A Child’s View on a Fading Empire

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MOVIE REVIEW
Red Island (L'île rouge)

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Genre: World Cinema, Drama
Year Released: 2023, 2024 
Runtime: 1h 57m
Director(s): Robin Campillo
Writer(s): Robin Campillo, Gilles Marchand
Cast: Nadia Tereszkiewicz, Quim Gutiérrez, Charlie Vausellem, Amely Rakotoarimalala, Sophie Guillemin, Hugues Delamarlière
Language: French, Malagasy with English subtitles
Where To Watch: opening theatrically at Film at Lincoln Center on August 16, 2024, with additional markets to follow


RAVING REVIEW: Robin Campillo's RED ISLAND is a journey into the heart of Madagascar during the 70s, revealing the personal tales and historical realities of its time. The film, rich with the vibrant imaginings of young Thomas Lopez (Charlie Vauselle,) guides us through a world where dreams clash with the harsh truths of a society caught in the twilight of colonialism. This striking blend of depth and striking visuals makes RED ISLAND not just a movie but a profound exploration of cultural identity and change.


The dual nature of Madagascar's landscape serves as more than just a backdrop in RED ISLAND with the island's lush, picturesque settings, captured exquisitely by cinematographer Jeanne Lapoirie, starkly contrast with the underlying tensions that ripple through Thomas' life. As he navigates this paradise fraught with imperfections, we see the stark realities that the seemingly idyllic scenery masks, making for a compelling visual narrative that pulls viewers deeper into the unfolding drama.

At the core of RED ISLAND lies the troubled dynamic within the Lopez family, particularly between Thomas’s parents, Colette (Nadia Tereszkiewicz) and Robert (Quim Gutiérrez.) Their strained relationship under the weight of their roles reflects the broader issues of power and identity that permeate the film. Tereszkiewicz's portrayal of Colette is particularly gripping; she embodies the conflict of a woman torn between her duties and her growing awareness of the injustices surrounding her, offering a window into the personal conflicts that mirror the more significant societal shifts.

The film doesn't shy away from addressing the darker aspects of its setting, critically examining the relationships between the French settlers and the Malagasy locals. A notable subplot revolves around Miangaly (Amely Rakotoarimalala,) a local woman whose entanglement with a French soldier underscores themes of exploitation and resistance. This storyline deepens the film's central narrative and highlights the pervasive colonial tensions that affect all aspects of life on the island.

As the narrative progresses, the facade of peace at the military base gradually disintegrates, exposing the intense political struggles brewing as Madagascar strives for independence. This seamless shift from intimate family drama to broader political discourse is handled with an agility that aligns with the historical inevitability of the era's events.

RED ISLAND maintains a sense of humanity and warmth despite exploring weighty themes. It beautifully captures the complex emotions of childhood, blending joy and sorrow in a portrayal that resonates with authenticity. Through Thomas’ eyes, the film offers a unique perspective on historical events, avoiding didactic tones while enriching its thematic explorations.

Some viewers may find the ending unexpected, leaving specific plot points unresolved, which might detract from the film’s overall impact on them. However, I felt it added an accurate world weight to the film; seldom do the concerns faced in the movie get wrapped up with a nice bow and the end.

RED ISLAND is a reflective and poignant examination of the scars left by colonialism, articulated through a child's innocent yet insightful perspective. Campillo combines personal experience with historical context to craft a narrative that recounts past events and a relevant commentary on their ongoing implications. With standout performances and a directorial approach that balances personal introspection with broader social commentary, Campillo delivers a film that resonates deeply, urging viewers to reflect on how history continues to shape our present.

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[photo courtesy of FILM MOVEMENT]

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