Welcome to Milan, 2030, where the cutting-edge meets the cryptic in the sensational new series CITADEL: DIANA, a spin-off of the 2023 American series CITADEL. This narrative whirlwind follows Diana Cavalieri, portrayed by Matilda De Angelis, as she maneuvers through a treacherous world riddled with espionage and alliances. As a double agent pinned between the colossal forces of the Citadel and the Manticore syndicate, Diana’s journey through Milan’s streets mirrors a psychological maze she must navigate, making the city itself a silent conspirator in a plot brimming with tension and intrigue.

Elliot Page’s portrayal in CLOSE TO YOU pulls us into an intricate tale of family drama, spotlighting the conflicts that surface when one returns to the roots they've once left behind. Directed by Dominic Savage, this film stands out for its raw, improvisational dialogue style that effectively captures the authenticity of strained family relationships and the personal battles against societal expectations. To be entirely clear, this is one of those situations where I feel my opinion of the film doesn’t matter. Page says making CLOSE TO YOU, his first feature film since publicly coming out as transgender, was “one of the best experiences I've ever had.”

FALLING STARS ventures into the folk horror arena with a unique take I wasn’t expecting. Directed by Richard Karpala and Gabriel Bienczycki, the film offers a refreshing and intellectually stimulating dive into witchcraft myths, blurring the lines between the fantastical and the every day with poise and suspense.

KILLER CAKES adds to the culinary competition scene by introducing a thrilling horror twist, creating a spectacle where delicious desserts morph into frightening masterpieces. This show, born from the creative minds at Blumhouse Television and High Noon Entertainment, mixes the thrilling elements of horror with the refined art of baking. It challenges contestants to stretch their imaginations into the eerie depths of terror, turning their confections into something straight out of a horror narrative.

A quaint Pennsylvania town becomes the eerie backdrop for MR. CROCKET is a film that cleverly twists the traditional children's television host into a harbinger of horror (let’s be honest, most of them weren’t far from it.) This 1993-set movie, directed by Brandon Espy and produced by Hulu Originals and WorthenBrooks, melds camp, fantasy, and terror into a narrative that, while occasionally all over the place with its tone, pushes the envelope of conventional genre boundaries with its audacious storytelling and innovative use of practical effects.

In independent cinema, SISTER WIVES emerges as a powerful narrative that portrays the journey of two women challenging the oppressive shackles of a tightly-knit community. Directed by Louisa Connolly-Burnham, this 29-minute film immerses audiences in a 2003 Utah backdrop, where our leads, Kaidence (Connolly-Burnham) and Galilee (Mia McKenna-Bruce), confront the stormy challenges of forbidden love and cultural rebellion.

Welcome to the raw and unraveling world of THE WALKING DEAD: DEAD CITY, where the landscape of Manhattan becomes more than just a backdrop—it transforms into a pivotal force in the harrowing tale of survival. This latest saga from the enduring universe of THE WALKING DEAD plunges two iconic figures, Maggie and Negan, into an urban wasteland to confront the external undead threats and navigate their shared history. The dramatic portrayals of these characters by Lauren Cohan and Jeffrey Dean Morgan provide a depth that elevates the narrative beyond survival horror to a poignant exploration of redemption and reconciliation.

Having previewed the first two episodes of the new NBC comedy/drama HAPPY'S PLACE, we dive into a world where family ties and legacy clash with just the correct dose of light-hearted humor. In the first episode, which airs Friday, October 18 at 8 p.m. ET/PT, we meet Bobbie (Reba McEntire) as she steps into the world of her late father’s tavern, only to discover an unexpected twist: a partnership with Isabella (Belissa Escobedo,) a half-sister who she never knew existed.

BAD GENIUS dives right into the thick of an intellectual battleground where school tests aren't just paper—they're the safes our protagonists crack in this slick academic heist. Directed with a unique vision by J.C. Lee, this remake of a Thai film not only reimagines the story for a Western audience but drills deep into the modern adolescent psyche, grappling with the ethics of right versus wrong in a system stacked against them.

Venture into the shadowy depths of DADDY'S HEAD, where the haunting blend of psychological and paranormal elements creates a thrilling experience. In this remote, sprawling estate, young Isaac (Rupert Turnbull) faces the echoes of his past under the care of his stepmother, Laura (Julia Brown,) following his father's unexpected death. The film, directed by Benjamin Barfoot, maps their journey through grief and the spectral disruptions that seem to mirror the widening chasm between them with unnerving accuracy.

In 1972, John Lennon and Yoko Ono staged a radical takeover of "The Mike Douglas Show," a week that forever changed the fabric of daytime television. Under Erik Nelson’s direction, DAYTIME REVOLUTION revisits this pivotal period, showing how the couple used the platform to fuse entertainment with activism, fundamentally shifting the national conversation.

RECIPES FOR LOVE & MURDER: SERIES 1 whisks audiences away to sun-drenched Karoo, South Africa, blending mystery-solving elements with a dash of culinary charm. Maria Doyle Kennedy shines as Tannie Maria/Maria Purvis, a lovable advice columnist who reveals her knack for unraveling mysteries between seasoning her dishes. This show stirs the pot of traditional crime dramas by adding a unique twist—solving crimes, one recipe at a time.

BODY AND SOUL untangles more than just a fighter's journey; it portrays a drama of conflict between personal ambition and moral integrity. Under the direction of Robert Rossen, the movie doesn't just punch but jabs at the underbelly of the sports world, where the glitz of the spotlight often overshadows the grit required to stay in it. In a career-defining role, John Garfield portrays Charley Davis, whose meteoric rise in boxing is as fraught with tension and conflict as his battles within the ropes.

In the darkest corridors of British cinema, BURN WITCH BURN (also known as NIGHT OF THE EAGLE) emerged as a riveting exploration of the conflict between rational thought and the mysteries of the unknown. The 1962 production, under Sidney Hayers’ direction, twists elements of psychological intrigue with supernatural experiences. This film gains its atmosphere from the masterful scripting by Richard Matheson, Charles Beaumont, and George Baxt, who collectively draw upon Fritz Leiber’s novel ‘Conjure Wife.’

Sidney Lumet's rendition of MURDER ON THE ORIENT EXPRESS immerses us in a luxurious saga filled with intrigue and mystery, underpinned by a constellation of stellar performances by Albert Finney, Ingrid Bergman, and Sean Connery. The visual splendor and the complex plot hold the promise of a classic thriller. Still, the film’s leisurely pacing and lack of depth in character exploration can dampen the overall excitement. Amid the plush interiors of the famed locomotive, the story chugs along, revealing a murder that should accelerate the heart rate but occasionally feels like a slow burn rather than a pulsating ride.

DINDIN revolutionizes the classic dinner party trope with a twist that transforms a gathering into a riveting psychological clash. Writer Brenda Withers adapts her acclaimed stage play to the silver screen, capturing a powerful theatrical essence in the intimate confines of a single evening. The hosts, Pierre (Robert Kropf) and Emily (Stacy Fischer,) initially exude an aura of sophistication that gradually disintegrates to unveil profound discontent. Meanwhile, the volatility in the relationship between guests Darlene (Brenda Withers) and Ricky (Jonathan Fielding) threatens to escalate into open conflict as each character’s dialogue strips bare their inner turmoil and societal critiques.