A Spirited Journey Through Comedy’s Golden Era

Read Time:5 Minute, 19 Second

MOVIE REVIEW
On the Road with Hope and Crosby (Blu-ray)
Road to Singapore –
Road to Zanzibar –
Road to Morocco –
Road to Utopia –
Road to Rio –
Road to Bali –
The Road to Hong Kong –

Genre: Comedy, Musical, Adventure, Romance
Year Released: 1940 / 1941 / 1942 / 1945 / 1947 / 1952 / 1962
Runtime: 1h 22m / 1h 25m / 1h 30m / 1h 32m / 1h 38m / 1h 40m / 1h 41m
Director(s): Victor Schertzinger / David Butler / Hal Walker / Norman Panama / Melvin Frank
Writer(s): Frank Butler / Don Hartman / Melvin Frank / Norman Panama / Hal Kanter / Jack Rose
Cast: Bob Hope, Bing Crosby, Dorothy Lamour, Joan Collins, Anthony Quinn, Charles Coburn, Una Merkel, Gale Sondergaard, Robert Morley, Judith Barrett, Douglas Dumbrille, Jerry Colonna, Hilary Brooke, Dona Drake, Frank Faylen, Vladimir Sokoloff, Jack La Rue, Robert Benchley, Bobby Barber, Leon Askin, Michael Ansara, Peter Sellers
Where To Watch: available now, order here at www.kinolorber.com or www.amazon.com

RAVING REVIEW: The “Road to…” series is a testament to the charm and ingenuity of classic Hollywood comedy. Over seven films, Bing Crosby, Bob Hope, Dorothy Lamour, and others wove a delightful journey of humor, music, and romance that defined the genre and entertained audiences for over two decades. With each installment, the series evolved yet maintained the spirited chemistry and playful irreverence that made it iconic.

The series begins with ROAD TO SINGAPORE, a film that sets the tone with its lighthearted narrative and whimsical escapades. Crosby and Hope’s dynamic shines as they embark on a journey to escape responsibility, with Lamour providing both the romantic and comedic counterbalance. Though the formula is rooted here, the foundation for the series’ enduring appeal is unmistakable. The tropical setting and catchy musical numbers make this a charming, if slightly uneven, introduction.

ROAD TO ZANZIBAR builds on its predecessor, amplifying the absurdity with misadventures that feel more cohesive and polished. Crosby and Hope’s chemistry evolves, delivering rapid-fire banter that never overstays its welcome. The African backdrop is fertile ground for comedic set pieces, and Lamour’s character gains more importance, balancing the trio’s dynamic.

Often hailed as the series’ pinnacle, ROAD TO MOROCCO captures the comedic duo at their peak. The witty script, exotic setting, and infectious musical numbers create a near-perfect blend of entertainment. Crosby and Hope’s ability to poke fun at themselves and the film’s premise elevates this entry, making it a standout in the series and classic Hollywood comedy.

Breaking the fourth wall with glee, ROAD TO UTOPIA ventures into uncharted comedic territory. The Alaskan setting offers a unique backdrop, and the film’s willingness to experiment with meta-humor adds a fresh layer to its already engaging formula. Crosby, Hope, and Lamour are as delightful as ever, with the script’s cleverness ensuring plenty of laugh-out-loud moments. I would argue that this is as good, if not slightly better, than MOROCCO.

As the series progresses, ROAD TO RIO introduces a touch of complexity, though it occasionally veers into more formulaic territory. The Brazilian setting provides a stunning canvas, and the musical numbers remain as catchy as ever. While not as groundbreaking as earlier entries, it still captures the series’ signature charm and wit, ensuring an enjoyable ride.

The first and only film in the series to be shot in Technicolor, ROAD TO BALI embraces a more vibrant and surreal aesthetic. The chemistry between Crosby and Hope remains infectious, and the film’s self-referential humor reaches new heights. However, some other comedy feels a bit recycled, hinting at a franchise beginning to show its age. Despite this, the escapades and spirited performances ensure it remains a delightful entry.

Finally, THE ROAD TO HONG KONG marks a bittersweet farewell to the series, with a noticeable shift in tone. Joan Collins steps in as the female lead, and while she brings her charm, the absence of Lamour in a central role alters the trio’s dynamic. The humor feels slightly more restrained, reflecting the changing cinematic landscape. Nonetheless, Crosby and Hope’s enduring chemistry carries the film, making it a fitting, if somewhat subdued, conclusion.

The “Road to…” series represents an era where Hollywood reveled in its ability to blend humor, music, and escapism seamlessly. While each film has its quirks and occasional missteps, the series is a delightful journey through the golden age of comedy. Crosby and Hope’s unmatched charisma and Lamour’s grace create a timeless trio, their legacy etched in the laughter of generations. Without question, it is one of the most consistent and charming (although aged in respects) series that I can think of. A welcome addition to any film lovers collection!

Product Extras:
Audio Commentary for ROAD TO MOROCCO by Film Historian Jack Theakston
Audio Commentary for ROAD TO UTOPIA by Filmmaker Greg Ford and Film & Wall Street Journal Reviewer Will Friedwald
Audio Commentary for ROAD TO BALI by Film Historians Michael Schlesinger and Mark Evanier
Audio Commentary for THE ROAD TO HONG KONG by Filmmaker/Historian Michael Schlesinger
Bob Hope and the Road to Success
Entertaining the Troops
Command Performances 1944 and 1945
Theatrical Trailers (Road to Singapore/Road to Zanzibar/Road to Morocco/Road to Utopia/The Road to Hong Kong)
Optional English Subtitles (Road to Singapore/Road to Zanzibar/Road to Morocco/Road to Utopia/The Road to Hong Kong)
No Subtitles (Road to Rio/Road to Bali)

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[photo courtesy of KINO LORBER]

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