Truth’s Triumph in Tribal Tensions

Read Time:3 Minute, 36 Second

MOVIE REVIEW
Bad Press
–

Genre: Documentary
Year Released: 2024
Runtime: 1h 38m
Director(s): Rebecca Landsberry-Baker, Joe Peeler
Where To Watch: releasing on Criterion September 1, 2024

RAVING REVIEW: At the beating heart of BAD PRESS, Angel Ellis of the Mvsoke Media embodies the relentless pursuit of journalistic integrity within the Muscogee (Creek) Nation. This documentary, crafted by Rebecca Landsberry-Baker and Joe Peeler, delves deep into the fragile nature of freedom within a democracy under siege. The film opens with the alarming repeal of the "Free Press Act," setting the stage for a compelling exploration of what happens when those in power silence the guardians of truth.

BAD PRESS stands out for its fusion of tribal politics with a broader, universal narrative on the essential nature of press freedom and governance accountability. The plot thickens as it portrays the political intrigue that led to the stripping away of press freedoms and rights as journalists began uncovering deep-seated corruption within tribal leadership. The timing of these events is portrayed not as an incident but as a calculated strike against transparency.

Navigating treacherous political currents, the documentary introduces vital community and local government members, such as Lucian Tiger III and David Hill, who represent the stark ideological battles that tear at the fabric of the community. Through unfiltered interviews and candid footage, the directors unravel the complex power dynamics at play, spotlighting the challenges faced by those daring to hold power accountable.

As the stakes rise, BAD PRESS captures the intensity of the unfolding drama with precision. A crucial vote count is depicted with all the tension of a blockbuster thriller, underscoring the fate of Mvskoke Media and the broader implications for press freedom across Native American territories.

Landsberry-Baker and Peeler's direction is both sharp and empathetic. They strike a delicate balance between the journalists' personal stories and the more significant political implications. They eschew sensationalism for a more authentic, nuanced depiction of the struggles to maintain journalistic freedom in an environment rife with political manipulation.

The visual narrative of BAD PRESS is as poignant as its subject matter, employing raw and evocative cinematography that heightens the emotional gravity of the story. The filmmakers utilize a documentary style that captures the Muscogee (Creek) Nation's rustic beauty while framing the sad realities of its political turmoil. Through thoughtful composition, the film invites viewers into intimate spaces where the weight of each decision and the tension of each confrontation are palpable. This approach not only underscores the authenticity of the documentary but also enhances the viewer's connection, making the stakes feel incredibly personal and immediate.

More than just recounting troubling events, BAD PRESS calls for vigilance in defending press freedoms. It transcends the story of a single tribe's struggle, offering poignant commentary on the indispensable role of the press in combating corruption and fostering democratic accountability.

The film closes with a reflective urgency, urging viewers to appreciate and fight for the freedoms that can too quickly be taken for granted. BAD PRESS is a powerful ode to the resilience and unyielding spirit of journalists who stand firm amid overwhelming odds, as a stark reminder of the never-ending battle for truth and democracy.

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[photo courtesy of OKLAFILM, CRITERION]

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