College Antics and Adult Angst Unfold

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MOVIE REVIEW
The Re-Education of Molly Singer
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Genre: Comedy
Year Released: 2023
Runtime: 2h
Director(s): Andy Palmer
Writer(s): Todd Friedman, Kevin Haskins
Cast: Britt Robertson, Ty Simpkins. Nico Santos, Cierra Ramirez, Holland Roden, Wendie Malick, Jaime Pressly
Where To Watch: in theaters and on Digital/On Demand September 29, 2023

RAVING REVIEW: THE RE-EDUCATION OF MOLLY SINGER is something we’ve all seen before, but that doesn’t mean it’s terrible. The film carries a whimsical charm, launching audiences into a comedy-infused expedition from courtroom antics to the college campus. Our protagonist, Molly Singer (played with delightful perfection by Britt Robertson), navigates the unsteady waters of professional life, finding herself steering back to the halls of her alma mater. Don’t be mistaken; this movie isn’t the next cinematic masterpiece, but it doesn’t claim to be. It’s a fun and mostly light-hearted comedy meant to entertain.

We see Molly, a lawyer with a penchant for fun, facing a career crossroads as she struggles to balance her life. A lifeline emerges from her boss, Brenda, portrayed with a deadpan level of sternness and yet warmth by Jaime Pressly. The twist? Help Brenda’s socially awkward son Elliot (Ty Simpkins) get out of the college rut (sound familiar?) This quirky plot device is the springboard for Molly’s return to her academic roots, which she takes on with gusto.

Director Andy Palmer sets the scene, letting the narrative unfold amidst the bustling campus life. The viewer tastes collegiate humor intertwined with Molly’s professional redemption quest. The comedic entanglements hit with Nico Santos stepping into the frame as Molly’s buddy Ollie. The camaraderie between the two enriches the storyline with hearty laughter and hurdles as they strive to save Elliot’s social life.

The movie follows the tried-and-tested path of college cliches. The stereotypical characters, predictable encounters, and no-twist narrative arcs play out with a rhythm you could set a clock by. Yet, they’re salvaged by the timely comedic performances of a cast that amuses the audience from start to finish. The film’s humor acts as its compass, steering away from becoming a stagnant reflection of college tropes.

A river of more profound narrative potential runs through the film’s story as it steers firmly within the safe harbors of humor and predictable plot twists. However, that isn’t to say there weren’t many fun moments throughout!

Britt Robertson breathes life into Molly with a blend of zest and a touch of adult realization, painting a relatable picture of facing adulthood with a heart full of youthful exuberance. The tender yet hearty friendships between Molly and her group render a feel-good vibe, painting the screens with humor and emotional hues.

We get precisely the advertised film, a pleasant brew of comedy and nostalgia, depicting the tug of war between professional aspirations and the yearning for youthful spontaneity. The movie may not delve deep into unchartered waters but sails smoothly on waves of humor and light-heartedness, making it a delightful watch for those who seek a hearty laugh coupled with nostalgic whispers of the past.

In wrapping up, THE RE-EDUCATION OF MOLLY SINGER crafts a fun-filled narrative spectacle, turning a simple tale of professional redemption into a humorous obstacle course. It invites audiences to a light-hearted, comedic rendezvous, making it a fun watch. Amidst the anticipated plot turns, the film offers a pleasant refuge of laughter and simple life lessons, anchored well by heartwarming performances and chuckle-inducing scenarios.

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[photo courtesy of LIONSGATE]

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As an advocate for creators, actors, and writers, I firmly stand with SAG-AFTRA and the WGA in their current strike. The entertainment industry is built on these individuals’ extraordinary talents, and their contributions must be appropriately recognized and rewarded. They deserve fair compensation, sensible work hours, and respect for their creative rights. I believe in the power of unity and collective action, and I’m steadfast in my support for their fight for better working conditions and fair remuneration. Together, we can shape a more equitable future in the entertainment world.

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