The Profound Impact of Memory

Read Time:3 Minute, 53 Second

MOVIE REVIEW
Nathan-ism
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Genre: Documentary
Year Released: 2024
Runtime: 1h 19m
Director(s): Elan Golod
Where To Watch: opening November 15, 2024, at the Quad Cinema, New York City, and December 6 at the Laemmle Royal, West Los Angeles, and then expanding nationwide. Premiered at Doc NYC and Hot Docs Film Festivals

RAVING REVIEW: Elan Golod’s NATHAN-ISM brilliantly merges the intimate and the historical moments through the story of artist Nathan Hilu, whose past as a Nuremberg trials guard influences his striking artistry. This documentary goes beyond a simple artistic exploration; it’s a profound encounter with history’s heaviest moments, captured through Hilu’s vivid and often raw artistic vision. The film serves as a potent reminder of how personal stories can offer fresh insights into the larger narrative of history.

NATHAN-ISM is a visual essay that delves into the impact of historical events on individual lives. Director Elan Golod uses Nathan Hilu’s saga—from his paradoxical role in WWII to his vibrant career as an artist—to craft a narrative that’s as much about the past as it is about the art that emerges from it. The film uses the very art that Hilu has created to show this journey he’s been a part of.

The film introduces us to Hilu’s unique style early on. Using simple tools like crayons and markers, he creates art that may appear straightforward at first glance but is deeply infused with emotional and historical memories and purpose. These are pictures and windows into a soul shaped by extraordinary circumstances. Golod uses these pieces to navigate broader themes of identity and morality, challenging the audience to redefine their understanding of what constitutes evil.

What sets NATHAN-ISM apart from other documentaries on this subject is its commitment to challenging the norms of traditional art. Hilu’s creations are categorized as ‘outsider art,’ yet they command attention with their powerful emotional resonance and raw portrayal of somber historical moments. Each piece invites viewers to engage with the facts and the profound feelings those facts evoke. I would argue that the simplicity of his art makes it even more accessible to those who have the honor of viewing it.

The documentary’s narrative structure entwines Hilu’s memories with archival footage, enhancing the authenticity and depth of his personal experiences. This blend underscores the often elusive nature of history and emphasizes the role of personal perspective in shaping our collective history. NATHAN-ISM elevates these personal narratives to a level that contributes to and sometimes challenges the established historical record.

Beyond its historical exploration, NATHAN-ISM connects Hilu’s personal history with universal experiences of trauma and memory. This link suggests that our pasts contribute to a collective understanding, evolving and adapting. This thematic exploration resonates deeply with viewers, bridging the gap between individual and shared histories.

Golod presents Hilu’s story respectfully and without judgment, allowing the audience to conclude at a reflective pace and with a thoughtful presentation. The film not only profiles an intriguing personality but also serves as a meditation on the acts of remembering and storytelling.

NATHAN-ISM breaks the mold of traditional documentary filmmaking. It invites viewers to ponder the authenticity of their memories and value all narratives, no matter how unconventional. Through the life and art of Nathan Hilu, the film offers a powerful exploration of the lasting impacts of memory on art and identity. NATHAN-ISM is not confined to art circles or history enthusiasts; it is a thought-provoking piece that challenges all of us to reflect on the deeper meanings of history, memory, and identity.

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[photo courtesy of UGLY OR BEAUTIFUL FILMS, OUTSIDER PICTURES]

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