Horror Meets Dark Humor

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MOVIE REVIEW
KillHer

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Genre: Thriller, Horror, Comedy, Independent
Year Released: 2022, 2023 theatrical and digital
Runtime: 1h 28m
Director(s): Robyn August
Writer(s): Tom Kiesche
Cast: M.C. Huff, Emily Hall, Jenna Z. Alvarez, Nicole Lovince, Tom Kiesche, Harrison White, Jack Schumacher, Ron Rogge
Where To Watch: coming to select theaters and digital platforms on October 20, 2023, from Dark Sky Films


RAVING REVIEW: In KILLHER, tranquility takes a terrifying turn, making a serene wilderness the backdrop for a story that plunges from pre-wedding celebrations to a fight for survival. This is no run-of-the-mill scare fest. Instead, KILLHER weaves human vulnerability into its horror, crafting an indie film that grips your senses with fear and its raw exploration of human bonds strained to break point in the face of the inexplicable.


KILLHER delves into the psyche, making the wilderness a silent witness to the unfolding terror. What was meant to be a carefree getaway transitions into an unforeseen trial of courage and wits for Mattie (Jenna Z. Alvarez) and her pals, all orchestrated by Eddie (M.C. Huff.) Yet, the mysterious Mr. Rogers (Tom Kiesche), with his disturbing “normalcy,” steals the spotlight, upending clichés and layering the tension with almost unbearable normality.

Robyn August's directorial prowess shines, presenting a fresh horror narrative that balances reverence for genre traditions with innovative storytelling. The movie doesn't just serve scares; it dishes out self-referential humor, recognizing its lineage while forging a distinct identity.

The film thrives on its character dynamics, with Mattie and Eddie's camaraderie offering a glimpse of humanity amidst chaos. It's not just the overt tensions but the subtle, unspoken frictions and fears within the group that elevate the narrative, adding shades of reality to their extraordinary ordeal.

KILLHER takes a narrative leap, diving into its eerie feeling without dawdling. This rapid immersion, while adrenaline-inducing, comes at a cost, somewhat robbing the storyline of its mystery, especially concerning the antagonist. Yet, this swift storytelling keeps the heart pounding, even if it undercuts some of the genre's suspense-building. The film doesn't hold back from the grotesque (once it gets around to it,) serving practical effects that satiate the horror appetite.

For all its ingenuity, KILLHER wrestles with its identity. Its humor, though gripping, loses consistency, and the horror elements, potent as they are, seem to pull away from their full potential. The film teeters, uncertain in its tone, craving a firmer embrace of its dark core and a more honed narrative direction.

Nevertheless, KILLHER holds a certain charm. It marks a commendable spot for both Robyn August and Writer Tom Kiesche in indie horror. While it doesn't shatter molds, it emphasizes the essence of coherent storytelling, depth in character portrayal, and atmospheric finesse. KILLHER reflects more than fear; it mirrors our resilience, weaknesses, and the profound, often disturbing, depths of the human condition.

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[photo courtesy of DARK SKY FILMS]

MY SAG-AFTRA STRIKE STATEMENT:
As an advocate for creators, actors, and writers, I firmly stand with SAG-AFTRA in their current strike. The entertainment industry is built on these individuals' extraordinary talents, and their contributions must be appropriately recognized and rewarded. They deserve fair compensation, sensible work hours, and respect for their creative rights. I believe in the power of unity and collective action, and I'm steadfast in my support for their fight for better working conditions and fair remuneration. Together, we can shape a more equitable future in the entertainment world.

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