Venture off of the gridiron as the spotlight turns to the interplay of sports devotion and criminal activities, CHIEFSAHOLIC: A WOLF IN CHIEFS CLOTHING emerges exploring the dichotomy of a “public hero” and private felon. Directed by Dylan Sires, this documentary dives into the life of Xaviar Babudar, whose fervor for his team eclipsed the dodgy escapades of his life outside of the fandom.

TOMORROW stands out as an evocative story set in the vibrant yet daunting landscape of 1970s Shiraz, Iran. In it, a young boy's struggle for survival mixes with the warmth of his newfound companionship with a stray dog. This animated short eschews traditional dialogue, opting to tell its heartfelt story through the universal language of visuals and music, making it accessible and emotionally engaging for a global audience.

CURRY SCENT tells the tale of Geetha (Indigo Sabharwal,) our 19-year-old protagonist whose family's journey from their homeland in India to Florida encapsulates the trials and tribulations of chasing the American Dream. This narrative mixes the lighter sides of life with weighty topics such as identity and the sacrifices necessary for a shot at stability, all through the lens of an immigrant family. The film's heart shines as it presents these heartfelt themes in a relatable and poignant storyline.

Set against the sun-drenched backdrops of New Mexico, IN THE SUMMERS explodes onto your screen as an exploration of the challenges and changes within a single family, framed through four segments. As we journey through the years with sisters Eva and Violeta, their annual reunions with their father, Vicente, who contends with his own personal demons, are laid out before us. Each summer unfolds more aspects of their complex relationships, showcasing their transformation against a narrative of reconciliation and personal growth.

Amid the icy clutches of 19th-century Iceland, we witness a gripping portrayal in THE DAMNED, the directorial debut of Thordur Palsson. This tale delves into the resilience of the human spirit through its protagonist, Eva, portrayed by Odessa Young. Eva is thrust into leadership within her isolated village following her husband's tragic death. The sudden appearance of a shipwreck off the coast presents a dire choice: rescue the stranded or preserve their limited resources. This dilemma casts Eva and her villagers into an ordeal with supernatural nuances and ethical intricacies.

Step back into the era of the 1960s, FOR LOVE OR MONEY serves up a delightful cocktail of comedy and romance. The film, directed by Michael Gordon, debuted in 1963, sporting a stellar cast including Kirk Douglas, Mitzi Gaynor, Thelma Ritter, Julie Newmar, Gig Young, Leslie Parrish, and more, who navigate through a series of romantic mishaps with a distinct flair.

FROM GROUND ZERO is a powerful exploration of life amid the horrors happening in Gaza, brought to life through a collaboration of various filmmakers. This anthology stitches together 22 short films, each providing a unique window into the resilience and adversity its subjects face. Blending animation, documentary, and experimental cinema, the anthology offers a collective insight into the human spirit under siege.

From the passion and drive of an athlete on the edge of Olympic glory to the daring scenes of an adult film set, Natálie Císařovská's debut feature, HER BODY, charts the complex journey of Andrea Absolonová (Natalia Germáni.) This film is about a narrative rich with themes of autonomy and identity, painted across a canvas that challenges perceived norms.

Aldo Iuliano crafts an arresting short film that captures the essence of youthful optimism shadowed by the grim realities of conflict. In the movie, a tranquil day on a secluded beach beautifully encapsulates the fleeting moments of happiness between two young lovers, Roman and Julia. The ominous clouds of war disrupt their day. The juxtaposition of their innocent joy against the backdrop of looming violence paints a vivid tableau of the delicate balance between peace and turmoil.

In the film SHUT UP & FISH, directors Raul Sanchez and Pasqual Gutiérrez usher us into the heart of Latino youth culture, unveiling a story woven with vibrant threads of identity and belonging. In the spotlight is Aiden, a young man wrestling with his allegiances within a tightly knit circle, an ordeal that relentlessly shapes and tests his identity. This narrative's resonance has captivated audiences and caught the of critics, catapulting it into contention for the prestigious Academy Awards.

NIGIQTUQ ᓂᒋᖅᑐᖅ (THE SOUTH WIND) traverses the challenging landscape of cultural identity and assimilation through the stirring story of a mother and daughter in 1930s Canada, set against a backdrop of societal change and covert discrimination. This narrative uniquely illustrates the silent yet profound battle against racism hidden beneath the guise of progress, which threatens the essence of Indigenous cultures.

In a portrayal set against the unsettling backdrop of the Iran-Iraq war, IN THE GARDEN OF TULIPS charts a profound journey through the lens of Caroline and her father as they navigate the volatile Iranian landscape. Directed by Julia Elihu and written by Ava Lalezarzadeh, the film brilliantly encapsulates the essence of personal strife and the relentless pursuit of liberty, engaging viewers with its authentic depiction and rich narrative depth. This is a film where the cinematography pulls you in; it’s part of the experience.

