
Self-Help
SELF-HELP opens with a setup that feels all too believable in the modern age: a daughter watches her mother slip under the influence of a mysterious figure, and in desperation, she infiltrates the very group that threatens to consume her family. From there, director Erik Bloomquist and co-writer Carson Bloomquist craft a story that is part cult horror, part family drama, and part commentary on the manipulation of trust. It is a film rooted in modern anxieties, dressed in familiarity, but clever enough to find fresh angles.