The Eccentric, the Erotic, and the Eerie
Read Time:4 Minute, 31 Second
MOVIE REVIEW
The Lair of the White Worm
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Genre: Comedy, Horror
Year Released: 1988, 2024 Lionsgate/Vestron Steelbook Blu-ray
Runtime: 1h 34m
Director(s): Ken Russell
Writer(s): Ken Russell, Bram Stoker
Cast: Amanda Donohoe, Hugh Grant, Catherine Oxenberg, Peter Capaldi, Sammi Davis
Where To Watch: available May 14, 2024, only at Walmart
RAVING REVIEW: Set in the serene landscapes of rural England, Ken Russell's THE LAIR OF THE WHITE WORM tells a captivating tale that combines horror and comedy in an unusual blend. Released in 1988, this film draws from Bram Stoker's last novel to create a narrative that juxtaposes ancient myths with the stark realities of modern life. The diverse cast, featuring Amanda Donohoe, Hugh Grant, and Peter Capaldi, expertly tackles a screenplay that oscillates between the grotesquely bizarre and whimsically surreal.
Archaeologist Angus Flint, portrayed by Peter Capaldi's discovery of an ancient skull on a secluded farm, is at the heart of this enigma. His find ignites a string of eerie events that ensnare Flint and the farm's residents, sisters Eve and Mary Trent. Central to the unraveling mystery is the enigmatic and dangerously charismatic Lady Sylvia Marsh, played with intoxicating menace by Amanda Donohoe. Her character's dark dealings with rituals and human sacrifices drive the narrative forward, pulling everyone closer to the abyss.
Ken Russell’s direction cleverly avoids clichés typical of horror films. Instead, he weaves a complex narrative fabric adorned with motifs of sexuality and religion that both disturb and fascinate. The film dares its audience to endure an experience filled with Lady Sylvia’s vampiric allure, expanding the traditional boundaries of the genre.
Donohoe delivers a standout performance, embodying a character that radiates an indescribable level of passion and danger, making Lady Sylvia a figure to dread and marvel. Hugh Grant adds a contrasting charm to the eerie narrative in an unexpected early role. At the same time, the film’s slightly dated yet distinctive visual effects contribute to its cult status, attracting those with a taste for the unconventional.
THE LAIR OF THE WHITE WORM is a Russell spectacle overflowing with thematic and dramatic excess. His bold use of vivid, often unsettling imagery entertains and critiques the absurdities of the human condition. Russell’s audacious reinterpretation of Stoker’s work transforms the story into a visually and intellectually engaging spectacle.
The film also connects with its audience through a layered narrative that references various cultural and cinematic icons, from playful nods to CITIZEN KANE to subtle hints at horror film classics. These elements enrich the viewer's experience, providing a multi-layered exploration of this unique cinematic language.
Despite its satirical and farcical layers, THE LAIR OF THE WHITE WORM maintains a solid footing within the horror genre. An innovative blend of terror and just the right amount of humor challenges viewers to reconsider their expectations of fear and amusement, solidifying the film’s place in the annals of cult cinema.
Russell’s THE LAIR OF THE WHITE WORM is a testament to his skill in merging horror with more profound thought to craft a memorable film. Its enduring appeal lies in its ability to entertain, provoke, and intrigue, making it essential viewing for those who appreciate films that challenge conventional categorization. Whether regarded as a straightforward horror film or a critique of the world around us, Russell’s work remains captivating and challenging, continuing to draw and delight audiences with its unique approach to a classic horror setup.
With no confirmation, I can’t help but assume that Isabella Rossellini’s portrayal of Lisle Von Rhuman in DEATH BECOMES HER was somewhat of an homage to Amanda Donohoe’s Lady Sylvia Marsh from this film.
SPECIAL FEATURES (Previously Released)
– Audio Commentaries:
Director Ken Russell
Lisi Russell, in conversation with Film Historian Matthew Melia
– Featurette: “Worm Food: The Effects of The Lair of the White Worm”
– Interviews
“Cutting for Ken” with Editor Peter Davies
“Mary, Mary” with Actress Sammi Davis
– Trailers and Gallery
“Trailers from Hell” featuring Producer Dan Ireland
Theatrical Trailers
Still Gallery
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[photo courtesy of LIONSGATE, VESTRON]
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