Stepping back into the limelight after a booze-soaked hiatus, Guy Manley isn't your average spy. In GUY MANLEY: SUPER SPY, the stakes are high as he's roped into thwarting a mayoral campaign that skirts the lines of dictatorship (a little too close to real life for my liking, lol.) This mission, reminiscent of a plot lifted straight from a spy parody, brings chaos and humor to a genre often mired in seriousness.

JUSTICE LEAGUE: CRISIS ON INFINITE EARTHS, PART THREE storms into the grand finale of this celebrated trilogy with a promise to deliver the thunderous conclusion that fans have been waiting for. With its rich comic book heritage as a backdrop, the film aims to weave together the countless threads of its expansive universe. While it aims high, it occasionally stumbles, yet it manages to capture a spectacle that, while not flawless, still packs a punch with its visual and emotional storytelling.

When romance collides with the undead, THE ZOMBIE WEDDING redefines the boundaries of romantic comedies. Set against a backdrop where zombies roam the earth, this film intertwines horror with humor, crafting a love story that transcends the ordinary. With an undead groom and a lively bride at its core, THE ZOMBIE WEDDING offers an unforgettable journey through love and zombies, making it more than a typical genre mash-up. Plus, it's not every day that Peoria, Illinois, gets a callout in a movie anymore!

In her first foray into feature-length filmmaking, Mary Dauterman picks BOOGER as her project (sorry, I had to.) This film cleverly intertwines dark humor with the nuances of psychological drama and a touch of body horror. It follows the troubling transformation of Anna, portrayed by Grace Glowicki, whose mourning for her deceased friend Izzy (Sofia Dobrushin) propels her into bizarre behavioral shifts reminiscent of a house cat. This narrative fusion transforms the mundane into a profound exploration of grief’s eccentricities.

In HIDDEN WITHIN, Katheryn's (Anja Taljaard) journey to her childhood home in Zimbabwe explores unresolved familial conflicts and hidden transgressions. The film navigates the murky waters of strained relationships and the heavy toll of secrecy, merging suspense with psychological insights. As Katheryn attempts to reconcile with her ailing father, Rylond (Lionel Strasky), she stumbles upon a chilling discovery that propels the narrative from a poignant family drama into the realm of an intense psychological thriller.

Welcome to a foray into Jean Rollin's uniquely atmospheric cinema, as presented by Redemption TV's collection. With Rollin's penchant for the avant-garde, this anthology—comprising THE IRON ROSE, THE LIVING DEAD GIRL, KILLING CAR, and the brief yet significant THE YELLOW LOVERS—invites viewers into realms where reality collides with the surreal. Each piece in this collection not only entertains but also provokes thought, weaving narratives that explore the darker, often overlooked corners of the human experience.

Step into the shadowy confines of an Andalusian estate, where tranquility is merely the calm before the storm in THE PARTY'S OVER. What begins as a lovely retreat quickly spirals into a psychological battleground, setting the stage for a gripping narrative woven with intrigue and the darker facets of human nature.

In an era marked by some of the most significant transformations within collegiate athletics, THE MONEY GAME stands out as a pivotal documentary series chronicling the profound changes brought about by the NCAA's adoption of NIL (Name, Image, and Likeness) policies. Set against the backdrop of LSU (Louisiana State University)—a titan in collegiate sports known for its record-breaking national championships—the series delves into how this seismic shift impacts its athletes' personal and professional lives.

MY LOVE AFFAIR WITH MARRIAGE draws viewers into a colorful, animated world where love and expectations collide with intense, humorous fallout. Signe Baumane, the visionary behind this cinematic experience, uses a unique animation style to delve into the intricacies of relationships and self-discovery through the eyes of Zelma. Voiced by Dagmara Dominczyk, Zelma's story begins from her youth in the Soviet Union to her adult life, revealing the deeply ingrained notions of marriage as a woman’s ultimate fulfillment.

In the quiet shadows of a small town, Halloween brings more than just kids in costumes; it ushers in a blend of darkness and the supernatural. Matt Sampere wrote and directed a compelling narrative with Tim Garner as the lead, portrayed by Sampere himself. Tim’s struggle with his mother Linda’s illness, played by Monique Parent, sets a somber tone for what becomes an unexpectedly dark evening. The arrival of Tim’s friends with a stolen artifact in tow catalyzes a chain of events that awakens an ancient Celtic deity, the Aos Si (Alan Maxson,) turning a night of fun into a terrifying ordeal. To be clear, traditionally speaking, when someone takes on so many roles in a production, it often suffers from the too many cooks syndrome, but in this case, I think Sampere nails it!

Víctor Erice triumphantly returns to the director's chair with CLOSE YOUR EYES, a film that weaves a complex narrative exploring the delicate themes of memory, identity, and the ceaseless passage of time. This endeavor features Miguel Garay as Manolo Solo, a once-acclaimed filmmaker who has retreated from the limelight and embraced a serene life away from the camera. The disappearance of his friend and lead actor during the shoot of their project, “The Farewell Gaze,” leaves their film unfinished and shrouded in mystery. Decades later, the revival of this cold case through a documentary prompts Miguel to revisit and confront the ghosts of his past.

Venturing beyond the beaten path of mainstream blockbusters, TO KILL A MASTERMIND resurfaces as a spectacle of cinematic history. It blends intense action with a riveting plot that breaks the conventional molds of its genre. Directed by the adept Chung Sun, this film plunges into a world where the mastery of martial arts and deep-seated intrigue collide, marking a distinct presence in the martial arts cinema landscape.

Stepping into the shadowy confines of suburbia, THE BABY SNATCHER presents a gripping narrative that takes maternal instincts on a sinister detour through obsession and backstabbing. Directed by Andrew Lawrence, this film crafts a compelling look into the unraveling lives of Penelope and Eve, played by Adrienne Thomas and Jennifer Taylor, respectively. Their journey from pregnancy to a nightmarish clash soaked in jealousy promises a rollercoaster of emotions.

When shadows stretch from the serene shores of Australia, a thriller like THE 13TH SUMMER emerges, delving into the chilling layers of the human psyche and deceit. This narrative, directed by Tam Sainsbury, debuts in the UK, courtesy of Reel 2 Reel Films; as the film unfolds, it layers suspense and unsettling tension, making every scene a compelling watch for those who dare to dive into its depths.

U ARE THE UNIVERSE catapults us into the not-so-distant future, where Andriy Melnyk (Volodymyr Kravchuk,) a space trucker from Ukraine, embarks on a routine cargo mission that unexpectedly turns into a desperate survival struggle. Following Earth's abrupt end, Andriy discovers he might be the last human floating through space—until a distress call from Catherine (Darya Plakhtiy,) another lone survivor on a distant station, pulls their fates together. Their interaction sparks an epic quest to explore what remains of human connection in a universe seemingly void of it.