A Deep Dive Into Family, Culture, and Loss

Read Time:3 Minute, 54 Second

MOVIE REVIEW
Cottontail
–

Genre: Drama
Year Released: 2024
Runtime: 1h 34m
Director(s): Patrick Dickinson
Writer(s): Patrick Dickinson
Cast: Lily Franky, Ryô Nishikido, Tae Kimura, Rin Takanashi, Aoife Hinds, Ciarán Hinds, Yuri Tsunematsu
Language: English and Japanese with English subtitles
Where To Watch: in select theaters June 7, 2024, and on-demand July 9

RAVING REVIEW: COTTONTAIL emerges as a vivid narrative exploration that captures the essence of writer/director Patrick Dickinson's cross-cultural experiences and profound appreciation for Japanese cinema and culture. Set amidst the contrasting landscapes of Japan and the UK, the film weaves a moving story about family, loss, and the memories that bind us.

In his first narrative feature film, Patrick Dickinson presents COTTONTAIL, which delves into the emotional turmoil and cultural intersections of its main character, Kenzaburo, played by Lily Franky. The story begins in Tokyo, where Kenzaburo grapples with a life-changing event and how to cope with its fallout. His struggle occurs when he is tasked with completing a wish that asks the world of him, a journey that is as much about overcoming the sadness in his heart as it is about coming to terms with the act itself.

Dickinson paints on a broad cinematic canvas, contrasting the bustling streets of Tokyo with the serene expanses of the English countryside. The landscape becomes a character, mirroring Kenzaburo’s internal state as he faces his past, his son, and his coping mechanisms—most notably, his retreat into alcohol.

Franky's nuanced performance carries the film's emotional weight, which is further enriched by the vital supporting roles of Rin Takanashi, Aoife Hinds, Ciarán Hinds, and others who help to carry the weight of the film's heavy themes. Together, they explore the complex dynamics of grief and family, painting a picture of emotional struggle that many will find relatable.

Dickinson’s filmmaking choices—such as opting to shoot primarily in Japanese and employing a 2.39:1 aspect ratio—set COTTONTAIL apart, adding authenticity and warmth to this cross-cultural narrative. This aspect ratio cleverly isolates characters within the frame, amplifying their emotional solitude in a personal yet never claustrophobic feel.

Cinematographer Mark Wolf's use of close-ups, contrasted by more expansive shots, skillfully highlights the physical and emotional distances between the characters. At the same time, the film’s score subtly and deeply underpins the narrative’s emotional beats. Together, they create a visual and auditory experience that pulls viewers into Kenzaburo’s journey.

COTTONTAIL doesn’t quite manage to explore the more profound background of its characters, especially Akiko's (Kenzaburo’s wife) past. The film hints at some of her experiences and their impacts on her life. Yet, these elements never felt fully developed, often leaving the audience to fill in the emotional gaps.

Nevertheless, COTTONTAIL stands out for depicting the often unspoken challenges of family obligations and cultural expectations. It is a testament to Dickinson’s ability to craft a multi-layered story that resonates with a global audience. His debut is a profound exploration of the themes of identity, reconciliation, and the enduring impact of loss.

COTTONTAIL’s successful run at international film festivals, including a premiere at the Rome Film Festival, signals Dickinson’s promising future in cinema. His ability to bridge diverse narratives and cultures compellingly marks him as a filmmaker to watch. This film, a beautiful blend of personal and cinematic storytelling, will indeed engage and move audiences around the globe.

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[photo courtesy of LEVEL 33 ENTERTAINMENT]

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