{"id":7272,"date":"2024-10-22T00:01:00","date_gmt":"2024-10-22T00:01:00","guid":{"rendered":"https:\/\/mailnewsgroup.com\/ohmr\/?p=7272"},"modified":"2024-10-22T13:37:17","modified_gmt":"2024-10-22T13:37:17","slug":"such-sights-to-show-you-in-4k","status":"publish","type":"post","link":"https:\/\/mailnewsgroup.com\/ohmr\/such-sights-to-show-you-in-4k\/","title":{"rendered":"Such Sights to Show You in 4K"},"content":{"rendered":"
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\n \t<\/i> Read Time:<\/span>8 Minute, 22 Second <\/div>\n\n <\/div>

MOVIE REVIEW
\nHellraiser: Quartet Of Torment [Pinhead Slipcase Limited Edition]<\/strong>
\nHellraiser
\n –     
\nHellbound: Hellraiser II
\n –     
\nHellraiser III: Hell on Earth
\n –     
\nHellraiser: Bloodline
\n –     <\/p>\n

Genre:<\/strong> Horror, Thriller, Sci-Fi
\nYear Released:<\/strong> 1987 \/ 1988 \/ 1992 \/ 1996, 2024 Arrow Video
\nRuntime:<\/strong> 1h 34m \/ 1h 37m \/ 1h 37m \/ 1h 25m
\nDirector(s):<\/strong> Clive Barker \/ Tony Randel \/ Anthony Hickox \/ Kevin Yagher
\nWriter(s):<\/strong> Clive Barker \/ Peter Atkins, Clive Barker \/ Tony Randel, Clive Barker, Peter Atkins \/ Peter Atkins
\nCast:<\/strong> Andrew Robinson, Clare Higgins, Doug Bradley, Ashley Laurence \/ Doug Bradley, Ashley Laurence, Clare Higgins \/ Terry Farrell, Doug Bradley, Kevin Bernhardt \/ Bruce Ramsay, Valentina Vargas, Doug Bradley
\nWhere To Watch:<\/strong> available October 22, 2024; pre-order your copy here www.arrowvideo.com<\/a>, www.mvdshop.com<\/a>, or www.amazon.com<\/a><\/p>\n

\n

RAVING REVIEW: <\/strong><\/strong><\/strong>Let me talk about the elephant in the room first; the last time I watched HELLRAISER, it was on a VHS tape that I rented (long ago), so needless to say, I was a little concerned about what my experience diving into this gritty world on 4K would be like. Arrow did an incredible job restoring and preserving the experience in every possible way. Entering into HELLRAISER: QUARTET OF TORMENT feels like stepping into an epic narrative crafted by Clive Barker's dark imagination, where the lines between fear and fascination blur with every scene. This 4K restoration revitalizes a seminal horror saga, highlighting the chilling journey from earthly desires to supernatural punishments led by the ever-enigmatic Pinhead (Doug Bradley.)<\/p>\n

\n

At the forefront of this chilling collection stands HELLRAISER, a landmark in horror that intertwines human emotion with the ethereal dread of the other side. The tale begins with Frank Cotton (Sean Chapman,) who inadvertently opens a portal to the realm of the Cenobites after tinkering with the mysterious Lament Configuration. These entities, especially the terrifying Pinhead, personify the allure and severe consequences of seeking pleasures beyond mortal comprehension. The film excels in portraying visceral horror while plumbing the depths of desire and betrayal, setting a high bar for the genre.<\/p>\n

HELLBOUND: HELLRAISER II takes viewers deeper into the abyss, expanding the narrative to explore the underworld ruled by Cenobites. Tony Randel's direction amplifies the haunting visuals of labyrinthine corridors that echo the despair of lost souls, making it a grotesque masterpiece that builds on the first film’s themes. The sequel spotlights Dr. Channard's (Kenneth Cranham) descent into madness, driven by his unquenchable thirst for knowledge, as a stark reminder of the perils lurking in forbidden curiosity.<\/p>\n

Transitioning to the chaotic streets of New York, HELLRAISER III: HELL ON EARTH shifts gears. Under Anthony Hickox’s guidance, the film adopts an action-packed narrative that propels Pinhead into the role of a conventional antagonist, engaging in visually spectacular mayhem. This chapter marks a notable shift from the psychological horror that defined its predecessors, introducing a more accessible yet equally thrilling dimension to the saga.<\/p>\n

