Innovative Horror Delivers More Than Scares

Read Time:3 Minute, 49 Second

MOVIE REVIEW
We Go On: Remastered
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Genre: Drama, Horror, Mystery
Year Released: 2016, 2024 Lightyear Entertainment Blu-ray
Runtime: 1h 29m
Director(s): Jesse Holland, Andy Mitton
Writer(s): Jesse Holland, Andy Mitton
Cast: Annette O'Toole, Clark Freeman, Giovanna Zacarias, John Glover
Where To Watch: available May 21, 2024; pre-order here www.lightyearentertainment.com, www.mvdshop.com, or www.amazon.com

RAVING REVIEW: As we venture into the world of WE GO ON, the film embarks on a suspenseful journey into the chilling possibilities of the afterlife, seamlessly merging existential fears with spectral encounters. Through the eyes of Miles Grissom, portrayed by Clark Freeman, we embark on a narrative that expands the horizons of what horror means, sparking reflections on life’s ephemeral nature and what might await us on the other side.

This indie film portrays Miles transitioning from a clinically death-fearing individual to a daring seeker of truths beyond the mortal coil. His evolution is at the heart of WE GO ON, making the story thrilling and profoundly resonant. His journey is entwined with his mother, Charlotte, played by Annette O'Toole, whose protective instincts add a layer of intrigue to their eerie adventures. Together, they delve into the mysteries of the afterlife, challenging their beliefs and those of the audience.

The directorial duo Jesse Holland and Andy Mitton, known for their unique if not disjointed storytelling in YELLOWBRICKROAD, bring a refined touch to WE GO ON. Their navigation through the film’s chilling and suspense-filled scenes maintains a gripping, slow-burn pace that effectively builds intrigue and tension. They excel in handling the darker themes of the narrative, showcasing a significant evolution in their filmmaking journey.

Set against the sprawling backdrop of Los Angeles, the film utilizes the city as a setting that enhances the eerie undertones of Miles’s supernatural journey. Cinematographer Jeffrey Waldron captures this dynamic with a muted color palette that mirrors the film’s introspective and moody themes.

WE GO ON benefits from its robust supporting performances, especially those of Giovanna Zacarías and Jay Dunn. They introduce compelling new perspectives that challenge and expand Miles’s understanding of his encounters. These back-and-forths enrich the narrative, adding a more profound examination to the film’s exploration of human and supernatural interactions and heightening the emotional stakes.

Despite its engaging plot and robust performances, WE GO ON has challenges. The film struggles with pacing issues similar to how YELLOWBRICKROAD did, particularly in its second act, where the narrative drive wanes. However, it manages to regain momentum, leading to a climactic resolution that thoughtfully emphasizes its central themes of confronting fears and the nature of belief.

WE GO ON will shine for horror fans who appreciate a film that is more than mere scares and goes on to explore more profound philosophical questions. While it may not satisfy those who prefer action-packed horror, its intellectual and character-driven approach offers a notable alternative for audiences seeking more introspective and thematic storytelling.

With its innovative structure and psychological depth, WE GO ON offers a unique blend of existential reflection and horror elements. More than just a ghost story; it’s an invitation to confront and contemplate the profound fears and hopes that shape our understanding of life and death. This film is a thought-provoking work that resonates with viewers, urging them to consider their concerns and beliefs in the face of the unknown.

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[photo courtesy of LIGHTYEAR ENTERTAINMENT, MVD ENTERTAINMENT]

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