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A Filmmaker’s Final Cut
MOVIE REVIEW
Oh, Canada (Blu-ray)
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Genre: Drama
Year Released: 2024, Kino Lorber Blu-ray 2025
Runtime: 1h 34m
Director(s): Paul Schrader
Writer(s): Russell Banks, Paul Schrader
Cast: Richard Gere, Jacob Elordi, Uma Thurman, Michael Imperioli, Victoria Hill
Where To Watch: available now here: www.kinolorber.com or www.amazon.com
RAVING REVIEW: In OH, CANADA, director Paul Schrader presents a thought-provoking narrative that delves into the complexities of personal identity and the quest for redemption. The film centers on Leonard Fife, a celebrated documentary filmmaker portrayed by Richard Gere, who, upon facing terminal cancer, agrees to participate in a documentary led by his former students, Malcolm and Diana. This setup provides a platform for Fife to confront and reveal the unvarnished truths of his past, particularly his flight from the United States to Canada during the Vietnam War era.
Schrader employs a nonlinear storytelling approach, interweaving present-day interviews with flashbacks illuminating pivotal moments in Fife's life. Jacob Elordi plays the younger Fife, capturing the internal struggles of a man torn between expectations and personal desires. The flashbacks are presented in varying visual styles, alternating between color and black-and-white and shifting aspect ratios, blurring the lines between memory and reality, truth and perception.
Beyond its thematic depth, the film also serves as a meditation on artistic legacy. Fife’s career as a documentarian is dissected, revealing how his work was built on exposing truths, yet he has lived behind a carefully constructed facade. This ironic juxtaposition adds a layer of complexity to the narrative—what happens when the person dedicated to uncovering reality struggles to confront his own?
The supporting cast brings a further dimension to the story, particularly the former students who seek to memorialize Fife. Their motivations, whether admiration, obligation or a need to cement their mentor’s reputation, add tension to the unfolding confession. While some film elements may challenge casual viewers, those willing to engage with its layered storytelling and philosophical musings will find a movie in mind long after the credits roll.
It explores the reliability of memory and the subjective nature of truth. Fife's recollections are fragmented and sometimes contradictory, influenced by his deteriorating health and the medications he consumes. This narrative choice challenges the audience to question the authenticity of his confessions and consider the broader implications of storytelling and self-representation.
The film also delves into Fife's relationships, particularly with his wife, Emma, portrayed by Uma Thurman. Emma's presence during the interviews adds a layer of complexity, as she becomes an unwitting audience to revelations that challenge her understanding of her husband. This dynamic underscores the theme of betrayal—not only of others but of oneself—and the devastating impact of unspoken truths.
Gere delivers a nuanced performance, capturing the vulnerability and remorse of a man confronting the consequences of his actions. His portrayal of Fife is compelling and poignant, starkly contrasting the charismatic personas he has embodied in previous collaborations with Schrader.
While the film's ambition is commendable, its intricate narrative structure can be challenging. While purposeful, the frequent shifts in time and perspective impede the emotional resonance for some viewers. Additionally, the portrayal of the younger Fife occasionally lacks the depth necessary to convey the character's internal turmoil.
OH, CANADA is a testament to Schrader's continued exploration of complex characters grappling with moral ambiguity and the search for redemption. The film invites viewers to reflect on the stories we tell ourselves and others and the often painful truths beneath the surface.
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[photo courtesy of KINO LORBER]
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Average Rating