MOVIE REVIEW
Demolition Man [Limited Edition]
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Genre: Action, Adventure
Year Released: 1993, 2024 Arrow Video 4K
Runtime: 1h 55m
Director(s): Marco Brambilla
Writer(s): Peter M. Lenkov, Robert Reneau, Daniel Waters
Cast: Sylvester Stallone, Wesley Snipes, Sandra Bullock, Nigel Hawthorne, Benjamin Bratt, Rob Schneider, Bob Gunton, Glenn Shadix, Denis Leary, Bill Cobbs
Where To Watch: available December 17, 2024; pre-order your copy here www.arrowvideo.com, www.mvdshop.com, or www.amazon.com

RAVING REVIEW: DEMOLITION MAN distinguishes itself as a maverick in the sprawling world of post-apocalyptic films, where science fiction frequently crosses swords with social satire. This film melds dark humor with thrilling sci-fi elements, featuring Sylvester Stallone and Wesley Snipes in roles that pit starkly contrasting visions of order and chaos against each other. Stallone's John Spartan, a pinnacle of “law and order,” stands in sharp contrast to Snipes' Simon Phoenix, a figure of unpredictable anarchy. This interplay propels the narrative and enriches the film’s exploration of control versus freedom.

As we journey from the chaotic surroundings of a 1996 Los Angeles to the eerily calm and collected streets of San Angeles in 2032, the film constructs a detailed portrait of a future seemingly achieving perfection by merging three major Californian cities. This utopia, however, comes at the cost of human emotion, a price illustrated when Phoenix shatters this calm with his violent escape from a cryogenic prison. The resulting turmoil forces a complacent and unprepared police force to reevaluate their methods in a drastically altered reality.

Amidst this clash, Sandra Bullock’s Lenina Huxley offers a crucial link between the nostalgic thrills of the past and the sanitized present. Her character, a nod to Aldous Huxley's dystopian visions, brings a humorous yet critical perspective to the story. Her interactions with Spartan inject fun and insightful critique, highlighting the ridiculousness of a society obsessed only with safety and order.

While deeply philosophical, the film does not forsake its entertainment. The toxicity between Stallone’s unyielding heroism and Snipes’ villainy provides tension and humor, with Phoenix’s theatrical antics offering a stark counterpoint to Spartan’s at times more grounded approach. Their on-screen chemistry ensures that each scene captures the audience's imagination as effectively as any high-stakes action sequence.

The narrative involving an underground resistance introduces fertile ground for further socio-political exploration but is not given the deeper dive it deserves. The lead actors' charismatic performances enhance DEMOLITION MAN's action sequences. The meticulously choreographed battles entertain and underscore the broader thematic conflicts between old-world bravado and the new world order.

Another of the film’s strengths is its self-referential humor, which critiques its internal logic and broader genre tropes. This meta-humorous approach, coupled with timely nods to the cultural zeitgeist of the 1990s, broadens its appeal and enriches its exploration of the story, making it resonate with nostalgia.

DEMOLITION MAN is a true feast visually, juxtaposing the gritty realism of its opening scenes against the sleek aesthetics of a futuristic San Angeles. This visual contrast effectively embodies the film’s thematic exploration of the past versus the future. Although some special effects may show their age, the overall design remains impressive and immersive, contributing significantly to the film's enduring charm.

In conclusion, DEMOLITION MAN is an excellent example of how a film can be a riveting action spectacle and a thoughtful commentary on societal issues. Stallone, Snipes, and Bullock's performances are instrumental in bringing depth and nuance to their characters, making the film a standout in the action genre. By weaving together incisive social commentary with exhilarating cinematic flair, DEMOLITION MAN secures its position as entertainment and a film that challenges and captivates equally.

Bonus Materials
Brand new 4K restoration from the original 35mm camera negative by Arrow Films, approved by director Marco Brambilla
Includes both the domestic “Taco Bell” and international “Pizza Hut” versions of the film presented via seamless branching
4K Ultra HD (2160p) presentation in Dolby Vision (HDR10 compatible)
Original lossless DTS-HD MA 5.1 and Dolby Atmos audio options
Optional English subtitles for the deaf and hard of hearing
Brand new audio commentary by director Marco Brambilla and screenwriter Daniel Waters
Brand new audio commentary by film historian Mike White of the Projection Booth podcast
Archive audio commentary by Marco Brambilla and producer Joel Silver
Demolition Design, a new interview with production designer David L. Snyder
Cryo Action, a new interview with stunt coordinator Charles Percini
Biggs' Body Shoppe, a new interview with special make-up effects artist Chris Biggs
Tacos and Hockey Pucks, a new interview with body effects set coordinator Jeff Farley
Somewhere Over the Rambo, a new visual essay by film scholar Josh Nelson
Theatrical trailer
Image Gallery
60-page perfect bound collector’s book featuring new writing by film critics Clem Bastow, William Bibbiani, Priscilla Page and Martyn Pedler
Limited edition packaging featuring newly commissioned artwork by Laurie Greasley
Double-sided fold-out poster featuring original and newly commissioned artwork by Laurie Greasley
Six postcard-sized art cards
’Three Seashells’ and ‘Edgar Friendly graffiti’ stickers
Reversible sleeve featuring original and newly commissioned artwork by Laurie Greasley

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[photo courtesy of ARROW VIDEO, MVD ENTERTAINMENT]

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