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Sci-Fi Meets Psychological

MOVIE REVIEW
The Invasion [4K Limited Edition]

    

Genre: Sci-Fi, Fantasy
Year Released: 2007, 2024 Arrow Video 4K
Runtime: 1h 39m
Director(s): Oliver Hirschbiegel
Writer(s): David Kajganich, Jack Finney
Cast: Nicole Kidman, Daniel Craig, Jackson Bond, Jeremy Northam, Jeffrey Wright, Veronica Cartwright, Josef Sommer
Where To Watch: available November 11, 2024; pre-order your copy here www.arrowvideo.com, www.mvdshop.com, or www.amazon.com


RAVING REVIEW: In 2007, an ambitious reimagining of Jack Finney’s 1955 novel, ‘The Body Snatchers,’ premiered on the silver screen as THE INVASION. This adaptation aimed to resonate with modern audiences by transforming the classic alien pod narrative into a story of viral contagion—a nod to our collective unease over pandemics (even way back then.) Despite a promising setup, the film struggled under the pressure of conflicting visions and heavy studio involvement, resulting in a feature that, while polished, lacks its predecessors' depth and chilling subtlety.


Directed by Oliver Hirschbiegel, THE INVASION starts strong with a gripping setup. However, as studio demands for a broader audience appeal increased, the film's thrilling potential is swapped for explosive, action-packed sequences that skew more towards blockbuster territory than a thought-provoking thriller.

Nicole Kidman plays Carol Bennell, a Washington, D.C., psychiatrist who uncovers an extraterrestrial virus following a mysterious space shuttle disaster. The virus slowly robs people, including Carol's ex-husband (portrayed by Jeremy Northam), of their emotions, heralding a terrifying global change. Kidman, usually a powerhouse, brings a mix of terror and resolve to her character but is hampered by a script that limits her to standard action-heroine tropes, diluting her performance's complexity.

Daniel Craig, as Ben Driscoll, plays Carol's ally in the fight against the alien threat. Despite Craig’s capacity to infuse his roles with intensity, his character lacks depth and development, making him seem more like a plot device than a fleshed-out character (not to mention that haircut.) Similarly, Jeffrey Wright, who plays a scientist aiding their mission, is underused, his potential squandered amidst the frantic pace of the movie.

THE INVASION falters in its superficial engagement with the themes from Finney’s original work. The film teases the notion of a conflict-free utopia achieved by suppressing emotions but shies away from delving into such a world's ethical and philosophical ramifications.

The horror elements, meant to be central to THE INVASION, also miss the mark. Rather than cultivating an atmosphere of dread and suspense, the film relies on conventional scares that fail to unsettle the viewer. The portrayal of the virus's dehumanizing effects feels rushed. It lacks the emotional weight necessary to impact the audience, making the narrative feel disjointed and the characters’ transformations less harrowing.

Technically, the film demonstrates its most robust strength, with solid visual effects and dynamic action sequences that initially promise a thrilling ride. The 4K UHD release of THE INVASION offers an extensive array of behind-the-scenes content that provides insight into the film’s production challenges and the enduring legacy of the Body Snatchers story. While these extras will likely appeal to genre lovers and fans of the original book, they also highlight what might have been had the film focused more on updating Finney’s themes meaningfully.

THE INVASION aims high but delivers a disjointed narrative that struggles to blend its science fiction roots with the demands of a modern thriller. It serves up an array of sci-fi and action elements. Still, it fails to satisfy those craving a deeper, more cerebral engagement with the themes of identity and humanity under siege. This movie might not hit the mark for viewers seeking a film that genuinely explores the depths of human emotion and societal anxiety in the face of an alien threat. I couldn’t help but wonder, “What if.”

Bonus Materials
4K (2160p) Ultra HD Blu-ray presentation in Dolby Vision (HDR10 compatible)
Original lossless DTS-HD MA 5.1 audio
Optional English subtitles for the deaf and hard of hearing
Brand new audio commentary by film critics Andrea Subisati and Alexandra West, co-hosts of The Faculty of Horror podcast
Body Snatchers and Beyond, a new visual essay by film scholar Alexandra Heller Nicholas
That Bug That’s Going Around, a new visual essay exploring The Invasion as pandemic prophecy by film scholar Josh Nelson
We’ve Been Snatched Before, an archival featurette from 2007
The Invasion: A New Story, an archival featurette from 2007
The Invasion: On the Set, an archival featurette from 2007
The Invasion: Snatched, an archival featurette from 2007
Theatrical trailer
Image Gallery
Illustrated collector’s booklet featuring new writing by film critics William Bibbiani and Sally Christie
Reversible sleeve with original and newly commissioned artwork by Tommy Pocket
The double-sided fold-out poster features original and newly commissioned artwork by Tommy Pocket.

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[photo courtesy of ARROW VIDEO, MVD ENTERTAINMENT]

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Chris Jones
Entertainment Editor

Chris Jones is the Mail Entertainment Editor covering Movies and Television topics. He is from Washington, Illinois, and is the owner, writer, and editor of Overly Honest Reviews.