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Indie Film Shines Light on Venezuela’s Overlooked Crisis

MOVIE REVIEW
Simón

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Genre: Drama
Year Released: 2023
Runtime: 1h 39m
Director(s): Diego Vicentini
Writer(s): Diego Vicentini
Cast: Christian McGaffney, Jana Nawartschi, Roberto Jaramillo, Luis Alejandro Silva, Franklin Vírgüez, Pedro Pablo Porras, Prakriti Maduro, Arianne Girón, José Ramón Barreto
Language: English and Spanish with English subtitles
Where To Watch: now available on Netflix in Spain and South America, TBA elsewhere


RAVING REVIEW: Diego Vicentini’s SIMÓN catapults viewers into the intense and drama-filled world of Simón, a young Venezuelan activist grappling with the aftermath of his actions against an oppressive regime. The film interlaces personal anguish with broader political themes, presenting a narrative ripe with emotional resonance. Christian McGaffney shines in his portrayal of a man caught in the restlessness of adjusting to a safer yet unfamiliar life in the U.S. while still feeling the pull of the conflict back home.


SIMÓN introduces the protagonist, Simón, who has escaped the brutal clutches of Venezuela's political chaos to seek asylum in Miami. This locale offers more than just a setting; it contrasts dramatically with the life he left behind, encapsulating his ongoing internal and external battles. Vicentini’s direction explores themes of trauma, guilt, and justice, pulling the audience into Simón’s relentless pursuit to mend his fractured sense of self and place.

Simón’s evolving relationship with Melissa, a pre-law student who assists him with his asylum journey, is central to the plot. Jana Nawartschi gives a standout performance, capturing her character's growing awareness and emotional investment in the plight of Simón’s tumultuous past. Their dynamics enrich the narrative, adding complexity as they navigate the challenging legal and ethical landscapes.

Vicentini cleverly uses flashbacks to juxtapose Simón’s vibrant activism with his current predicament. These sequences do more than fill in the backstory—they anchor the audience to the sacrifices made by Simón and his fellow protestors. The portrayals of confrontations with the regime are stark and moving, emphasizing the dangerous conditions from which he fled.

What truly distinguishes SIMÓN is its unflinching authenticity. The film tackles the gritty realities of democratic struggles under authoritarian rule with raw, unpolished honesty. The dialogue, infused with despair and hope, paints a graphic picture of the exile's dual agony: the pain of leaving one's homeland and the unyielded determination to continue the fight for liberty.

The film comments on the global oversight of Venezuela’s troubles. Utilizing a modest budget transcends financial limitations to deliver an enlightening and moving narrative, spotlighting a humanitarian crisis often sidelined internationally.

Despite its indie production, SIMÓN surpasses expectations in narrative execution and character development, sidestepping the usual pitfalls of low-budget cinema. The suspense and emotional stakes are palpable, ensuring that viewers remain deeply invested in the unfolding drama and the fates of its characters.

As SIMÓN wraps up, it leaves its audience pondering the agonizing choices faced by those who dare to defy oppression. The film closes on a reflective note, emphasizing the continuous fight for justice in Venezuela and beyond, challenging viewers to reconsider their views on freedom and the role of international support in such struggles.

Diego Vicentini's film leaves his mark as a storyteller of note and highlights cinema’s role in addressing pressing global issues. Through the production of SIMÓN, Vicentini offers insight into the courage required to face tyranny, crafting a story that resonates with urgency and depth. This film serves as a poignant reminder of the enduring human spirit against adversity, making a lasting impact that lingers with the audience well past its conclusion.

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[photo courtesy of BLACKHOLE ENTERPRISES]

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Chris Jones
Entertainment Editor

Chris Jones is the Mail Entertainment Editor covering Movies and Television topics. He is from Washington, Illinois, and is the owner, writer, and editor of Overly Honest Reviews.