Digital Dating Takes a Dark Turn

Read Time:4 Minute, 19 Second

MOVIE REVIEW
The Dead Thing
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Genre: Horror
Year Released: 2024, 2025
Runtime: 1h 35m
Director(s): Elric Kane
Writer(s): Elric Kane, Webb Wilcoxen
Cast: Katherine Hughes, Blu Hunt, John Karna, Brennan Mejia, Joey Millin, Ben Smith-Petersen, Aerial Washington
Where To Watch: arriving on Sudder February 14, 2025

RAVING REVIEW: In an era where dating has become a digital playground, THE DEAD THING explores love, obsession, and the supernatural. Directed by Elric Kane and co-written by Webb Wilcoxen, this film offers a fresh perspective on the complexities of modern relationships intertwined with some eerie elements.

The narrative introduces us to Alex, portrayed by Blu Hunt, a young woman navigating the tedious cycle of app-based dating. Her life is a series of fleeting encounters, leaving her disillusioned and yearning for genuine connection. This routine turns when she meets Kyle, played by Ben Smith-Petersen, whose mysterious presence hints at the deeper bond she's been seeking.

Their chemistry is undeniable, leading to an evening contrasting Alex's previous experiences. However, a moment changes everything. As she delves deeper into the mystery, she uncovers unsettling truths that blur the lines between reality and the supernatural.

Kane's direction is subtle and suggestive, utilizing the sprawling, impersonal landscape of Los Angeles to mirror Alex's internal desolation. The city's magnitude is a metaphor for her isolation, with scenes often depicting her navigating through dimly lit streets. Michael Krassner's haunting score further amplifies this atmosphere, adding depth to the film's eerie mood.

Hunt delivers a compelling performance, capturing the nuances of a woman teetering on the edge of despair and hope. Her portrayal of Alex's vulnerability and determination adds depth to the character, making her journey relatable and poignant. Opposite her, Smith-Petersen embodies Kyle with a mysterious charm, keeping audiences guessing about his true nature.

THE DEAD THING explores the complexities of modern dating, using technology as a lens to examine connection, identity, and desire. Rather than condemning dating apps, the film highlights how they can serve as both a bridge and a barrier to meaningful relationships. Alex’s use of apps reflects her search for something deeper in a fast-paced, convenience-driven world. Her growing fixation on Kyle speaks to the universal longing for authenticity and intimacy—an emotional pursuit that, in this story, takes a haunting turn.

The narrative also delves into the concept of possession, both literal and metaphorical. Alex's fixation on Kyle consumes her, leading to events that blur the boundaries between love and obsession. This descent is portrayed with a blend of horror and eroticism, reminiscent of classic thrillers that explore the darker facets of human desire.

Though intriguing, the supernatural aspects occasionally lack clarity, leaving audiences with lingering questions. Additionally, some character motivations remain ambiguous, which might hinder full emotional investment in their arcs.

From a production standpoint, THE DEAD THING boasts impressive cinematography, with each frame meticulously composed to enhance the mood. Lighting and shadows are crucial in conveying the film's themes, often reflecting Alex's internal turmoil. The practical effects in the more horror-based scenes are executed with finesse, adding a sense of dread without relying heavily on CGI.

The supporting cast, including Katherine Hughes and John Karna, provide commendable performances that enrich the story. Their interactions with Alex offer glimpses into her psyche, further illuminating her struggles and desires.

THE DEAD THING is a thought-provoking exploration of the intersections between technology, isolation, and the supernatural. Its introspective narrative and atmospheric execution make it a noteworthy addition to the genre. For viewers interested in a psychological delve into modern relationships, this film offers a compelling, albeit unsettling, experience.

Kane's directorial debut presents a nuanced portrayal of a woman's search for connection in a disconnected world. THE DEAD THING stands out for its atmospheric storytelling and poignant performances. It is a stark reminder of the perils of losing oneself in pursuing love, especially in an age where reality and illusion are often indistinguishable.

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[photo courtesy of SHUDDER, YELLOW VEIL PICTURES]

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