Cinematic Experience Punctuated by Suspense and Gore

Read Time:3 Minute, 39 Second

MOVIE REVIEW
Til Death Do Us Part
NR –

Genre: Action, Thriller, Horror
Year Released: 2023
Runtime: 1h 49m
Director(s): Timothy Woodward Jr.
Writer(s): Chad Law, Shane Dax Taylor
Cast: Cam Gigandet, Jason Patric, Natalie Burn, Orlando Jones
Where To Watch: opens exclusively In Theatres nationwide on August 4, 2023; find a showing near you here www.fandango.com; and on Digital in the UK April 8, 2024

RAVING REVIEW: “Darkly delightful” is possibly the best way to define the film TIL DEATH DO US PART. This film unearths a new dimension to the idyllic wedding narrative, teeming with nightmares and survival trials. A tale of a jilted bride; she goes up against her one and only and his fearsome accomplices. The premise throws into the mix the harsh reality that the dreamy veil of ‘happily-ever-after’ may very well shroud an impending disaster.

Given their mutual themes of bridal resilience against malignant forces, onlookers might perceive a shade of READY OR NOT. Yet, the disparities are quite apparent once immersed in the narrative. Natalie Burn’s performance is a beacon of resistance, akin to the impactful rendition by Samara Weaving in the horror mentioned above. Outside of that, these are two very different films.

Revering in the spirit of many films that it pays homage to in look and feel. It sketches an engaging storyline that marries matrimonial bliss with deception within the confines of a remote mansion. The story is flipped on its head when stalking the escaping bride becomes the film’s focus. From its inception, the narrative casts an aura of unease over the seemingly peaceful wedding celebration. The bride’s desperate pursuit of freedom morphs the narrative into a whirlwind of cruelty, suspense, and shocking revelations. As groomsmen, Orlando Jones and Pancho Moler imbue the plot with increasing brutality.

The dark humor seeps into the edges of the film, yielding a visually arresting experience that demands the audience’s attention. Director Timothy Woodward Jr. and writers Chad Law and Shane Dax Taylor channel the film’s eerie wedding ambiance into a suspenseful battleground where the groomsmen confront the fugitive bride in a shockingly intense spectacle.

As the narrative progresses, Natalie Burn’s nuanced performance of the defiant bride shines amid the carnage. Woodward Jr.’s deft direction aids in the swift unveiling of the backstory through flashbacks and dialogue, culminating in a thrilling cinematic experience punctuated by suspense and gore. The screenwriters orchestrate a complex dance between the bride’s romantic entanglement with the groom and her struggle to flee a life that threatens her liberty. The bride’s undying determination manifests in electrifying combat scenes, although some might argue that certain matchups lack a punch.

Pablo Diez’s cinematography beautifully paints the narrative against a backdrop of looming darkness, employing a careful interplay of light and shadow. However, the film could do with better character development. Most of these groomsmen feel like one-dimensional throwaway goons, which is unfortunate because they should have each had their “reasons.”

Our leading trio – Natalie Burn, Ser’Darius Blain, and Cam Gigandet – infuse their roles with distinct vitality. Burn’s portrayal of a bride wavering between love and dread is poignant, and Gigandet’s comedic flair offers a refreshing reprieve in the narrative. Overall, TIL DEATH DO US PART promises a riveting blend of suspense and violence, balanced by dynamic action scenes that keep the audience on edge.

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[photo courtesy of CINEVERSE, PLAION PICTURES]

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