Intense Psychological Battle Unleashed

Read Time:3 Minute, 37 Second

MOVIE REVIEW
Two Small Bodies
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Genre: Crime, Drama, Romance
Year Released: 1993, 2023 Kino Lorber Blu-ray
Runtime: 1h 28m
Director(s): Beth B
Writer(s): Neal Bell, Beth B
Cast: Suzy Amis, Fred Ward
Where To Watch: available October 24, 2023; pre-order here www.kinolorber.com, or www.amazon.com

RAVING REVIEW: Dive deep into the human psyche with TWO SMALL BODIES, a film that transforms a criminal investigation into an exploration of raw human emotion and complex interpersonal dynamics. This narrative sprints through the dark alleys of human behavior, unearthing more than just the facts but the essence of its characters. This puzzle is intensified by powerhouse performances and a director whose evolution is visible within the film. The bravery of TWO SMALL BODIES in dissecting intricate themes serves as a societal reflector, ensuring you won't just watch but be thoroughly engrossed.

Fred Ward's riveting depiction of a haunted detective, Lt. Brann, in TWO SMALL BODIES takes us on a journey where professional lines and personal obsessions are intertwined. Suzy Amis delivers a striking performance as a mother, Eileen Mahoney, her authenticity pulling us into the eye of a storm where emotions clash. This is no simple story of conflict; it showcases the intricate dance between power and vulnerability, a testament to the hidden complexities in relationships.

Emerging from the vibrant energy of New York's "New Wave" scene, director Beth B steers the film into unexplored depths. TWO SMALL BODIES is a harmonious blend of grit and sophistication that highlights Beth B's versatile storytelling. This narrative is not just a step but a leap, a daring plunge into shadowed narratives that reveal an artist coming into her own. If you’re interested in seeing more of Beth B’s work, definitely check out SEX, POWER, AND MONEY: FILMS BY BETH B, my review here https://mailnewsgroup.com/ohmr/power-dynamics-explored-unapologetically/)

The film's atmosphere, intensified by its confined setting, serves as a backdrop for a narrative skating a fine line between reality and illusion. It's a delicate balance, preserving the charm of its stage play roots while flirting with the hunger for more expansive visual storytelling. While unique, this minimalistic approach teeters on the brink of restricting its broader appeal.

The soul of TWO SMALL BODIES resides in its protagonists, brought to life by Ward and Amis. Their portrayals, rich in emotional nuance, create tension and release, navigating a script that oscillates between confrontation and quiet understanding. Their final resolution is an unpredictable culmination of a psychological odyssey, both startling and deeply human.

TWO SMALL BODIES triumphs as a courageous narrative that challenges societal preconceptions about gender and identity. The film doesn't just question but provokes, urging audiences to reassess their biases and beliefs.

In conclusion, TWO SMALL BODIES is an experience that combines the visceral engagement of theatre with the film's visual allure. It's a narrative risk that decidedly pays off, highlighting Beth B's directorial ingenuity and the profound depth of its stars. It's not just a movie for passive viewing; it's an emotionally charged journey that promises to linger in the minds and hearts of its audience, beckoning for reflection long after the end credits.

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[photo courtesy of KINO LORBER]

MY SAG-AFTRA STRIKE STATEMENT:
As an advocate for creators, actors, and writers, I firmly stand with SAG-AFTRA in their current strike. The entertainment industry is built on these individuals' extraordinary talents, and their contributions must be appropriately recognized and rewarded. They deserve fair compensation, sensible work hours, and respect for their creative rights. I believe in the power of unity and collective action, and I'm steadfast in my support for their fight for better working conditions and fair remuneration. Together, we can shape a more equitable future in the entertainment world.

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