A Haunting Exploration of Fear and Ambition

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MOVIE REVIEW
The Book of the Witch
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Genre: Horror, Thriller
Year Released: 2024
Runtime: 1h 13m
Director(s): Joshua Sowden
Writer(s): Joshua Sowden
Cast: Ian Cardoni, Ali Williams, Krishna Smitha, Danny Parker-Lopes, Sadhana Singhal, Lorne Wood
Where To Watch: available now, watch here: www.neon.page/TheBookoftheWitch

RAVING REVIEW: Indie horror often shines when it dares to explore bold ideas, and THE BOOK OF THE WITCH is a prime example of this approach. With an eerie tone and a gothic edge, the film interweaves a story that merges supernatural intrigue with human fears. Juggling multiple roles as writer, director, and editor, Joshua Sowden delivers a project showcasing his creativity and passion for crafting unsettling narratives. While the film is far from flawless, its atmosphere and strong performances make it stand out in the genre.

Victoria, a grief-stricken security guard, finds herself drawn into a dangerous obsession with escaping mortality. Portrayed by Krishna Smitha, her journey is one of escalating tension and personal drive. Her fixation on a mysterious book rumored to grant eternal life places her directly in the path of a powerful witch, played by Ali Williams. The witch exudes menace, her presence underscored by unnerving movements and cryptic dialogue that linger long after her scenes. Victoria’s quest is as much a psychological exploration as a supernatural battle, with themes of loss, desperation, and ambition at its core.

Sowden’s visual storytelling is a highlight. The film’s aesthetic is built on shadows, flickering lights, and an atmosphere that exudes everywhere. Contrast creates an ever-present sense of unease, making every frame feel intentional and alive with suspense. Sound design plays an equally important role, with an eerie musical score heightening the tension without overwhelming the narrative.

While the film excels in atmosphere and visual storytelling, its pacing occasionally falters. Dialogue-heavy scenes can feel too drawn out, disrupting the tension built in earlier moments. Some motivations remain underexplored, leaving Victoria’s decisions at key points less impactful than they could be.

Williams delivers a standout performance as the witch, imbuing the character with an unsettling physicality and an air of mystique. Her portrayal captures the essence of a terrifying and enigmatic villain, adding a layer of complexity to the narrative. Opposite her, Smitha brings passion and depth to Victoria, balancing vulnerability with determination. Her chemistry with Danny Parker-Lopes, who plays her co-worker August, adds warmth and humor, offsetting the story’s darker moments and making the stakes feel more personal.

As the story progresses, the narrative turns toward abstraction, particularly in its final act. This shift may alienate some viewers who prefer a more grounded conclusion. The resolution raises thought-provoking questions about the cost of immortality and the risks of tampering with forces beyond comprehension, even if it leaves some threads unresolved.

Ali Williams's design of the witch’s costume adds a sense of cinematic history to the character while maintaining its own authenticity. The practical effects enhance the atmosphere without overshadowing the story. These details reflect a dedication to creating an immersive experience, demonstrating what can be accomplished with a clear vision and resourcefulness.

Victoria’s story resonates because it taps into universal fears—grief, mortality, and the desire to control one’s fate. Smitha’s performance grounds these themes, making her journey relatable even as it ventures into the supernatural.

THE BOOK OF THE WITCH offers a fresh take on the archetype while exploring more profound, personal themes. Its commitment to atmosphere, performances, and ambitious storytelling make it a memorable addition to independent horror. Though it doesn’t escape its flaws, the film leaves a lasting impression and sets the stage for even greater things from its creator.

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[photo courtesy of SELF ESTEEM PRODUCTIONS, INDIE RIGHTS]

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