When Policing Becomes Personal

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TV SERIES REVIEWS
Mystery Road: Origin – Season 1 & 2

TV-14 –     

Genre: Crime, Drama, Neo-Noir
Year Released: 2025, 2026
Runtime: 6 x 1h episodes
Director(s): Dylan River, Tracey Rigby
Writer(s): Steven McGregor, Meg Washington
Cast: Mark Coles Smith, Tuuli Narkle, Clarence Ryan, Robyn Malcolm, Geoff Morrell
Where to Watch: season two arrives on UK DVD and digital on February 16, 2026


RAVING REVIEW: What happens when a detective tries to build a life instead of running from one? MYSTERY ROAD: ORIGIN S2 begins with that very quiet question pressing in on Jay, and right from the beginning, that indicates a big difference in tone from the first season. While the first season was really about Jay's origin story through the lens of vengeance and unresolved issues, S2 is about the consequences of those actions. S2 is much slower, heavier, and more introspective, and that decision sets up almost every element of the rest of the season.


The first season acted as a prologue. It showed Jay as a young adult, formed by loss, violence, and inherited anger, and he was figuring out how to fit into systems that had never served him. The first season used genre tropes to drive the action (shootouts, rivalries, etc.) and the revelations about his father's death. S2 assumes that the foundation has been established, and then chooses to pull back to ask a new question: What does justice look like when you're no longer alone?

S2 takes place 6 months after the end of the first season in the fictional town of Loch Iris. The focus of the series immediately narrows down. Jay is no longer wandering. He’s making a serious attempt at establishing permanency. He lives with Mary and helps care for her niece, Anya. He’s getting ready to become a father. Stability is viewed as pressure, not comfort. The series knows that responsibility doesn't temper Jay's aggressive nature. Responsibility complicates it. Each of Jay's choices will now carry unintended consequences.

Mark Coles Smith's acting improves significantly in small yet significant ways. Jay is still closed off and fiercely independent, but there is a noticeable deterioration beneath the surface. The character is no longer defined solely by reaction. When the investigation draws Jay into the disappearance of a young girl and the suspicious death of a former nun, Jay's obsession isn't just about solving a case. His obsession stems from fear of losing the life he is trying to create and protect. Smith portrays this struggle without softening Jay and without making him a traditional hero.

Tuuli Narkle's portrayal of Mary grows considerably this season. She is no longer simply a supporting player in the story. Her part in the story grows emotionally and thematically, serving as both an anchor and a mirror for Jay. The series provides Mary with opportunities to push back against Jay not through confrontation, but through exhaustion. The tension between the two feels authentic. This is one of the stronger developments from S1, which depicted relationships largely as background context. In S2, they are front and center in the conflict.

S2's mystery is more structural than sensational. The crimes themselves are disturbing, but the real tension lies in how the town responds to them. Loch Iris quickly closes ranks, and the series is most successful when it focuses on collective silence as a form of action. The notion that a whole community can participate in harm, and that the harm can be achieved without resorting to overt violence, is something that the series approaches with patience and clarity.

Compared to the faster-paced narrative of S1, S2 is much more deliberate, and sometimes to the point of being so deliberate that the pacing borders on frustrating. The investigation proceeds slowly, layer by layer, and the season's impact is often felt before the corresponding plot development. S2 isn’t interested in any clever plotting as an end unto itself. S2 is interested in how trauma resonates throughout time, families, and institutions.

Clarence Ryan and Robyn Malcolm add depth to the ensemble, and each embodies a different kind of authority and complicity. No one in Loch Iris is portrayed as pure innocence, but the series avoids reducing its characters to simple archetypes. All of the people in Loch Iris have their own histories, and the series continues to remind us that history doesn’t remain buried merely because it’s inconvenient.

When the series finally reveals the long-building mystery in its last few episodes, the payoff feels resounding rather than shocking. The resolution of the mystery doesn’t cleanse the town of its sins, nor does it exonerate its residents. Rather, it clarifies the cost of telling the truth. Jay and Mary's relationship is shown to have been changed, not strengthened, by their victory and by their ability to survive.

Season 2 of MYSTERY ROAD: ORIGIN is less engaging than Season 1, but more mature. It trusts the viewer to sit with uncomfortable feelings, to understand that justice is rarely satisfying, and that progress usually looks like loss before it looks like development. S1 showed us who Jay Swan is. S2 shows us the cost of Jay continuing to be that person.

As an extension of the franchise, this second season doesn’t reinvent the wheel, but it does build on the path it follows. It is a quieter, more intense chapter, focused on the consequences of the actions taken in S1 rather than on explosive plot twists. For a series that relies so heavily on atmosphere, character, and location, that is a thoughtful and well-deserved step forward.

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[photo courtesy of ACORN MEDIA INTERNATIONAL]

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