MOVIE REVIEW
And Now I Lay Me Down
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Genre: Drama, Short
Year Released: 2024
Runtime: 27m
Director(s): Rani DeMuth
Writer(s): Rani DeMuth
Cast: Jane Kaczmarek, David Guerra, Shi Ne Nielson, Alejandra Flores
Where To Watch: shown at the 2024 Santa Barbara International Film Festival, LA Shorts, Hollyshorts Film Festival

RAVING REVIEW: What do you do when the final curtain threatens to fall? AND NOW I LAY ME DOWN captures the poignant twilight of Celia Dalvi's (Jane Kaczmarek) celebrated yet waning career in Hollywood. In a tale that twists the typical script, Celia orchestrates what she imagines to be her last perfect day, only to encounter the unpredictability that life off-camera invariably brings.

Kaczmarek delivers an intriguing performance as Celia, embodying the quintessential star whose light dims under the shadow of time. Her portrayal dives into the depths of Celia's psyche, exposing the personal toll of a public life spent in the relentless spotlight. The film navigates the delicate balance between Celia’s storied past and her obscured present, revealing the intricate dance between identity, control, and the quest for authenticity.

Director Rani DeMuth orchestrates a narrative that is as much about the scenes as it is about the unseen, blending Celia's internal dialogues with her external interactions to expose her most guarded vulnerabilities. This storytelling technique showcases DeMuth’s adept hand at merging deeply personal experiences with universal truths, spotlighting the often harsh realities of seeking relevance in the ruthless arena of fame.

The cinematography of AND NOW I LAY ME DOWN mirrors Celia's emotional arc, transitioning from cold, isolating shades to warmer, inviting tones that reflect her journey toward acceptance. These visual cues enhance the narrative, painting a vivid picture of a woman coming to terms with her narrative’s outcome. The editing in AND NOW I LAY ME DOWN is crucial, enhancing the storytelling's seamless transitions and pacing. The film's editor juxtaposes moments of high emotion with quieter, reflective scenes, creating a rhythmic flow that mirrors Celia's internal and external conflicts. This technique not only maintains viewer engagement but also deepens the emotional impact of her journey.

The film’s dialogue is a character in its own right, with exchanges that cut deep into Celia's reality, blurring the lines between her public façade and her private struggles. Each conversation she has, whether with long-lost friends or distant relatives, adds layers to the complexity of her character, making every interaction pivotal to the unfolding story.

AND NOW I LAY ME DOWN invites the audience to reflect on their own lives through the lens of Celia’s experiences. It challenges viewers to weigh the merits of internal peace against the allure of external acclaim, advocating for a life that embraces changes and all. The film culminates not in a dramatic spectacle but in a quiet, resonant moment of self-recognition and acceptance by Celia.

This exploration of change, identity, and what it means to live genuinely is anchored by Kaczmarek’s performance, which brings depth and dignity to Celia’s character. The film discusses the realities of aging within the spotlight, the relentless pressure of public expectations, and the genuine pursuit of what lies beyond the surface gloss of celebrity. AND NOW I LAY ME DOWN is a reflective reminder of life's impermanence and the profound quest for personal truth amidst the fleeting nature of fame.

I know some people will be upset with my low rating, but as I’ve mentioned before, 2.5/5 isn’t a bad movie for me; it’s a movie that falls precisely in the middle. I didn’t hate it, but I didn’t love it. My most significant issue is that the film feels incomplete. With a 27-minute runtime, it feels like part of a larger story or proof of concept rather than a complete thought.

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[photo courtesy of NO. 5, BROOKLYN REPTYLE PRODUCTIONS]

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