A Striking Exploration of Grief

Read Time:4 Minute, 42 Second

MOVIE REVIEW
Wind, Talk to Me (Vetre, pricaj sa mnom)
–

Genre: Drama, Family
Year Released: 2025
Runtime: 1h 40m
Director(s): Stefan Djordjevic
Writer(s): Stefan Djordjevic
Cast: Negrica Djordjevic, Stefan Djordjevic, Bosko Djordjevic, Djordje Davidovic, Budimir Jovanovic, Ljiljana Jovanovic, Marina Davidovic, Ana Petrovic, Vidak Davidovic, dog Lija
Language: Serbian with English subtitles
Where To Watch: shown at the 2025 International Film Festival Rotterdam

RAVING REVIEW: IND, TALK TO ME is a film that will forever resonate with you. It blends personal storytelling with a lens that transforms real-life experiences into something visually exhilarating. This isn’t just a story about grief or self-discovery—it’s a film that captures raw emotion, turning personal pain into an artistic endeavor.

At the heart of the story is Stefan, returning home for the first time since his mother’s passing to celebrate his grandmother’s birthday. This seemingly simple reunion carries layers of emotional weight as he wrestles with his loss while attempting to complete a film about his mother. Along the way, he takes in a stray dog, a choice that serves as a metaphor for the many things he’s trying to piece together. A deeply introspective journey unfolding through an intimate and cinematic lens follows.

Director Stefan Djordjevic brings his own life to the screen, incorporating real family members into the cast. This decision adds an unfiltered honesty to the performances, blurring the line between reality and fiction. The result is a project that feels lived-in, capturing the nuances of personal relationships in ways that conventional narratives often struggle to achieve.

Djordjevic’s background in cinematography is evident throughout WIND, TALK TO ME, which relies on striking visual storytelling. The film makes excellent use of natural landscapes, reinforcing themes of solitude, healing, and memory. The cinematography isn’t showy, nor does it lean on exaggerated stylistic choices. Instead, it lets quiet moments breathe, allowing the audience to sit with the characters' emotions. The film’s pacing reflects this approach, unfolding in a way that mirrors the unpredictability of life rather than adhering to rigid story beats.

The film's strength lies in its ability to feel deeply personal while maintaining a broader and unchecked emotional appeal. It explores how grief lingers in everyday interactions, the spaces left behind by loved ones, and the struggle to move forward while holding onto memories. Rather than relying on heavy exposition, WIND, TALK TO ME trusts its audience to pick up on the subtleties in body language, lingering gazes, and the weight of unspoken words.

The dog is more than just a companion—it represents the unconditional love and understanding that often eludes human relationships. In many ways, the bond between Stefan and the stray mirrors his attempts to reconcile with his past, offering quiet yet profound moments of connection.

The film manages to portray grief without melodrama. Too often, films about loss rely on grand emotional breakdowns or exaggerated conflicts. Here, sadness is present in the mundane, everyday life rituals that continue even when someone is missing. This approach’s realism makes it all the more powerful, as it mirrors how grief manifests in the real world—through quiet persistence rather than theatrical displays.

The film also benefits from its unique structure, blends documentary-style realism with scripted sequences. Real conversations and personal footage add authenticity that would be difficult to replicate with traditional actors. This approach also presents challenges. Sometimes, the film’s loose structure might test viewers' patience, expecting a more conventional story. Some moments feel less polished than others, but this roughness contributes to its sincerity.

Djordjevic’s visual sensibilities elevate the material, using natural elements as both a backdrop and a storytelling device. The cinematography captures nature's beauty and isolation, mirroring Stefan’s internal state. The shadows enhance this atmosphere, giving key moments a dreamlike, almost meditative quality.

While the film doesn’t offer easy resolutions, it leaves a lasting impression. Its exploration of loss, memory, and self-acceptance lingers with you. It reminds us that grief isn’t something to be overcome but rather something to be carried—a weight that changes over time but never truly disappears. WIND, TALK TO ME delivers an introspective and visually compelling experience. It feels deeply personal yet universally resonant, a rare combination that makes it stand out.

Please visit https://linktr.ee/overlyhonestr for more reviews.

You can follow me on Letterboxd, Instagram, Twitter, and YouTube. My social media accounts can also be found on most platforms by searching Overly Honest Reviews.

I’m always happy to hear from my readers; please say hi or send me any questions about movies.

[photo courtesy of NON-ALIGNED FILMS, RESTART, SPOK FILMS, KATUNGA STARAGARA, HERETIC]

DISCLAIMER:
At Overly Honest Movie Reviews, we value honesty and transparency. Occasionally, we receive free items for review, including DVDs, Blu-rays, CDs, Vinyl, Books, etc. We assure you that these arrangements do not influence our reviews, as we are committed to providing unbiased and sincere evaluations. We aim to help you make informed entertainment choices, regardless of our relationship with distributors or producers.

Amazon Affiliate Links:
Additionally, this site contains Amazon affiliate links. If you purchase through these links, we may receive a commission. This affiliate arrangement does not affect our commitment to honest reviews and helps support our site. We appreciate your trust and support in navigating these links.