Unearthed Evil: a Family’s Nightmare Begins

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MOVIE REVIEW
Zoltan… Hound of Dracula (Dracula's Dog) (4K UHD)

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Genre: Horror
Year Released: 1977, 2024 Kino Cult
Runtime: 1h 27m
Director(s): Albert Band
Writer(s): Frank Ray Perilli
Cast: Jose Ferrer, Michael Pataki, Jan Shutan, Libby Chase, Reggie Nalder, Cleo Harrington, Tom Gerrard, John Kirby, John Levin
Where To Watch: available now, order here: www.kinolorber.com or www.amazon.com


RAVING REVIEW: In 1977, the cinematic landscape was gifted with an unconventional horror flick that veered off the beaten path of traditional vampire tales. ZOLTAN, HOUND OF DRACULA, unearthed from the Romanian soil not only the famed count but also his loyal and equally menacing canine, Zoltan. This peculiar protagonist takes center stage in a narrative that blends elements of gothic horror with animal-driven terror, setting it apart from its peers. Though striving to inject a fresh perspective into the vampire genre, the film occasionally loses its footing, tumbling into the trap of campiness rather than maintaining a grip on genuine horror.


Albert Band’s direction offers a refreshing twist by sidelining Dracula in favor of exploring the horrors unleashed by his bloodthirsty pet. As the story unfolds across the Atlantic, it introduces Micheal Drake (Michael Pataki,) an unsuspecting man tethered by unseen bloodlines to dark, ancestral secrets. His transformation from skepticism to terror is rapid, occasionally lacking the psychological depth that might have enriched the narrative. His family, relegated to mere spectators, react predictably as the eerie plot thickens around them, serving more as narrative props than substantial contributors to the storyline.

However, the film's real gem is Zoltan, portrayed with menacing grace by a perfectly cast Doberman. His glowing eyes and formidable presence bring a unique eeriness to the screen, embodying the fusion of animal and supernatural horror with an earnestness that commands attention. Yet, the script doesn’t quite leverage this potential to its fullest, spacing key moments of terror too far apart, which dilutes the overall suspense and engagement.

Pacing issues plague the narrative from the start; the initial revelation of Dracula’s crypt sets expectations high with the promise of a thrilling adventure that never fully materializes. The plot meanders through the Drake family's evasion of their paranormal predicament, with the tension sporadically punctuated by Zoltan’s attacks. These moments, though few, shine during sequences such as the siege in a forest cabin, where the claustrophobic terror reminiscent of classic horror scenes plays out effectively, albeit predictably.

From a technical standpoint, ZOLTAN, HOUND OF DRACULA impresses with modest yet practical special effects for its time. The eerie luminescence of the vampire dogs’ eyes and the authentic use of puppetry and animal actors add depth to the horror scenes. The atmospheric score subtly enhances the mood in key suspenseful sequences, and the setting—a secluded campsite by a lake—provides an isolated backdrop that amplifies the eerie themes. Yet, this scenic isolation sometimes overshadows the urgency of the narrative, leading to a mismatch between the setting and the story's impact.

The performances are as robust as the screenplay permits. Reggie Nalder delivers a menacing portrayal of Zoltan’s handler, though the character’s motivations remain underexplored, rendering his sinister presence somewhat hollow. José Ferrer, tasked with chasing the supernatural threat, navigates his role with little enthusiasm, mirroring the film’s broader issues of unrealized potential.

ZOLTAN, HOUND OF DRACULA stands on the brink of becoming a cult favorite with its novel premise—an eerie twist on the Dracula myth—promises much but delivers an inconsistent experience that struggles to leave a definitive mark on the genre. The film offers chills for enthusiasts of unconventional 1970s horror but ultimately remains a curious footnote rather than a seminal work.

Product Extras:
Audio Commentary by Film Historians Lee Gambin and John Harrison
Radio Spot
Reversible Dracula's Dog Art
Theatrical Trailer

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[photo courtesy of KINO LORBER, KINO CULT]

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