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MOVIE REVIEW
Property (Propriedade)

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Genre: Drama, Thriller
Year Released: 2022, 2024
Runtime: 1h 41m
Director(s): Daniel Bandeira
Writer(s): Daniel Bandeira
Cast: Malu Galli, Zuleica Ferreira, Tavinho Teixeira, Samuel Santos, Ane Oliva, Edilson Silva,  ngelo Fàbio, Carlos Amorim, Anderson Cleber, Aruandhê Pereira, Luana Vitória
Language: Portuguese with English subtitles
Where To Watch: West Coast premiere at the 2024 Seattle Make Believe Film Festival


RAVING REVIEW: Once you enter the world of PROPERTY, you’ll never look back the same again. You're stepping into a world of chaos directed by Daniel Bandeira, one that twists through the complex landscapes of Brazilian society and the human heart. From the get-go, it's clear: this journey with Teresa (Malu Galli) will take us deep into a whirlwind of emotions and reflections far beyond the bounds of typical thriller fare.


As PROPERTY unfolds, it reveals itself as much more than the tale of Teresa battling her internal and external demons. It's an intricate depiction of a society teetering on the edge, with Teresa as our anchor, a light of resilience in a crumbling world. Bandeira doesn't just shuffle genres like cards; he blends them into a seamless narrative fabric that engages and challenges, making us question what's on screen and the world around us.

The directorial finesse Bandeira brings to the table is nothing short of captivating. Through his lens, the claustrophobic interiors of an armored car and the oppressive expanse of a family estate don't just serve as settings—they're potent symbols of the emotional battlegrounds and societal divides we navigate daily. This visual storytelling doesn't just complement the narrative; it elevates it, weaving an experience full of tension and turmoil.

At its core, PROPERTY explores duality—the blurry lines where victim and aggressor intersect, where society and personal ethics collide. It's here that Bandeira flexes his narrative know-how, urging us to peer beyond the surface into the murky depths where human motives and pressures intertwine. This is no mere character study; it's a bold invitation to confront the complex dynamics of power and privilege that shape our actions and reactions.

But Bandeira's ambition continues beyond character analysis or narrative complexity. PROPERTY casts a broader net, encapsulating the systemic injustices and cyclical violence that shadow Brazilian life. The strife within Teresa's home becomes a microcosm for the broader battlefields of the nation, painting a portrait of a society caught in a relentless quest for justice and equilibrium. Bandeira isn't just narrating a tale; he's holding up a mirror, demanding we confront the realities and contradictions of our collective existence.

PROPERTY transcends the confines of genre and geography to touch on universal themes of struggle, resilience, and the quest for understanding in an ever-complicated world. It's a film that lingers long after the credits, a testament to the cast and crew's skill in marrying the visually stunning with the intellectually stimulating. As the final scenes fade, we're left not just with the echoes of Teresa's journey but with a stirring contemplation of our place in a world rife with violence, compassion, and the ceaseless flow of power. It's an experience that's as unforgettable as it is thought-provoking, inviting audiences to reflect, question, and perhaps see the world through a slightly different lens.

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[photo courtesy of SÍMIO FILMES, VILAREJO FILMES]

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Chris Jones
Entertainment Editor

Chris Jones is the Mail Entertainment Editor covering Movies and Television topics. He is from Washington, Illinois, and is the owner, writer, and editor of Overly Honest Reviews.