In the heart of the 1990s, under the oppressive Cuban regime, a film portrays the raw and unrelenting determination of two brothers, Gustavo and Paco, who are entrenched in the punk rock scene of their era. Under the direction of Tyler Nilson and Michael Schwartz, this narrative follows the brothers and their band as they confront the harsh realities of poverty and government tyranny. In a radical act of rebellion, they choose to contract HIV, a decision that leads them to the relative freedom of a sanatorium, setting the stage for a profound portrayal of resilience and resistance.

STARRING JERRY AS HIMSELF is a profound exploration of the blurred lines between reality and illusion, crafted by director Law Chen. The film invites us into the unassuming world of Jerry Hsu, a retiree whose peace is shattered by a deceptive phone scam purportedly involving international law enforcement. As the plot furthers, viewers are drawn into Jerry’s psychological disruption and emotional stability, deepening into trust, identity, and survival themes.

Strap in for a ride through the gritty underworld of 1970s New York City with THE TAKING OF PELHAM ONE TWO THREE, a film that wraps high-stakes drama in a cloak of urban complexness. Directed by Joseph Sargent, this cinematic gem slices through the city's layers with a narrative as taut as the subway's screeching brakes.

Robin Bextor's documentary NOSFERATU—THE REAL STORY steps into the dimly lit corridors of early 20th-century cinema and offers a rich exploration of a film that has cast long shadows over the horror genre for over a century. Poised for a digital release by Reel 2 Reel Films, this detailed examination sets the stage for Robert Eggers' awaited reimagining.

Ray Austin’s 1971 film 1,000 CONVICTS AND A WOMAN is a story of upheaval and transformation. As Angela Thorne steps off the plane from an American boarding school into the disarray of her father's UK prison, we are plunged into a world where personal freedoms clash with iron bars. Alexandra Hay plays Angela with incendiary passion. Her entry disrupts and detonates the existing order within the prison's walls.

When you watch M. Night Shyamalan’s THE VISIT, you're exploring a labyrinth of dark family secrets wrapped in the cloak of suspense. The story unfolds around Becca (Olivia DeJonge) and Tyler (Ed Oxenbould,) siblings driven by a longing to uncover the mysteries of their estranged grandparents. Armed with a camera and a budding filmmaker's zeal, Becca seeks to capture what starts as a family reunion but soon spirals into something far more foreboding.

James Fox’s latest documentary, THE PROGRAM, ventures into the elusive world of Unidentified Aerial Phenomena (UAP) (the updated term for UFOs), building on his previous investigations. This film seeks to push the boundaries of what we understand about government transparency and UAPs, bringing to light a series of testimonies from key players within the government and scientific community. With its robust set of interviews and a narrative that strives to connect undisclosed government activities with public skepticism, the documentary sets the stage for a revelatory look at what might be lurking in the skies above us.

DEMOLITION MAN distinguishes itself as a maverick in the sprawling world of post-apocalyptic films, where science fiction frequently crosses swords with social satire. This film melds dark humor with thrilling sci-fi elements, featuring Sylvester Stallone and Wesley Snipes in roles that pit starkly contrasting visions of order and chaos against each other. Stallone's John Spartan, a pinnacle of “law and order,” stands in sharp contrast to Snipes' Simon Phoenix, a figure of unpredictable anarchy. This interplay propels the narrative and enriches the film’s exploration of control versus freedom.

In the tense and thrilling world of LISTEN CAREFULLY, audiences are drawn into a captivating narrative that blends the ordinary with the uncanny. As assistant bank manager Andy McNeary’s life unravels with the mysterious disappearance of his daughter Abby, director and star Ryan Barton-Grimley guides us through a psychological maze with skill and poise. This film is not just a horror movie; it's an introspective look at the fears that haunt every parent, delivered with an intensity that keeps you hooked from start to finish.

In a chilling twist on a classic, Leigh Scott's THE LITTLE MERMAID attempts to redefine Hans Christian Andersen's fairy tale as an R-rated horror spectacle that plunges deep into the abyss of terror. Set against a haunting Caribbean island backdrop, the film offers a dramatic departure from the cartoon versions we grew up with, veering into the dark waters of supernatural phenomena and moral quandaries that fit the original tale closer. However, be warned that the film is a slow burn and works more as a psychological horror than a visual one!

Cody Kennedy and Tim Rutherford have crafted a vibrant tribute to the VHS era with THE LAST VIDEO STORE, reviving the iconic ambiance of the 1980s and 1990s video rental boom. This film blends humor, horror, and satire to create a narrative that's as nostalgic as it is bizarre, making it a welcome homage to the era. Centering around enchanted VHS tapes and a cast of quirky characters, the film cleverly celebrates the period's B-movie classics, adding a layer of fun and complexity to the viewing experience.

JUGGERNAUT, directed by Richard Lester and written by Richard Alan Simmons and Alan Plater, stands out with its unique approach. Departing from the explosive norms of 1970s disaster movies, this film sidesteps the expected dramatic catastrophes to focus more intimately on psychological tension and human emotions under duress.