{"id":8578,"date":"2025-03-22T11:00:00","date_gmt":"2025-03-22T11:00:00","guid":{"rendered":"https:\/\/mailnewsgroup.com\/ohmr\/?p=8578"},"modified":"2025-03-27T08:52:15","modified_gmt":"2025-03-27T13:52:15","slug":"breaking-in-was-the-easy-part","status":"publish","type":"post","link":"https:\/\/mailnewsgroup.com\/ohmr\/breaking-in-was-the-easy-part\/","title":{"rendered":"Breaking in Was the Easy Part"},"content":{"rendered":"<div class='booster-block booster-read-block'>\n                <div class=\"twp-read-time\">\n                \t<i class=\"booster-icon twp-clock\"><\/i> <span>Read Time:<\/span>4 Minute, 50 Second                <\/div>\n\n            <\/div><p><strong>MOVIE REVIEW<br \/>\nWake Up<\/strong><br \/>\n<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/NOTRATED.svg\" \/><strong>\u00a0<\/strong>&#8211;\u00a0<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" \/>\u00a0<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" \/>\u00a0<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/star.svg\" \/>\u00a0<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" \/>\u00a0<img decoding=\"async\" style=\"width: auto; height: 18px; border: none; vertical-align: text-top;\" src=\"https:\/\/mailnewsgroup.com\/assets\/img\/icon\/nostar.svg\" \/><\/p>\n<p><strong>Genre:<\/strong> Action, Horror<br \/>\n<strong>Year Released: <\/strong>2023, 2025<br \/>\n<strong>Runtime: <\/strong>1h 23m<br \/>\n<strong>Director(s): <\/strong>Anouk Whissell, Yoann-Karl Whissell<br \/>\n<strong>Writer(s): <\/strong>Alberto Marini, Martin Soudan<br \/>\n<strong>Cast: <\/strong>Turlough Convery, Benny O. Arthur, Alessia Yoko Fontana, Jacqueline More, Kyle Scudder, Thomas Gould, Charlotte Stoiber, Aidan O&#8217;Hare, Gary Anthony Stennette<br \/>\n<strong>Where To Watch: <\/strong>in select theaters nationwide in the U.S. and Canada on April 4, 2025<\/p>\n<hr \/>\n<p><strong><strong><strong>RAVING REVIEW:\u00a0<\/strong><\/strong><\/strong>There\u2019s something inherently unsettling about being alone in a massive, fluorescent-lit retail store after hours. The aisles stretch endlessly, the sterile atmosphere turning the familiar into something almost ominous. This eerie sensation becomes the perfect setting for a horror experience that pits reckless idealism against unrelenting brutality. What begins as an act of rebellion spirals into a nightmare, leaving behind a trail of shattered ideals, bloodied floors, and a night of mayhem no one signed up for.<\/p>\n<hr \/>\n<p>A small collective of young environmentalists eager to make a statement against corporate greed and deforestation sneaks into a massive superstore after hours. Their plan is simple: vandalize, expose, and spread awareness. Armed with paint, buckets of animal remains, and a firm belief that their actions would spark change, they set their protest in motion. But as the night stretches on, their demonstration takes a deadly turn. The store\u2019s night security guard isn\u2019t just there to protect property\u2014he sees himself as something far more dangerous. For him, justice isn\u2019t served with a management report; it\u2019s dished out with a brutality that turns the activists into prey. What follows is a relentless, blood-soaked hunt that transforms a temple of consumerism into an inescapable battleground.<\/p>\n<p>The directing team of Anouk Whissell and Yoann-Karl Whissell\u2014known collectively as RKSS\u2014has made a name for themselves by blending genre film with a distinct visual style and sharp, often dark humor. They inject social commentary into the classic slasher formula. The film offers plenty of carnage and tension but doesn\u2019t always dig as deep into its themes as possible. It delivers a visually striking and unrelentingly violent experience when it hits its stride.<\/p>\n<p>The setting is one of the film\u2019s greatest strengths. Usually designed for convenience and organization, the store&#8217;s interior becomes a claustrophobic death trap. RKSS manipulates this environment to heighten suspense, using towering shelves, mirrored displays, and endless aisles to create a sense of isolation and disorientation. The artificial glow of the store\u2019s lights adds an unsettling sterility to the bloodshed, making the violence feel all the more jarring.<\/p>\n<p>Performances help bring the tension to life, with Turlough Convery\u2019s portrayal of the night guard as a highlight. He transitions between the mundane frustrations of an underappreciated employee and the terrifying instincts of a predator who sees his chance to unleash something far darker. His unhinged presence dominates the screen, making every scene with him unpredictable and unnerving. Meanwhile, the activists\u2014played by Benny O. Arthur, Jacqueline Mor\u00e9, Alessia Yoko Fontana, Kyle Scudder, Charlotte Stoiber, and Tom Gould\u2014convey determination and fear as they navigate their rapidly deteriorating situation. Each embodies a different facet of activism, from genuine passion to performative rebellion, but the script doesn\u2019t always give them enough depth to explore their motivations fully.