Dallas: a City, a Tragedy, a Film

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MOVIE REVIEW
Down in Dallas Town: From JFK to K2
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Genre: Documentary
Year Released: 2023
Runtime: 1h 13m
Director(s): Alan Govenar
Where To Watch: Opens in New York City on November 17, 2023 at Cinema Village

RAVING REVIEW: The opening of DOWN IN DALLAS TOWN follows a familiar path that we’ve seen repeatedly, covering the tragic events of November 22, 1963. However, that’s where the film begins to steer clear of the typical documentary blueprint; Alan Govenar directs a symphony of visuals and sounds that brings history to life. It's a gripping portrayal of how JFK's legacy still reverberates through the streets of modern-day Dallas and beyond. From the get-go, it's apparent that this narrative is deeply embedded with both heart and soul.

The documentary paints a vivid portrait of the past, drawing audiences into a passionate exploration of these historical events. We're asked to be spectators and participants on a poignant journey through time. Mary Ann Moorman's heartfelt narration at Dealey Plaza is just one of many powerful scenes that make this film more than what it would have been on its own. It's akin to a director's cut of history—raw, unfiltered, and incredibly impactful. Music plays a vital role in the film, showing the fallout from the events of that day and how it moved people.

Govenar's directorial choices are far from conventional, opting for a script that intertwines the JFK saga with contemporary social issues. The reflection of current troubles, such as gun violence and substance abuse, through the lens of history, strikes a chord with the audience. It's this interplay between then and now that elevates the film from a simple documentary to a poignant social commentary. Looking at the conspiracy theories of the event also allows the film to have an altered path. While not flat-out throwing them out, the film doesn’t just let them shine.

Beyond the director role, Alan Govenar emerges as a storyteller of profound depth and diversity. His initiative, Documentary Arts, stands as a testament to his commitment to shedding light on cultural and historical narratives that might otherwise fade into oblivion. I would have liked to have seen some cleaner editing in the film, as the stark jumps from one thing to another with the musical interludes leave you with a feeling of seeing an incomplete story.

With an illustrious career that boasts a Guggenheim Fellowship and a plethora of published works, Govenar's credentials are beyond impressive. His ventures into theater, such as "Blind Lemon: Prince of Country Blues" and "Texas in Paris," display his narrative agility and his flair for crafting stories across an array of artistic mediums.

DOWN IN DALLAS TOWN only partially exhausts the potential for narrative development. A deeper dive into the turbulent political waters of the 1960s or a more thorough examination of the psychological ripples following JFK's death might have added another layer of complexity to the film's rich narrative fabric. It felt like the seeds of this story were planted but needed to be given the ability to grow fully.

DOWN IN DALLAS TOWN is more than just a window into the past. It's a multidimensional exploration of history, humanity, and the haunting melodies that connect them. It's a film that transcends the documentary genre, weaving a rich, emotional narrative that resonates with viewers. Alan Govenar's vision and artistic versatility craft a viewing experience that's not just for history enthusiasts but for anyone drawn to the timeless echoes of our collective past.

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[photo courtesy of FIRST RUN FEATURES]

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