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MOVIE REVIEW
Taxi Monamour

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Genre: Drama
Year Released: 2024
Runtime: 1h 53m
Director(s): Ciro De Caro
Writer(s): Ciro De Caro, Rosa Palasciano
Cast: Rosa Palasciano, Yeva Sai, Valerio Di Benedetto, Ivan Castiglione, Matteo Quinzi, Taras Synyshyn, Halyna Havryliv, Laurentina Guidotti
Language: Italian with English subtitles
Where To Watch: showing at the 2024 Venice International Film Festival


RAVING REVIEW: TAXI MONAMOUR pulls us into a captivating journey through the lives of Anna (Rosa Palasciano) and Cristi (Yeva Sai), set against a world painted with personal heartache and the chaos of geopolitical conflict. As Anna wrestles with family tensions and self-doubt, she crosses paths with Cristi, a Ukrainian refugee whose world has been shattered by war. Their encounter opens a window into the themes of liberty, resilience, and human connection, showcasing their ability to find common ground amidst adversity.


Ciro De Caro's directorial style elevates this narrative beyond a mere crossing of paths. With an empathetic and unobtrusive lens, De Caro captures the raw emotional journeys of his characters, allowing the story to unfold in a manner that is both organic and affecting. His technique transforms even the quietest moments into mighty echoes of the character's internal struggles, effectively showcasing the transformative power of fleeting interactions.

Navigating a challenging landscape, the production team maintained De Caro's unique artistic voice while introducing him to a new world. This delicate balance was achieved with the support of Rai Cinema, which played a crucial role in nurturing De Caro’s creative vision without compromising the film’s authenticity. The resulting film not only mirrors the complexities of modern life but also serves as a beacon of hope and empathy, primarily due to the riveting performances of Palasciano and Sai.

Palasciano, in her role as Anna, draws heavily on her extensive theatrical experience, bringing a profound intensity and nuance to her performance. Her portrayal is marked by a delicate balance of subtlety and depth, attributes honed through her previous collaborations with De Caro, especially in GIULIA from 2021. TAXI MONAMOUR marks a pivotal moment in her acting career, showcasing her ability to navigate complex emotional terrains easily.

Sai, who portrays Cristi, brings vulnerability and resilience to her character. Enriched by her real-world struggles, her performance adds authenticity and depth, making Cristi’s challenges relatable and poignant. This role serves Sai's debut on the international cinema stage, highlighting her talent and ability to carry a lead role in a film gracefully and with conviction.

Valerio Di Benedetto's role as Angelo cannot be understated. His diverse background across various acting roles enriches the film, bringing a versatile dynamic to the story. His past collaborations with De Caro set a strong precedent for their continued partnership, evident in his portrayal here.

De Caro's journey from short films and commercials to acclaimed cinematic projects has been marked by a continuous exploration of human experiences. His distinctive cinematic language, both meticulous and liberating, shines through in TAXI MONAMOUR, resonating with current societal struggles while providing timeless insights into the essence of human connections.

One of the film’s most commendable aspects is its ability to engage audiences. It tackles the harsh realities of life, using them as a counter to underscore the enduring nature of the human spirit and the emergence of hope through the bonds shown on screen. The stellar performances are instrumental in infusing the narrative with depth, ensuring that the film's impact extends far beyond its final scenes.

TAXI MONAMOUR is a testament to cinema's power to delve into the complexities of human emotion and relationships. De Caro and the rest of the film's dedicated team help make it stand out for its insightful portrayal of contemporary life and human resilience. It confirms cinema's role as entertainment and a profound medium for reflection, challenge, and empathy.

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[photo courtesy of TRUE COLOURS, SIMONE ISOLA, KIMERAFILM – MFF, RAI CINEMA, ADLER ENTERTAINMENT, MINISTERO DELLA CULTURA]

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Chris Jones
Entertainment Editor

Chris Jones is the Mail Entertainment Editor covering Movies and Television topics. He is from Washington, Illinois, and is the owner, writer, and editor of Overly Honest Reviews.