The narrative reaches new heights in HELLRAISER: BLOODLINE, where the storyline spans from the shadowy passageways of 18th-century France to the sterile corridors of a futuristic space station. Despite its grandiose vision, the film grapples with its expansive scope, resulting in a somewhat disjointed execution due to studio interventions. Nevertheless, it provides a compelling exploration of the cursed legacy of the Merchant family, tracing the origins and lasting impact of the Lament Configuration across generations.<\/p>\n

Together, these films weave a complex tale that showcases traditional horror elements and invites viewers to ponder deep philosophical questions about destiny, free will, and the essence of evil. The HELLRAISER: QUARTET OF TORMENT serves as a testament to the evolution of horror cinema and offers a profound introspection on the human condition through its dark themes.<\/p>\n

This newly restored series is a portal into a world where the exploration of complex human emotions plays out against a backdrop of timeless fear. Both new fans and long-time followers of Barker’s work will find this restoration a treasure trove of cinematic delights, providing a richer understanding of the intricate details that define the HELLRAISER mythos. It’s an essential journey for anyone fascinated by the interplay of horror and deep narrative exploration, ensuring its place as a pivotal experience for cinema enthusiasts everywhere.<\/p>\n

Bonus Materials
\n4-DISC ULTRA HD LIMITED EDITION CONTENTS<\/strong>
\nBrand new 4K restorations of all four films from the original camera negatives by Arrow Films
\nUltra High Definition (2160p) presentations of all four films in Dolby Vision (HDR10 compatible)
\nOriginal lossless stereo and DTS-HD MA 5.1 surround audio for all four films.
\nOptional English subtitles for the deaf and hard of hearing
\nAges of Desire, an exclusive 200-page hardback book with new writing from Clive Barker archivists Phil and Sarah Stokes
\nLimited edition layered packaging featuring brand new Pinhead artwork<\/p>\n

DISC 1 – HELLRAISER<\/strong>
\nBrand new audio commentary featuring genre historian (and unit publicist of Hellraiser) Stephen Jones with author and film critic Kim Newman
\nArchival audio commentary with writer\/director Clive Barker and actor Ashley Laurence, moderated by Peter Atkins
\nArchival audio commentary with writer\/director Clive Barker
\nPower of Imagination – brand new 60-minute discussion about Hellraiser and the work of Clive Barker by film scholars Sorcha Ní Fhlainn (editor of Clive Barker: Dark Imaginer) and Karmel Kniprath
\nUnboxing Hellraiser – brand new visual essay celebrating the Lament Configuration by genre author Alexandra Benedict (The Beauty of Murder)
\nThe Pursuit of Possibilities – brand new 60-minute discussion between acclaimed horror authors Paula D. Ashe and Eric LaRocca celebrating the queerness of Hellraiser and the importance of Clive Barker as a queer writer
\nFlesh is a Trap – brand new visual essay exploring body horror and transcendence in the work of Clive Barker by genre author Guy Adams (The World House)
\nNewly uncovered extended EPK interviews with Clive Barker and stars Andrew Robinson, Clare Higgins, Ashley Laurence, and effects artist Bob Keen, shot during the making of Hellraiser, with a new introduction by Stephen Jones and Kim Newman
\nOriginal 1987 Electronic Press Kit
\nBeing Frank: Sean Chapman on Hellraiser – archival interview with the actor.
\nUnder the Skin: Doug Bradley on Hellraiser – archival interview with the iconic actor about his first appearance as ‘Pinhead’
\nSoundtrack Hell: The Story of the Abandoned Coil Score – archival interview with Coil member Stephen Thrower
\nTrailers and TV spots
\nImage Gallery
\nDraft screenplays<\/p>\n

