{"id":793,"date":"2022-09-11T00:00:00","date_gmt":"2022-09-11T00:00:00","guid":{"rendered":"<p><strong>MOVIE REVIEW<br \/>\r\nTrenque Lauquen Part I &amp; Trenque Lauquen Part II<\/strong><br \/>\r\n<img src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/NOTRATED.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;&ndash;&nbs"},"modified":"2022-09-11T19:00:21","modified_gmt":"2022-09-11T19:00:21","slug":"my-seventh-film-from-the-venice-film-festival","status":"publish","type":"post","link":"https:\/\/mailnewsgroup.com\/ohmr\/my-seventh-film-from-the-venice-film-festival\/","title":{"rendered":"My Seventh Film From the Venice Film Festival"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>2 Minute, 13 Second                <\/div>\n\n            <\/div><p><strong>MOVIE REVIEW<br \/>\nTrenque Lauquen Part I &amp; Trenque Lauquen Part II<\/strong><br \/>\n<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/NOTRATED.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;&ndash;&nbsp;<img decoding=\"async\" alt=\"star\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/> <img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/halfstar.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>\/<img decoding=\"async\" alt=\"star\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/> <img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/>&nbsp;<img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" style=\"width:auto;height: 18px;border: none;vertical-align:text-top;\" \/><\/p>\n<p dir=\"ltr\"><strong>Genre:<\/strong> Drama<br \/>\n<strong>Year Released:<\/strong> 2022<br \/>\n<strong>Runtime:<\/strong><br \/>\n<em>Part One:<\/em> 2h 8m<br \/>\n<em>Part Two:<\/em> 2h 12m<br \/>\n<strong>Director(s):<\/strong> Laura Citarella<br \/>\n<strong>Writer(s):<\/strong> Laura Citarella Laura Paredes<br \/>\n<strong>Cast:<\/strong><br \/>\n<em>Part One:<\/em> Laura Paredes, Ezequiel Pierri, Rafael Spregelburd, Cecilia Rainero<br \/>\n<em>Part Two:<\/em> Laura Paredes, Ezequiel Pierri, Juliana Muras, Elisa Carricajo, Vero\u00cc\u0081nica Llina\u00cc\u0081s<br \/>\n<strong>Where To Watch:<\/strong> Premiering in Venice on 9\/8, wider release on 10\/11<\/p>\n<hr \/>\n<p>What an experience! I don&rsquo;t think this is like anything that I can remember watching. It was a weird experience because it felt like every second of the four hours, yet it also flew by in a breeze. I think it was helped by the fact that the films were also broken up into sections instead of just two two-hour parts. Altogether these films combine for a four-hour+ run time, and wow.<\/p>\n<p>These most definitely aren&rsquo;t something for everyone; you need to know what you&rsquo;re getting yourself into before checking these out. They&rsquo;re a slow burn but have so much to give. I was shocked when I got access to the films towards the end of my Venice experience. So I moved some things around and was able to fit in the screenings.<\/p>\n<p>They may be the best example of dialogue usage I can remember seeing in recent history. The film&#39;s runtime lets them explore things that a typical experience wouldn&rsquo;t. This enables you to dive into the film&#39;s story instead of skimming over it and jumping from one scene to the next. At the same time, I have to question whether or not that is fair. If a film extends its runtime, does that give them an unfair advantage? Or do they benefit from the longer runtime because of what is being said and done?<\/p>\n<p>This will remain one of my favorite film-watching experiences of the year, even if they aren&rsquo;t my favorite films of the year. It&#39;s ironic how that ends up working out and says a lot about what makes a movie great vs. what makes your experience great. The best of two different worlds all rolled into one.<\/p>\n<p>For more reviews and my YouTube channel, please visit&nbsp;<a href=\"http:\/\/linktr.ee\/Overlyhonestmoviereviews\">linktr.ee\/Overlyhonestmoviereviews<\/a><\/p>\n<p>Follow me on Instagram, Letterboxd, Twitter, and YouTube. Find my social media accounts on most platforms simply by searching Overly Honest Movie Reviews.<\/p>\n<p>I&rsquo;m always happy to hear from my readers; please say hi or send me any questions about all things movies.<\/p>\n        <div class=\"booster-block booster-reactions-block\">\n            <div class=\"twp-reactions-icons\">\n                \n                <div class=\"twp-reacts-wrap\">\n                    <a react-data=\"be-react-1\" post-id=\"793\" class=\"be-face-icons un-reacted\" href=\"javascript:void(0)\">\n                        <img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/ohmr\/wp-content\/plugins\/booster-extension\/\/assets\/icon\/happy.svg\" alt=\"Happy\">\n                    <\/a>\n                    <div class=\"twp-reaction-title\">\n                        Happy                    <\/div>\n                    <div class=\"twp-count-percent\">\n                                                    <span style=\"display: none;\" 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Paredes, Ezequiel Pierri, Rafael Spregelburd, Cecilia Rainero Part Two: Laura Paredes, Ezequiel Pierri, Juliana Muras, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":794,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-793","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"MOVIE REVIEW Trenque Lauquen Part I &amp; Trenque Lauquen Part II \u2013 \/ Genre: Drama Year Released: 2022 Runtime: Part One: 2h 8m Part Two: 2h 12m Director(s): Laura Citarella Writer(s): Laura Citarella Laura Paredes Cast: Part One: Laura Paredes, Ezequiel Pierri, Rafael 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