Power Dynamics Shift on Deserted Island

Read Time:3 Minute, 50 Second

MOVIE REVIEW
The Last Island
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Genre: Drama, Sci-Fi
Year Released: 1990, 2023 Cult Epics Blu-ray
Runtime: 1h 41m
Director(s): Marleen Gorris
Writer(s): Marleen Gorris
Cast: Paul Freeman, Shelagh McLeod, Kenneth Colley, Patricia Hayes
Where To Watch: available October 10, 2023; pre-order by clicking here www.cultepics.com, www.mvdshop.com, or www.amazon.com

The other two films of the Marleen Gorris trilogy
My review of A QUESTION OF SILENCE: www.ohmr.themailnewspapers.com/three-women-one-crime-secrets-behind-silence
My review of BROKEN MIRRORS: www.ohmr.themailnewspapers.com/a-raw-unyielding-stand-against-oppression

RAVING REVIEW: In the embrace of unyielding isolation, a vision of raw humanity and societal reflection is subtly and beautifully crafted by Marleen Gorris in THE LAST ISLAND. The movie breathes life into a scenario that juxtaposes sheer survival against a backdrop of moral and societal scrutiny, treading a delicate balance between being a passionate survival narrative and a thought-provoking social commentary. There's an understated charm in the unveiled exploration of an impromptu society forged not by choice but by dire circumstances.

THE LAST ISLAND takes its audience on a journey through the complexities of humanity, mirrored in the struggle and relations of survivors on a secluded island. A plane crash maroons a varied grouping of individuals, each a bearer of a distinct cultural and personal story, compelling them to forge a society amidst the chaos, every bit impromptu as it is desperate. The narrative veers away from typical survivalist dramas, weaving through a landscape punctuated with feminist notions and ethical discussions, prompting viewers to rethink existing gender roles and power hierarchies within our real-world theatres. Think GILLIGAN’S ISLAND as a modern-day dramatic reboot where the power structure shifts.

The ensemble, boasting talents like Paul Freeman and Patricia Hayes, effortlessly navigates through the psychological mazes and ethical dilemmas that their characters traverse. The narrative might have explored each character's internal and historical backgrounds deeper, providing a richer context for the burgeoning conflicts and relationships amidst their shared ordeal. The film maneuvers through the shift from initial solidarity to eventual discord, questioning morality and gender dynamics. It takes the audience to the precipice of these thematic abysses yet often shies away from a full, daring leap into their depths.

Beyond a mere survival tale, it becomes a gentle instigator of reflection, urging viewers to delve into notions of humanity, morality, and the world's norms. While not an explosive entry into cinematic consciousness upon release, the movie secures a quiet, resonating presence amongst films exploring humanity under a scrutinizing lens. While “unrelated” to each other, Marleen Gorris from CULT EPICS gives an incredible look at her filmography with three incredibly thought-provoking entries.

THE LAST ISLAND stands firm, inviting contemplation and discussion that seeps beyond its narrative bounds, potentially igniting conversations diving into the profound depths of gender studies and societal reflection, extending even into educational contexts. THE LAST ISLAND maintains a soft, insistent echo, presenting humanity on the edge of a moral and existential chasm, and quietly demands viewers’ attention, even amidst familiar terrains of survival stories and societal narratives.

Bonus Materials:
– New 2K HD Transfer (from original 35mm print) & Restoration
– Original LPCM 2.0 Stereo track
– New DTS-HD MA 2.0 Stereo track
– Audio Commentary by Film Scholar Peter Verstraten
– Behind-the-Scenes of The Last Island
– Interview with Politica Columnist Annemarie Grewel (Cinema 3, 1990)
– Original Theatrical Trailer
– Promotional Gallery
– Trailers
– Double-sided Sleeve
– Dual-layered Disc
– Audio Introduction by Dick Maas

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[photo courtesy of CULT EPICS, MVD ENTERTAINMENT]

MY SAG-AFTRA STRIKE STATEMENT:
As an advocate for creators, actors, and writers, I firmly stand with SAG-AFTRA in their current strike. The entertainment industry is built on these individuals' extraordinary talents, and their contributions must be appropriately recognized and rewarded. They deserve fair compensation, sensible work hours, and respect for their creative rights. I believe in the power of unity and collective action, and I'm steadfast in my support for their fight for better working conditions and fair remuneration. Together, we can shape a more equitable future in the entertainment world.

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