DISC 2 – HELLBOUND: HELLRAISER II<\/strong>
\nBrand new audio commentary featuring Stephen Jones and Kim Newman
\nArchival audio commentary with director Tony Randel, writer Peter Atkins, and actor Ashley Laurence
\nAudio commentary with director Tony Randel and writer Peter Atkins
\nHell Was What They Wanted! – brand new 80-minute appreciation of Hellbound, the Hellraiser mythos, and the work of Clive Barker by horror authors George Daniel Lea (Born in Blood) and Kit Power (The Finite)
\nThat Rat-Slice Sound – brand new appreciation of composer Christopher Young’s scores for Hellraiser and Hellbound: Hellraiser II by Guy Adams
\nArchival on-set interview with Clive Barker
\nArchival on-set interview with cast and crew
\nBehind-the-scenes footage
\nBeing Frank: Sean Chapman on Hellbound – archival interview about the actor’s return to the role of Frank Cotton
\nUnder the Skin: Doug Bradley on Hellbound – archival interview with the iconic actor about his second appearance as ‘Pinhead’
\nLost in the Labyrinth – archival featurette featuring interviews with Barker, Randel, Keen, Atkins, and others
\nTrailers and TV spots
\nImage Gallery<\/p>\n

DISC 3 – HELLRAISER III: HELL ON EARTH<\/strong>
\nAlternative Unrated version (contains standard definition inserts)
\nBrand new audio commentary featuring Stephen Jones and Kim Newman
\nArchival audio commentary with screenwriter Peter Atkins (Theatrical Cut only)
\nArchival audio commentary with director Anthony Hickox and actor Doug Bradley (Unrated Version only)
\nPreviously unseen extended EPK featuring interviews with Clive Barker and Doug Bradley
\nFX dailies
\nTime with Terri – archival interview with actor Paula Marshall
\nRaising Hell on Earth – archival interview with director Anthony Hickox
\nUnder the Skin: Doug Bradley on Hellraiser III – archival interview with the iconic actor about his third appearance as ‘Pinhead’
\nTheatrical trailer
\nImage Gallery<\/p>\n

DISC 4 – HELLRAISER: BLOODLINE<\/strong>
\nBrand new audio commentary featuring screenwriter Peter Atkins, with Stephen Jones and Kim Newman
\nThe Beauty of Suffering – brand new featurette exploring the Cenobites' connection to goth, fetish cultures and BDSM
\nA newly uncovered workprint version of the film provides a fascinating insight into how it changed during post-production.
\nHellraiser Evolutions – archival documentary on the evolution of the franchise and its enduring legacy, featuring interviews with Scott Derrickson, Rick Bota, and Stuart Gordon, among others
\nBooks of Blood and Beyond: The Literary Works of Clive Barker – archival appreciation by horror author David Gatwalk of Barker’s written work, from The Books of Blood to The Scarlet Gospels
\nTheatrical trailer
\nImage Gallery
\nEaster egg<\/p>\n

Please visit https:\/\/linktr.ee\/overlyhonestr for more reviews.<\/p>\n

You can follow me on Letterboxd, Instagram, Twitter, and YouTube. My social media accounts can also be found on most platforms by searching Overly Honest Reviews.<\/p>\n

I’m always happy to hear from my readers; please say hi or send me any questions about movies.<\/p>\n

[photo courtesy of ARROW VIDEO, MVD ENTERTAINMENT]<\/em><\/p>\n

DISCLAIMER:<\/strong>
\nAt Overly Honest Movie Reviews, we value honesty and transparency. Occasionally, we receive free items for review, including DVDs, Blu-rays, CDs, Vinyl, Books, etc. We assure you that these arrangements do not influence our reviews, as we are committed to providing unbiased and sincere evaluations. We aim to help you make informed entertainment choices, regardless of our relationship with distributors or producers.<\/p>\n

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MOVIE REVIEW Hellraiser: Quartet Of Torment [Pinhead Slipcase Limited Edition] Hellraiser –      Hellbound: Hellraiser II –      Hellraiser III: Hell on Earth –      Hellraiser: Bloodline –      Genre: Horror, Thriller, Sci-Fi Year Released: 1987 \/ 1988 \/ 1992 \/ 1996, 2024 Arrow Video Runtime: 1h 34m \/ 1h 37m \/ 1h 37m \/ 1h 25m Director(s): Clive […]<\/p>\n","protected":false},"author":1,"featured_media":7273,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-7272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/7272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/comments?post=7272"}],"version-history":[{"count":0,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/7272\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media\/7273"}],"wp:attachment":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media?parent=7272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/categories?post=7272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/tags?post=7272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}