Tension Thrives in This Wilderness Survival Tale

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MOVIE REVIEW
The Bad Shepherd

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Genre: Thriller
Year Released: 2024
Runtime: 1h 31m
Director(s): Geo Santini
Writer(s): Ryan David Jahn
Cast: Christos Kalabogias, Scotty Tovar, Geo Santini, Brett Zimmerman, Justin Taite, Andrew Pagana, Annie Gonzalez, Courtney Blythe Turk, Wolfgang Weber
Where To Watch: coming to streaming February 23rd, 2024, on UK Digital April 22 from Scatena & Rosner Films


RAVING REVIEW: THE BAD SHEPHERD delivers a suspense-packed story that reflects the psychological and moral complexities lurking within us all. This film turns a supposedly straightforward hunting trip into a riveting journey of redemption and self-discovery following an accidental plunge into a world filled with criminal undertakings. The chaos, triggered by the sudden windfall of cash, cleverly dismantles notions of trust and loyalty, making for a narrative as unpredictable as the wilderness it’s set in. From start to finish, this was a much deeper story than I expected. Sure, some of the dialogue is questionable, and some of the acting is a little over the top. I found myself enjoying the experience and just going along for the ride of what/who would snap next.


At the heart of THE BAD SHEPHERD lies a blend of tension and mystery, propelled forward by some solid cinematography and an evocative score that builds a palpable sense of suspense. It’s a visual and auditory journey that suggests the most significant dangers might not be the physical threats that stalk our protagonists but the psychological unraveling that threatens to consume them from within.

The journey through this untamed narrative landscape has its occasional stumbles. While THE BAD SHEPHERD sometimes trips over its lofty aspirations—thanks to a mix of uneven performances and moments where the budget’s limits peek through—the film finds its footing in the raw, natural beauty of its setting and the intricate dynamics among its characters. These moments of genuine connection and breathtaking outdoor visuals offer a glimpse into the film’s potential to transcend its imperfections.

The dual role of Geo Santini, as both the adversary and the director behind the camera, shows that sometimes it’s best only to wear one hat; as we end up with a performance that leans heavily on exposition, Santini’s ambition and contribution to the film still do deserve acknowledgment. The story’s final chapters, laden with revealing (sometimes heavy dialogue,) hint at a missed opportunity for a more nuanced and implicit exploration of its central themes.

THE BAD SHEPHERD remains a fascinating study of how far people are willing to go when confronted with the seductive pull of unknown riches. Triggered by an unforeseen tragedy, the narrative delves deep into the erosion of ethical boundaries and the fragility of alliances in the shadow of greed. An ever-looming external threat intensifies the drama, sketching a stark portrayal of human desperation and the fleeting nature of relationships forged in crisis.

While eschewing conventional villainy, the film’s antagonist emerges as a pivotal force, driving the narrative forward with his cryptic motivations and unsettling presence. This unconventional foe adds a layer of intrigue to the story, challenging the protagonists—and the audience—to reconsider their assumptions about what constitutes an actual threat.

THE BAD SHEPHERD is a reminder of the stark contrast between the natural world’s untouched beauty and the darkness within its characters. Despite navigating through some turbulent waters, the film ultimately delivers a powerful message on the consequences of moral surrender and the extreme measures individuals will adopt to safeguard their fortunes obtained under dubious circumstances. It’s a cinematic journey that prompts reflection on the destructive nature of greed and the complex path toward redemption, leaving a lasting impact on anyone who dares to engage with its shadowy, convoluted narrative.

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[photo courtesy of SABAN FILMS]

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