Jean Dujardin Shines in Double-Feature Spy Adventures

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MOVIE REVIEW
OSS 117: Box Set (Cairo, Nest of Spies & Lost in Rio)
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Genre: Action, Adventure, Comedy
Year Released: 2006, 2009, 2023 Music Box Films Boxset
Runtime: 3h 20m
Director(s): Michel Hazanavicius
Writer(s): Jean-François Halin, Jean Bruce, Michel Hazanavicius
Cast: Jean Dujardin, Bérénice Bejo, Aure Atika, Philippe Lefebvre, Constantin Alexandrov, Saïd Amadis, Laurent Bateau / Jean Dujardin, Louise Monot, Alex Lutz, Reem Kherici, Rüdiger Vogler, Pierre Bellemare, Ken Samuels
Language: French with English subtitles
Where To Watch: available December 12, 2023; pre-order your copy here www.amazon.com

RAVING REVIEW: The OSS 117 BOXSET from Music Box Films takes us on a satirical journey into the espionage genre, but with a twist that elevates it beyond typical spy fare. Oscar winner Jean Dujardin, portraying the suave yet often clueless agent Hubert Bonisseur de la Bath, brings a unique blend of humor and sophistication to OSS 117: CAIRO, NEST OF SPIES and OSS 117: LOST IN RIO. This series not only revisits the classic spy drama that was initially started in the 1950s but infuses it with a comedic edge and historical backdrop, striking a balance that appeals to both genre enthusiasts and casual viewers alike.

OSS 117: CAIRO, NEST OF SPIES transports us to the politically vibrant Cairo 1955. Dujardin’s portrayal of OSS 117 is a delightful paradox – a blend of ineptitude and unexpected skill. The film, directed by Michel Hazanavicius (who also directed Dujardin in THE ARTIST), skillfully dances between satire and homage, injecting a welcome dose of humor into the espionage narrative. Dujardin channels the charm of classic spy figures, adding his unique comic twist that sets this character apart from typical genre stereotypes.

In OSS 117: LOST IN RIO, the scene shifts to 1967, a year of global transformation. Yet, our protagonist, OSS 117, remains delightfully unchanged, his humor intact as he embarks on a new mission in the colorful city of Rio de Janeiro. While maintaining its predecessor’s comedic and dramatic blend, this sequel occasionally risks overwhelming its plot with humor. The film’s nod to the 1960s spy aesthetic is evident, but faces challenges in further developing OSS 117’s character.

The OSS 117 BOXSET marks a distinct deviation from traditional spy narratives. It’s a juggling act, balancing respect for the genre’s roots with a playful, satirical edge. Dujardin’s performance is a highlight, showcasing his ability to seamlessly navigate comedic and dramatic tones. Beyond mere parody, these films delve into their respective historical and socio-political settings with a keen, humorous eye.

Viewing the OSS 117 BOXSET feels like taking a time machine through the evolution of spy films but with a refreshing perspective. It caters to a diverse audience, offering something for spy movie enthusiasts and casual viewers. Dujardin’s embodiment of OSS 117 is particularly noteworthy, bringing a nuanced blend of elegance and humor that transcends the typical spy caricature—having to remind myself occasionally that this was explicitly curated as a parody of the older genre films.

The series demonstrates significant potential for growth, steering clear of becoming one-dimensional. While elements like character development in OSS 117: LOST IN RIO could benefit from further refinement, the overall experience is entertaining and engaging. The OSS 117 BOXSET is a testament to the spy genre’s adaptability and richness, highlighting comedy’s role in reinvigorating familiar narratives. It reminds us that the world of espionage, often shrouded in seriousness, can also be a playground for humor and light-hearted adventure. I need to go back and check out OSS 117’s older films from the 50s-70s and the newer film that came after these.

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[photo courtesy of MUSIC BOX FILMS]