuals.<\/p>\n<p>Cinematographer Desmond Dickinson&#39;s mastery of the widescreen format creates a visually rich visual experience, precisely capturing the essence of London&#39;s eerie streets. G&eacute;rard Schurmann&#39;s score perfectly complements these visuals, creating an immersive experience that is both unsettling and captivating.<\/p>\n<p>As for the horror elements, HORRORS OF THE BLACK MUSEUM opts for a less conventional approach, favoring a stylistic twist over sheer terror. This creative decision lends the film a unique charm, distinguishing it from its contemporaries. The film&#39;s inventiveness is most apparent in depicting murder methods, providing a fresh take on horror tropes.<\/p>\n<p>An intriguing aspect of the film is the &quot;Hypno-Vista&quot; opening, an innovative touch that adds another dimension to the viewing experience. Combined with producer Herman Cohen&#39;s reputation in the horror genre, this feature situates HORRORS OF THE BLACK MUSEUM within the larger narrative of mid-20th-century horror cinema.<\/p>\n<p>HORRORS OF THE BLACK MUSEUM is a captivating look back at the past of horror cinema. With its blend of whimsical horror, classic cinematography, and Gough&#39;s performance, it is a significant work for horror fans and casual viewers. This film is a journey into the shadows of London and a window into the evolution of horror, offering a nostalgic yet thrilling experience.<\/p>\n<p><strong>Bonus Materials<\/strong><br \/>\n&#8211; Original U.S. Theatrical Trailer<br \/>\n&#8211; Original European Theatrical Trailer<br \/>\n&#8211; Photo Gallery<br \/>\n&#8211; Archival Commentary by Writer\/Producer Herman Cohen<br \/>\n&#8211; 2023 Commentary by Robert Kelly, noted film historian and artist.<br \/>\n&#8211; The 2-sided cover wrap features original theatrical art and a flip side with a new graphic design by Robert Kelly<br \/>\n&#8211; Video Tribute to Producer Herman Cohen<br \/>\n&#8211; Archival Phone Interview\/Video Featurette with Herman Cohen<br \/>\n&#8211; Original U.S. Hypno-vista opening featuring psychologist Emile Franchel<\/p>\n<p>For more reviews, please visit https:\/\/linktr.ee\/overlyhonestmr.&nbsp;<\/p>\n<p>Follow me on Letterboxd, Instagram, Twitter, and YouTube. Find my social media accounts on most platforms simply by searching Overly Honest Movie Reviews.<\/p>\n<p>I&rsquo;m always happy to hear from my readers; please say hi or send me any questions about movies.<\/p>\n<p><em>[photo courtesy of VCI ENTERTAINMENT, MVD ENTERTAINMENT]<\/em><\/p>\n        <div class=\"booster-block booster-reactions-block\">\n            <div class=\"twp-reactions-icons\">\n                \n                <div class=\"twp-reacts-wrap\">\n                    <a react-data=\"be-react-1\" post-id=\"4156\" class=\"be-face-icons un-reacted\" href=\"javascript:void(0)\">\n                        <img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/ohmr\/wp-content\/plugins\/booster-extension\/\/assets\/icon\/happy.svg\" alt=\"Happy\">\n                    <\/a>\n                    <div class=\"twp-reaction-title\">\n                        Happy                    <\/div>\n                    <div class=\"twp-count-percent\">\n                                 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Cunningham, Graham Curnow, Shirley Ann Field, Geoffery Keen, Gerald Anderson, John Warwick Where To Watch: available December 12, 2023; pre-order here www.vcientertainment.com, www.mvdshop.com, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4157,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-4156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dvd-blu-ray"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/4156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/comments?post=4156"}],"version-history":[{"count":1,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/4156\/revisions"}],"predecessor-version":[{"id":4158,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/4156\/revisions\/4158"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media\/4157"}],"wp:attachment":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media?parent=4156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/categories?post=4156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/tags?post=4156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}