A Wild Ride Through Morality and Mayhem

Read Time:4 Minute, 47 Second

MOVIE REVIEW
Little Miss Sociopath
–

Genre: Comedy
Year Released: 2025
Runtime: 1h 33m
Director(s): Miv Evans
Writer(s): Miv Evans
Cast: Jenny Tran, Jade Williams, Brendan Michael Coughlin, Pamela Shaw, Lisa Scott, Victoria Goodhart, Eric Billitzer, Andy Au, Sonny King, Ashley Zambos, Veronika Bonell, Kit DeZolt
Where To Watch: available streaming April 7, 2025

RAVING REVIEW: Certain narratives reject simplistic divisions of good and evil, instead embracing the complexities of morality as a tool for manipulation. This dark comedy thrives in that space, offering an offbeat exploration of ambition, desperation, and how easily self-preservation can turn into something more sinister. It’s a film that mixes humor with ethically questionable choices, making for an unpredictable and engaging experience, even when its momentum moves too quickly for its good.

Clementine, better known as Clem, isn’t exactly someone who commands attention. She’s overlooked at work, ignored in life, and resigned to playing the role of a passive observer. That changes when her father passes away, leaving her stuck in a house with her overbearing stepmother, Bella. If Clem had hopes of escaping, they’re quickly crushed under Bella’s ever-increasing demands, turning Clem into a full-time caretaker against her will. But when she finally reaches her breaking point, a single impulsive act sets her on a liberating and dangerous path. Her newfound confidence doesn’t just free her from Bella—it pushes her into an entirely different kind of life, where schemes replace structure, and the rules don’t seem to apply anymore.

Jenny Tran makes Clem’s transformation fascinating to watch. She plays the character with just enough vulnerability to keep the audience on her side, even as her choices become harder to justify. There’s a certain charm in watching someone realize they don’t have to follow the rules, but there’s an even greater thrill in seeing them wrestle with the consequences of that realization. The shift in her performance—from quiet and unsure to self-assured and dangerous—is gradual enough to feel natural but quick enough to keep things moving.

Brendan Michael Coughlin, as Adam, brings a chaotic energy that makes every scene with him unpredictable. His character is reckless but oddly compelling, a mix of charisma and delusion that fuels Clem’s worst impulses. Their rapport isn’t traditionally romantic but doesn’t need to be. The push-and-pull of their dynamic makes their relationship so interesting—it’s a partnership built on mutual convenience rather than trust, and that tension keeps the film engaging.

Victoria Goodhart, as Bella, doesn’t just play the role of an antagonist—she embodies it. Her performance ensures that the audience feels every ounce of frustration and resentment Clem carries. It’s easy to see why Clem feels cornered, but Bella isn’t just a one-note villain. There’s an almost tragic element to her character, even if it’s buried under layers of cruelty. Her presence looms over the entire first act, setting the stage for everything that follows.

The film’s tone leans heavily into dark humor, taking situations that should be unsettling and twisting them into something strangely comedic. The laughs come not from jokes but from the sheer absurdity of Clem’s increasingly reckless choices. It’s a balancing act that doesn’t always land perfectly but often works. There’s a charm to its unpredictability, making it difficult to guess just how far Clem will go or what lines she’s willing to cross.

The film moves at a breakneck speed. Clem’s transformation, while compelling, sometimes happens so quickly that certain moments don’t get the breathing room they deserve. Her moral conflict is present, but the film doesn’t linger on it long before jumping into the next thing. While this keeps the pacing tight, it also means that some character beats—particularly Clem’s struggles—don’t always land with the full impact they could have.

That being said, the film succeeds in delivering an engaging, darkly comedic ride that doesn’t feel like it’s playing it safe. It leans into its morally gray protagonist, embraces the absurdity of its premise, and lets its performances shine. While a few areas could have been expanded upon, it still delivers a sharp, clever take on crime and consequence, proving that sometimes, the worst decisions make for the most interesting stories.

Please visit https://linktr.ee/overlyhonestr for more reviews.

You can follow me on Letterboxd, Instagram, Twitter, and YouTube. My social media accounts can also be found on most platforms by searching Overly Honest Reviews.

I’m always happy to hear from my readers; please say hi or send me any questions about movies.

[photo courtesy of ACCESS 2 PRODUCTIONS, INDIE RIGHTS]

DISCLAIMER:
At Overly Honest Movie Reviews, we value honesty and transparency. Occasionally, we receive free items for review, including DVDs, Blu-rays, CDs, Vinyl, Books, etc. We assure you that these arrangements do not influence our reviews, as we are committed to providing unbiased and sincere evaluations. We aim to help you make informed entertainment choices, regardless of our relationship with distributors or producers.

Amazon Affiliate Links:
Additionally, this site contains Amazon affiliate links. If you purchase through these links, we may receive a commission. This affiliate arrangement does not affect our commitment to honest reviews and helps support our site. We appreciate your trust and support in navigating these links.