A Haunting Tale of PTSD and Mystery

Read Time:3 Minute, 50 Second

MOVIE REVIEW
Robbie Ain't Right No More
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Genre: Horror, Short
Year Released: 2024
Runtime: 18m
Director(s): Kyle Perritt
Writer(s): Kyle Perritt
Cast: Madeleine McGraw, Jadon Cal, Jason Davis, Walker Trull, Revell Carpenter, Mary Emily Deal, Gregory L. Wilson II
Where To Watch: coming to horror platform Alter in the summer of 2024 via their YouTube channel for free

RAVING REVIEW: Journey into the shadowy world of ROBBIE AIN'T RIGHT NO MORE, a trip embarking on the unexpected where the psychological aftermath of war collides with unseen supernatural elements. Under Kyle Perritt's direction, this short horror film tackles a narrative that begins with an intimate heart-to-heart and spirals into a realm where the trauma of battle and the supernatural converge. This isn't your run-of-the-mill horror story; it explores the unseen wounds of war cloaked in the paranormal mystery.

Perritt's foray into the complex web of PTSD, framed within the horror genre, sets this film in a world with endless potential. Introducing viewers to Robbie's (Jadon Cal) struggle, tangled with an ominous secret, the movie challenges straightforward narratives, straddling the line between psychological terror and the demons beyond. This inventive mix might not cater to all tastes, especially those craving a concise depiction of combat trauma, but it undeniably adds depth and intrigue to the horror landscape.

The film's lifeblood is the compelling performances that anchor its narrative. Madeleine McGraw's portrayal of Sarah, with her confusion and concern for her brother Robbie—brought to life with an intense hunger by Cal—adds a palpable sense of realism to the story. The intricate dynamics of sibling relationships, especially after a traumatic transformation during his military service, provide a genuine look into the far-reaching impacts of such experiences on family life. Walker Trull’s character, Andy, momentarily breaks the intensity on screen with light humor, setting the stage for an intense climax that is as inevitable as fierce.

The film's heavy reliance on dialogue to explore Robbie's backstory and transformation in its short runtime hints at missed opportunities for a more visual storytelling approach; I would love to see a deeper dive into this world with more time given to the core issues. Despite this critique, McGraw and Cal's performances are undeniably pivotal. They paint a picture of a sibling relationship tested by dark, unspeakable secrets. Their characters ensure the film’s themes resonate and leave a lasting impression on its audience.

The foreboding atmosphere of ROBBIE AIN'T RIGHT NO MORE, thick with anticipation and dread, draws viewers into its dark web. The stark contrast in the cast's performances, especially when pitted against some of their previous lighter roles, emphasizes the film's weight and the actors' versatility. It is a shining example of how imagination and zeal in the face of budget constraints can lead to innovative and captivating storytelling.

ROBBIE AIN'T RIGHT NO MORE marks a concrete contribution to the horror genre. It presents a fresh take on the enduring effects of trauma, the intricacies of family and relationships, and the ever-present specter of darkness. Perritt's narrative is as dark as it is compelling, promising to draw in a broad audience, especially those intrigued by stories that meld psychological insight with supernatural elements. The film leaves its audience pondering the seen and unseen scars of warfare.

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[photo courtesy of SEAMLESS PICTURES]

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