Love, Loss, and the Spaces Between

Read Time:3 Minute, 43 Second

MOVIE REVIEW
The Good Half
–

Genre: Drama, Family, Comedy
Year Released: 2023
Runtime: 1h 40m
Director(s): Robert Schwartzman
Writer(s): Brett Ryland
Cast: Nick Jonas, Brittany Snow, David Arquette, Alexandra Shipp, Matt Walsh, Elisabeth Shue
Where To Watch: in select theaters beginning August 13, find a showing near you here: www.thegoodhalfmovie.com

RAVING REVIEW: THE GOOD HALF steers us through the turbulent waters of grief, coupling its poignant narrative with a dose of drama and light-hearted humor. This approach renders the journey profoundly resonant, connecting with its audience through a genuine portrayal of life's most challenging moments.

Nick Jonas steps into the shoes of Renn Wheeland, a writer grappling with the recent death of his mother upon his return to Cleveland. The film layers his narrative by exploring his strained relationships with family members: his sister Leigh (Brittany Snow), his father Darren (Matt Walsh), and his stepfather Rick (David Arquette). Renn's coping mechanisms, marked by humor and evasion, highlight his struggle to confront the pain of his loss, serving as a central theme that reverberates throughout the film's storyline.

Directed by Robert Schwartzman with a screenplay by Brett Ryland, THE GOOD HALF delicately balances the gravitas of mourning with well-timed humor that, at times, can be a little dark. Ryland's script cleverly integrates Renn's sharp wit into the unfolding drama, ensuring the film probes the complexities of grief without slipping into overt sentimentality. This balanced narrative delivery ensures the film's emotional themes are digestible and impactful.

A striking feature of THE GOOD HALF is its insight into the varied ways individuals process grief. Brittany Snow contrasts Renn’s avoidance and Leigh’s more aggressive style, underscored by the familial tensions that arise from differing coping strategies. This dynamic adds depth to their relationship and paints a broader picture of grief's impact on family dynamics.

Renn's interaction with Zoey (Alexandra Shipp), a therapist he meets upon his return, introduces a new layer to the narrative, offering a pivot away from family strife. Zoey's role gradually shifts from a mere acquaintance to someone who influences Renn’s journey toward emotional reconciliation. Shipp’s warm and compelling portrayal positions her character as a pillar of support in Renn’s otherwise tumultuous return home.

The screenplay does not shy away from the cumbersome realities of death, with Renn’s biting remarks on the expenses and rituals of mourning highlighting the often absurd yet inescapable aspects of dealing with loss. This element of the film reflects Ryland's keen observational skills and ability to weave critical commentary into the dialogue.

THE GOOD HALF is a standout film that will resonate with anyone who has experienced the painful process of loss. Jonas delivers a nuanced performance, infusing his character with vulnerability and relatability. The film thoughtfully portrays the gradual process of healing and acceptance, suggesting that while the sharp pain of loss might diminish, the journey toward recovery is profoundly personal and ongoing.

THE GOOD HALF offers a rich journey of emotions, blending the bitter realities of grief with moments of sincerity and humor. It stands as a testament to the resilience of the human spirit, reminding viewers that even in the depths of sorrow, there is a potential for growth and renewal.

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[photo courtesy of UTOPIA]

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