<\/p>\n<p>The premise introduces an interesting conversation about modern activism\u2014whether it&#8217;s driven by authentic passion or a desire for social validation\u2014and the consequences of direct action. However, the film often skirts around these deeper questions, using them more as a backdrop than an integral part of the story. While effectively terrifying, the antagonist remains a one-note character whose motivations are hinted at but never fully explored. A deeper dive into what makes him tick could have made his presence even more unsettling.<\/p>\n<p>What the film may lack in complexity, it makes up for in sheer energy. It doesn\u2019t waste time with excessive exposition, throwing the audience straight into its high-stakes conflict. The pacing is relentless, with each sequence escalating the brutality. The kills are gruesome, creative, and sometimes absurd in a way that leans into the fun of slasher horror. RKSS clearly understands how to craft tension, even when the story doesn\u2019t always dig as deep as possible.<\/p>\n<p>Ultimately, the film lands somewhere between a high-energy slasher and a social horror experiment that never fully commits to its loftier ideas. It succeeds where it matters most\u2014delivering a brutal, tension-filled thrill ride with a unique setting and strong visual direction. While it doesn\u2019t reach the heights of some of RKSS\u2019s previous work, it still offers plenty of genre thrills for those looking for an intense, blood-soaked experience. Fans of inventive horror will find much to enjoy, even if the story leaves a few thematic threads hanging.<\/p>\n<p>Please visit https:\/\/linktr.ee\/overlyhonestr for more reviews.<\/p>\n<p>You can follow me on Letterboxd, Instagram, Twitter, and YouTube. My social media accounts can also be found on most platforms by searching Overly Honest Reviews.<\/p>\n<p>I\u2019m always happy to hear from my readers; please say hi or send me any questions about movies.<\/p>\n<p><em>[photo courtesy of BLUE FOX ENTERTAINMENT]<\/em><\/p>\n<p><strong>DISCLAIMER:<\/strong><br \/>\nAt Overly Honest Movie Reviews, we value honesty and transparency. Occasionally, we receive free items for review, including DVDs, Blu-rays, CDs, Vinyl, Books, etc. We assure you that these arrangements do not influence our reviews, as we are committed to providing unbiased and sincere evaluations. We aim to help you make informed entertainment choices, regardless of our relationship with distributors or producers.<\/p>\n<p><strong>Amazon Affiliate Links:<\/strong><br \/>\nAdditionally, this site contains Amazon affiliate links. If you purchase through these links, we may receive a commission. This affiliate arrangement does not affect our commitment to honest reviews and helps support our site. We appreciate your trust and support in navigating these links.<\/p>\n        <div class=\"booster-block booster-reactions-block\">\n            <div class=\"twp-reactions-icons\">\n                \n                <div class=\"twp-reacts-wrap\">\n                    <a react-data=\"be-react-1\" post-id=\"8578\" class=\"be-face-icons un-reacted\" href=\"javascript:void(0)\">\n                        <img decoding=\"async\" src=\"https:\/\/mailnewsgroup.com\/ohmr\/wp-content\/plugins\/booster-extension\/\/assets\/icon\/happy.svg\" alt=\"Happy\">\n                    <\/a>\n                    <div class=\"twp-reaction-title\">\n                        Happy                    <\/div>\n                    <div class=\"twp-count-percent\">\n                                                    <span style=\"display: none;\" class=\"twp-react-count\">0<\/span>\n                        \n                                                <span class=\"twp-react-percent\"><span>0<\/span> 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Arthur, Alessia Yoko Fontana, Jacqueline More, Kyle Scudder, Thomas Gould, Charlotte Stoiber, Aidan O&#8217;Hare, Gary Anthony Stennette Where To Watch: in select theaters nationwide in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8579,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-8578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-theaters"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/8578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/comments?post=8578"}],"version-history":[{"count":1,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/8578\/revisions"}],"predecessor-version":[{"id":8614,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/posts\/8578\/revisions\/8614"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media\/8579"}],"wp:attachment":[{"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/media?parent=8578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/categories?post=8578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mailnewsgroup.com\/ohmr\/wp-json\/wp\/v2\/tags?post=8578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}