Neurotic Humor Meets Classic Comedy

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MOVIE REVIEW
Play It Again, Sam (Blu-ray)
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Genre: Comedy
Year Released: 1972, Kino Lorber Blu-ray 20225
Runtime: 1h 26m
Director(s): Herbert Ross
Writer(s): Woody Allen
Cast: Woody Allen, Diane Keaton, Tony Roberts, Jerry Lacy, Susan Anspach, Jennifer Salt, Joy Bang, Viva, Susanne Zenor
Where To Watch: available now, order here: www.kinolorber.com or www.amazon.com

RAVING REVIEW: The art of romantic comedy lies in balancing humor with heartfelt moments, and this film embraces both with an effortless charm. At its center is a neurotic, self-deprecating protagonist who bumbles his way through romance while leaning on the imagined guidance of a Hollywood legend. With sharp dialogue, clever humor, and a playful nod to classic cinema, this story thrives on its ability to mix self-aware wit with the timeless anxieties of love, self-worth, and second chances. Its humor lands precisely, making it an inviting experience for casual viewers and cinephiles. Some films are classics, and then some movies extend beyond. Barring the “what ifs” and my mixed feelings about Woody Allen, there is no denying that this role is iconic.

Set against the backdrop of San Francisco in the era, the film follows Allan (Woody Allen,) a film critic struggling to navigate life after his wife, Nancy (Susan Anspach,) leaves him, claiming their marriage had grown stale. His friends, Linda (Diane Keaton) and Dick (Tony Roberts,) take it upon themselves to help him reenter the dating world. However, his natural awkwardness makes every attempt at romance a disaster waiting to happen. Making matters more chaotic, Allan frequently engages in imagined conversations with Humphrey Bogart, whose tough-guy wisdom becomes his internal compass, for better or worse. (this doesn’t sound like it should work, but it does, in every way possible.)

The film thrives on a unique blend of slapstick, neurotic humor, and self-aware wit. Its lead is the kind of underdog audiences can root for, even as he stumbles through social interactions that feel exaggerated and painfully real. His struggle to balance his idealized version of romance with the messy reality of relationships gives the story depth beneath its comedic surface. His escalating feelings for Linda complicate matters further, as his moral compass clashes with the dubious advice of his imaginary mentor.

The film’s biggest strength is in its writing. The dialogue is quick, filled with sharp observations and awkwardly endearing exchanges. Conversations flow naturally, yet they maintain a heightened absurdity that makes even mundane moments hilarious. The humor is not just in the words but in the physicality of the performances. Missteps, clumsy gestures, and exaggerated expressions are used to full effect, reinforcing the protagonist’s perpetual state of social disaster.

Of course, a film like this wouldn’t work without a strong ensemble, and the cast delivers in stride. In one of her early roles, Keaton brings a natural charisma and warmth to Linda, making her chemistry with Allen’s character engaging. Roberts embodies the well-meaning but often oblivious best friend whose preoccupation with work keeps him from noticing the subtle shifts in his marriage. In a memorable turn as Bogart, Jerry Lacy walks the fine line between parody and tribute, delivering his lines with just enough exaggerated bravado to match the film’s playful tone.

The film pays homage to Hollywood's golden age, particularly in its references to one of cinema’s most beloved classics. Its integration of this influence into its story is affectionate and self-deprecating, reflecting how movies shape expectations of romance. The protagonist's idolization of cinematic masculinity leads to some of the film’s best moments as he attempts to channel an old-school leading man with laughably mixed results.

Though largely successful, the film does have flaws. Some scenes drag on longer than necessary, lingering past their prime. However, its strengths—snappy writing, clever performances, and a genuine affection for classic cinema—outweigh its weaker moments.

The direction, handled by Herbert Ross, ensures the comedy never loses momentum. While its writer’s signature style unmistakably shapes the film, Ross brings a steady hand to its execution, allowing the performances and dialogue to shine.

Ultimately, this romantic comedy understands both the humor and heartbreak of love. It captures the struggle between fantasy and reality, between wanting to be something you’re not and embracing who you are. With its humor, memorable characters, and affectionate nods to Hollywood’s past, the film remains a standout in its genre. Whether you come for the laughs or the nostalgia, there’s something undeniably charming about watching a hopeless romantic try—and hilariously fail—to rewrite his own love story.

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[photo courtesy of KINO LORBER]

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