Innovative Narrative With a New Horror Icon?

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MOVIE REVIEW
Punch

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Genre: Horror
Year Released: 2023, 2024
Runtime: 1h 20m
Director(s): Andy Edwards
Writer(s): Andy Edwards
Cast: Kierston Wareing, Jamie Lomas, Alina Allison, Faye Campbell, Macaulay Cooper, Daniel Fathers, Sarah Alexandra Marks
Where To Watch: releases on UK digital January 22, 2024, from Miracle Media


RAVING REVIEW: Imagine a horror film that takes you through the twists and turns of a classic slasher but with a refreshingly British flavor. PUNCH sets its eerie tale in an unnamed seaside town, filmed in Hastings, East Sussex. This film juxtaposes charming English coastal vistas with the darker undertones of societal decay, offering a unique and gripping experience that transcends typical horror fare. The question we all have is, does Mr. Punch offer up a new icon in the horror genre for the next generation?


Alina Allison’s portrayal of Frankie, a university student visiting her hometown, is pivotal. She grapples with family and societal tensions, her internal conflict intensifying with the emergence of a frightening figure in a Punch mask (google it.) This menacing presence thrusts the narrative into a realm of terror as it preys on the town’s youth, adding a layer of urgency and fear to Frankie’s journey. I must also mention the short but hilarious scene with May Kelly; once you see it, you’ll know why!

The film’s antagonist, Mr. Punch, traditionally a symbol of domestic violence in British puppet shows, is reinvented as a formidable foe in PUNCH. His transformation into a sinister figure offers a layered critique of societal issues, infusing the film with a unique British sensibility that distinguishes it from its American slasher counterparts. There’s no question that this is a different type of horror film, rooted firmly in its roots, but that also offers an unexpected strength that I wasn’t expecting.

Director Andy Edwards mixes classic slasher elements with a novel narrative approach. The film’s seaside town setting provides more than a backdrop; it symbolizes more immense struggles, framing the story as a microcosm of a post-Brexit Britain grappling with identity. This adds depth to the narrative, enhancing the film’s authenticity and impact.

Character development, particularly of Frankie, is a high point of PUNCH. Her character embodies the struggle between personal dreams and familial responsibilities. Getting the audience to care about a character in a horror film can be a genuine struggle! The supporting cast also adds depth to the story, creating a community that feels real.

Mr. Punch’s character is memorably eerie, marked by a distinctive voice modulator and dark humor. PUNCH carves out its niche in the slasher genre with its thematic richness and contextual complexity. The setting in Hastings introduces an inventive dimension to the genre, combining inventive horror sequences.

PUNCH demonstrates that simplicity in concept does not equate to simplicity in execution within the slasher genre. The film strays from typical slasher tropes like explicit on-screen violence, which might not sit well with all genre fans but allows for a more intricate exploration of its themes.

Edwards’ role as director, writer, and co-producer shines in PUNCH. Despite some narrative constraints, the film’s skillful use of locations, especially the coastal town, dramatically enhances its visual appeal.

I’m curious if PUNCH will end up marking the emergence of a new iconic figure in horror, potentially creating a cult following similar to Art the Clown from TERRIFIER. While the film resonates more deeply with a British audience due to its cultural underpinnings, its exploration of societal decay and the conflict between tradition and modernity is universally relatable. PUNCH is a fun new addition to the slasher genre and a thoughtful reflection on contemporary Britain, making it an essential watch for horror fans and cultural commentators.

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[photo courtesy of MIRACLE MEDIA]

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