MOVIE REVIEW
Baby
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Genre: Drama, Short
Year Released: 2024
Runtime: 19m
Director(s): James Di Martino
Writer(s): Llewellyn Michael Bates
Cast: Erin Kearns, Michael Buxton, Yiana Pandelis, Daniel Facciolo, Sarah Dute, Daniel Reader, Albert Goikhman
Where To Watch: premiering at the 2024 Slamdance Film Festival, www.slamdance.com

RAVING REVIEW: BABY, directed by James Di Martino, offers an insightful glimpse into the life of Mikaela, portrayed by Erin Kearns. The story of a young woman with Down syndrome on a heartfelt quest for motherhood, penned by Llewellyn Michael Bates, is a mix of humor and poignancy. BABY is a bridge to deeper understanding and empathy, a beacon of inclusive storytelling. There is something special about the ability to experience this film without any pretext; it's a welcome addition to filmmaking, something so short yet so impactful.

Mikaela's story takes a heartfelt turn with the introduction of Eric, played by Michael Buxton. Kindled by a shared passion, their bond blossoms into something much deeper, setting them on a path to family life. BABY doesn't shy away from the societal challenges and perceptions they face, portrayed with a deep realism and sensitivity. Yiana Pandelis, as Mikaela's sister Jess, delivers a protective and caring performance, adding depth to the narrative.

What distinguishes BABY is its authentic and unfiltered depiction of the lives of people with disabilities. Steering clear of stereotypes, it delves into their real experiences and emotions. The film tackles themes like love, ambition, and pursuing dreams, encouraging viewers to see beyond conventional labels and misunderstandings.

Di Martino's vision is brought to life, captivating the audience with just a 19-minute runtime. The film manages to pull you into their world, and when finished, you feel like you watched a feature-length movie. The script by Bates enhances this vision, weaving an entertaining yet significant story. Kearns and Buxton's performances are nothing short of fantastic, an authenticity filled with warmth and genuine chemistry that deepen the film's emotional impact.

BABY emerges as a strong advocate for the inclusion and representation of people with disabilities in cinema. It challenges viewers to reconsider their assumptions and connect deeper with the characters. The film's premiere at the Slamdance Film Festival in Park City, Utah, is a testament to its quality and the vital message it delivers.

This Australian production features a cast of talented actors, each bringing their unique experiences and skills to their roles. The film's distinctive soundtrack, featuring music by Japanese idol LMYK, gives the film a unique and memorable feel.

With Di Martino's reflecting on the personal stories and motivations of the writer, director, and producer, it's clear that BABY is a project born from deep personal connections and a commitment to telling a story that resonates. Kearns, Buxton, and Pandelis contribute their own experiences, making the film a reflection of real-life stories and emotions.

BABY transcends its role as a film; it's an impactful experience that leaves a lasting impression on its audience. It tells a story of love, determination, and resilience, communicated with sincerity and an understanding of the human spirit. BABY exemplifies inclusive storytelling, demonstrating cinema's power to enlighten, challenge, and inspire.

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[photo courtesy of CHAPTER 5 STUDIOS]

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